Onxymonx

Extremely satisfying, difficult, punishing and enjoyable game. You'd do well to find a better fighting game than this.

It's great and very well made. But it's short, much too short to be honest. You can finish it in 30 minutes even when you really take the time to see every detail. It's too short to really leave a mark.

Incredibly boring and ugly. Feels so pointless throughout the game. Nothing is engaging.

Fairly simple and decent game with Balatro-style progression. It's got some depth to it and is a good time-passer. A game like this will never be much more than that.

You have to mod the game heavily to make it work on a modern computer. Unacceptable.

It's incredibly simple and incredibly beautiful. Short and concise, it gives you an impression without lingering too long. Fantastic.

Not the masterpiece people will have you believe. It's pretty decent and the learning curve is pretty cool. There will be a lot of frustration though, and a lot of it because of the game not behaving logically. Doors are weird, npc moving patterns are luck based and the bosses are designed like .It's 10€ and pretty fun, but nobody can convince me that this is better than decent.

It's short and technically flawed, but at the same time it's quite an awesome experience, similar to other narrative driven games, and at the same time unlike any of **** you love history, moral dilemmas and mysteries, this is a must-play.

A nice story with some casual but engaging gameplay. There are a lot of moments where it feels like characters do stupid things because the writing is thinking more about the function than logic. This makes Hugo a frustrating character in the beginning, as well as many things happening in the first act feeling very forced and inorganic.That said, it's a beautiful game and a pretty nice story to feel like you're a part of.

"No more than x" means that x is an acceptable amount, but not in this game. Also it's a completely pointless game and a waste of time. A demo to nothing.

A good game hampered by a predatory menu system that tries to coax you into buying dlc by not making it clear what content you already own at first glance. DLC policy is ass and missions taking place in the same location are handled in an unimmersive manner.

An interesting idea that ends up being just another PvP extraction shooter.

While there are many QoL settings that I'm left wanting, mainly having more control of the game and the ability to enjoy it how I want, the game is really fun. There's a nice balance between winning and losing that actually makes it feel fair.

This one is a real time capsule. It's flawed and doesn't exactly compare well in its modern environment, but it holds up. While it's hilariously stupid/bad sometimes, it's simple and gets the simple things right most of the time. It's free from the obnoxious bloat of its sequel.

Obnoxious experience. You're required to create a 3rd-party account and install their launcher to even launch the game. Then there are start-up issues, followed by being forced into a mission before you can change your setting and a user-hostile navigation screen.

This badly needs a remaster or sequel so that this can be a pleasant experience today. You have to download stuff to unlock fps past 30 (which has the potential to break the game), and the game doesn't have dual monitor support at all. Taking money for this is ****'s a shame, because it's a fantastic game.

Scaling issues and game closes (crashes?) when you hit escape. There's not enough fun to be had to excuse living with that.

It's a good game. Difficult, but not too difficult. There are some issues with rotating pieces, especially in multiplayer. Also, the distance measurement bar doesn't represent the actual jump a lot of the time.

Halfbaked game with no real incentive and user-hostile gameplay. It's like the devs have never even played a game and have based this whole experience on two prompts fed to an early AI model. "What does a survival game need" and "How do I make people buy my game". The answer is a very basic survival game with horrible optimization, handicapped co-op, zero QoL, but big boobas naked woman sell. Every "feature" or "system" is a hollowed out stump.

In the end, it becomes underwhelming. Farming isn't fleshed out enough in a game that is all about it. Like so many other games in the simulator genre, most of the work is put on licensed assets, while gameplay, QoL and depth takes the hit. Co-op is a major pull for this, but unless you want to be on the same farm and always play at the same time, the system is massively flawed. You're constantly missing deadlines and you'll need to prioritize playing the game before living your life.

I don't know, for a game that's described as this vast and complex sandbox where you can do anything, there sure is little incentive to do anything at all. In the standard start, you are plopped into a dead-ish little village where you basically can't afford anything other than food and bed.I was really looking forward to exploring around, seeing if I can find a person to help or someone to follow, a cause to join, but apparently that's not a part of the game. There are mercenaries who want you to hire them, but there are no opportunities for yourself to offer your services to anyone else. In a game that bases its marketing on you being equal to the npcs and not a "chosen one" character, that's extremely contradictory. You are the chosen one, because you're the only character that seems to act on their own. I found a faction that called themselves the Shinobi Thieves and thought they would be my saving, that they would give me a story to create, a cause to join. But alas, all you get is "So you want to become a Shinobi Thief hehe?" You can't even ask what the hell that means. It doesn't matter that "all NPCs have their own lives" if you can't even talk to the majority of ****'s supposedly a good and huge sandbox that gives you loads of tools to create your own narrative, but honestly the seams of this simulation are so easy to ripple and see through that I felt I was better off refunding. I know I played a very short time, but after fully exploring the starting location, there was nothing to engage with. If I were to "create my own narrative", it would all be in my head, not in the game.

This flawed game really falls on its insistence to hold you hostage behind its worst feature. The movement. Many objectives are designed around running all over the place, and movement is extremely janky and time consuming. 30% of your game time will be waiting for Kate to shuffle into place before she can trigger the proper animation, or spamming the mouse button because she won't run due to bad mapping. If ever an NPC has scripted movement, you will be locked in place until you've experienced the entirety of its janky animation.Other than that, the voice acting is very uneven, the worst performance unfortunately coming from the main character. The script is bad, really bad at ****, I do like the mystery, how the story unravels at the beginning. This quickly turns into detours and "filler". I also quite like the artstyle. It's nostalgic and honestly still not bad to look at. It conveys a certain emotion that is quite unique even today.Unfortunately, the negatives far outweigh the positives in the end. I was invested enough to complete the game, but in hindsight I would never buy it if I knew what I now know.

Pretty much the same issues as the first game but differently weighted. While the movement is slightly better, its reliance on it is even worse. A lot more back and forth in admittedly more interesting scenes. You'd think this would make the game slightly better, but no. The entire beginning is a detour from the story unraveling. There's an annoying and ugly seal-dog that you have to deal with and the puzzles are much worse. There's a climbing sequence that is turned into a puzzle without any visual cues. They made the game look slightly better but feel even ****'s so persistent on wasting your time that I don't know how people find it enjoyable.

I can't recommend this game. It's not that the game is bad, it is a good game. However, in order to play it you have to spend at least 2-3 hours to fix it, following a fan-made super guide on what mods make the game less unstable (not stable). Otherwise the game will be bugged and you will be lucky to crash once every 30 minutes.I think it's completely unacceptable to sell a game in this state. It should honestly just be free if they don't care to fix it, which they obviously don't. On top of that, even if you get the game in a playable state, the main quest gets more and more bugged out the longer you get. At the end you'll be more relieved that it's over than happy to have played it, which is a shame because the storytelling in the first half and the world writing is phenomenal.

Seriously hard to determine whether to recommend or not. It's entertaining and a well written (and improvised) comedy story with a fantastic visuals team. However, the lackluster gameplay-loop, bugs and lack of polish makes it difficult to justify this being a game. The idea is fun, but it would have been more pleasant to take part of it through something like an adultswim miniseries.

It's a slightly better Animal Crossing, but still far from feeling rewarding. NPCs are lifeless and boring, and they seem to be the whole point of the game. You also need an external wiki for most things, which in a game where speaking to people is supposed to be a core aspect is really weird. You can't ask questions. You are basically just a drone. It's fun at times and made with a lot of heart, but ultimately it's too sloppy to be recommendable.

Honestly a bit shallow to splash 5.99€ extra. It's a fairly weak side quest, but with a nice shield painting mechanic that I somewhat appreciate. I got it with the dlc pass and it's alright, but I wouldn't really pay extra for it in hindsight.

Great addition that gives you something to strive for while completing the remaining side quests at the end of the game. Really liked creating my own workshop, though it could definitely use some more variation in tasks and they could have been fleshed out further.

Sloppy Ubisoft game. It has potential as always, but the developers aren't interested in refining the game as always.

It's an alright DLC that could have been so much more. As always the environment is FANTASTIC and a lot of care given to detail. Unfortunately, the story aspect is shallowly explored, easy to predict and filled with an annoying limitation of stealth gameplay. When you finally get this beautiful new environment, you are hindered from exploring it for 90% of the **** and miss.I truly wish that Warhorse would spend a lot more time on creating the DLCs, that they would treat them with as much care and respect as they do with the base games. Instead they choose to release 3 in the span of a year and the result is a lot of missed potential. I suppose that choice gives us KCD3 faster, but it also makes the DLCs feel like content for content's sake. Something to keep us busy and keep the game relevant for a longer time period.

The game is unnecessarily tied to the base game loop. It gets in the way of it self in terms of the puzzles and feels like a chore for the majority of the time. It's a nice story and addition that is told in an unappealing way.

It's far from perfect, but it has a lot of interesting concepts that weigh up for it. Some aspects are frustrating, especially that your ship log isn't portable and that you can't really ask NPCs important questions that you most definitely will come across. A game where you feel like you have to Google stuff has design issues.

Clunky, unpolished and unfinished abandonware. It's a waste of time and money.

This was great once. Now it's terribly outdated with clunky movement and lots of issues with mapping when traversing.

A masterpiece that gives us hope that Telltale-like games can still be made today and that there is a lot more to explore in the genre. This is the best in its genre.

As with the other RE Remakes, this is a great and polished game (except for one crash, save often). HOWEVER, this one marks the beginning of the new road that the Resident Evil series took, just like the original, where placing your foot next to two chainsaws is a feasible thing to do because you want to backflip off the wall. Leon becomes a corny action hero more than ever, but also a stupid one. Flashy acrobatics, one liners and knightly valour take priority over logic and common sense. Gameplay is great, but the level design takes a hit here as well. This is to lean more heavily into the action aspect. There is an issue with backtracking here. At times you are warned about being locked out from places and treasures, at times that warning comes too late or not at all. This is frustrating. Summary: Good game. Better than 3 when it comes to gameplay, but worse than 2. The tone here is worse than both of them.

Abyssmal performance makes it impossible to play. The performance is considerably worse than it was in the demo, due to higher detailed maps. Without optimization this is unplayable.

This is one of those games that are really fun but with lots of problems, both obvious and more subtle. The progression is really fun at first but, as with most grind games, it falls off the further you get. The biggest factor of how strong you are is, either the game's decision to lock improvements behind far off bosses, or behind rng of blood quality, drop rate and trait rolls. This makes the progression both linear and tedious at times. There is also the issue of additions that were never expanded upon. The game is smaller than what you are lead to believe when you first start. There seems to be many different forms to polymorph into, but only 2 are regularly used, one is situational, two are used once and the others are entirely pointless. There are so many things that could and should have been expanded on as well, but it seems the devs grew tired of the game, or were scared to change things after their success. That said, the game has loads of hours of fun, even though they will be scattered between grind periods. It's relatively cheap, it's creative and made with a lot of passion. It's good. At times great, at times not.

A fun little game that has a nicely balanced difficulty to it. I only wish there was more.

Horrible platformer with incredibly unreliable collision between sprites. It's doing something, but more so it's a waste of time.

A decent take on the whole surveillance game genre. Slightly poor performance, slightly inaccurate exorcising register and some annoyingly uncreative anomalies, but on the whole it's ****'s worth a few bucks.

This game is highly overrated. I really don't see why it is so universally loved. I'll list the things I dislike the most. The occasional faults in the platforming mapping. Every now and then there are bumps that aren't visually represented or ledges that end before the visuals do. This combined with jump distances that don't feel fully thought through makes the platforming imperfect. The limit on how many buttons you can map attacks to feels old and uninspired. It just becomes annoying when you all of a sudden need an ability you haven't mapped out and you have to stop the flow of the game. Bosses aren't polished. A lot of attacks are hard to spot, giving the boss cheap shots against you. This is especially true for the final stage of the final boss, making you end the game in frustration. This conflicts with the intended emotion of the storytelling. The storytelling itself is also flawed, a bit amateurish. I have no issue with the concept or the story itself. It's the appeal to sympathy that is so cheap and weak. The characters get the saddest eyes and posture imaginable. Even though they never speak, they scream "FEEL SORRY FOR ME" at the player. The impact of the story beats is heavily lessened due to this. Had they instead appealed to empathy , the player could have been encouraged to feel sad with Ori and the others, instead of for them. It's cheap, it's amateurish, it's what a child would do. It makes it feel like there wasn't much thought put into it. All that said, the game is good. It's beautiful, especially the music. The traversal is very dynamic and engaging. The characters and their design are perfect (not a big fan of Ori though). The side quests feel rewarding and purposeful. While I have a hard time buying the world and how it works, it's all cozy and cute enough to not make a big enough impact on my overall feelings for the game. It's definitely not the must-play that the ratings might make you think, but it's a good game well worth its price.

calmest zen-inducing game out there... It's a blast, mixing Mario Kart like features with golf. The game encourages being an ****. You are rewarded for giving your friends a hard time. Good balance between chaos and skill. All it needs is more maps and workshop support and this will be golden.

A good but highly overrated game. Feels like it gets away with a lot due to it being cute and revolving around depression. Story and its telling is pretty meh. Platforming is not fantastic, but it's alright. Biggest issue is the visibility and being locked from going back to rooms for no good reason. Getting the collectibles isn't terribly hard. It's just annoying, kills the pacing and is pointless in the end. That said the game can be fun. Especially the first few levels when you haven't gotten tired of trying every wall for a secret entrance.