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One of the latest marvels of stop-motion animation. Adam Elliot is perhaps the only one who isn’t afraid to tackle realistic themes such as loneliness, sadness, intolerance and mental health issues. Melancholy in just the right doses.

An exciting, moving conclusion to a chapter. Ahead of the handover, the story centres on uncovering a traitor seeking to sabotage an armistice. The story is crafted in such a way that it doesn’t feel like a long TV episode. Fans of the series will be more than satisfied

What sort of things can happen when you find a ‘treasure’ in a hire car? In their latest – though not their very latest – film, the Coen brothers gave the impression of drawing inspiration from 1970s films and their own back catalogue, yet all they managed to produce was a rather lacklustre film. That said, it was made without offending the LGBT+ community.

Can what we see in our dreams really affect or harm us in real life, or can it? The story of a family man who goes viral after appearing in strange dreams is a real oddity, and in a way, Nicolas Cage proves he’s still got it.

For some reason, it doesn’t quite reach the heights of the previous two instalments; the first 20 minutes feel slow, and Spock’s resurrection lacks sufficient emotional impact. In any case, fans of the series won’t be disappointed.

The age-old debate over whether androids will replace humans, and whether they will be capable of expressing emotions. In a way, Spielberg managed to bring Kubrick’s unfinished project to fruition. The story of an android boy and his futile quest to become a real child doesn’t seem quite childish, nor quite grown-up. And the 145 minutes of running time hardly seem to pass.

The Korean filmmaker managed to come up with a new zombie story without drawing on his previous work. Without warning, the plot becomes like a runaway train, giving the viewer no respite. And in a way, this serves as a warning about science that lacks conscience or responsibility.

A documentary about fatherhood in difficult circumstances, where love, resilience and patience are of the utmost importance. In many ways, the story of a widowed father and his efforts to take his son, who has Down’s syndrome, to a football match in person for the first time has everything it takes to captivate the viewer.

With a certain feel reminiscent of *Fargo*, this is a thriller that doesn’t set out to emulate or replicate the Coen brothers’ classic. It keeps the viewer hooked effectively, although the final act is a little formulaic. A good choice for the weekend.

To fully appreciate this spy thriller about false identities, you need to bear in mind that the style is somewhat reminiscent of Hitchcock. As a viewer, you need a great deal of patience, but somehow it doesn’t disappoint. A bit of useless trivia: the cast includes Daniel Radcliffe, before he stepped into Harry Potter’s shoes.

Why they wanted to shelve this film is a complete mystery. Very close to what might be called ‘Absolute Cinema’, it stays true to the slapstick humour that made these animated characters famous, whilst making a clever critique of big business. Anyone who grew up watching these animated shorts will feel thoroughly rewarded.

If this school drama has any charm, it’s because it managed to feel as close to real life as possible, cleverly weaving in a family drama. Perfect for a weekend watch.

The story unfolds like a dish simmering gently on a low heat. However, its greatest strength lies in the fact that it embraces Irish folklore without borrowing from anything we’ve seen before, and that it doesn’t resort to cheap scares. As a viewer, one should be very grateful for that.

All the President’s Men. The efforts of two journalists to uncover the truth about a break-in, and how this led to the Watergate scandal. For this reason, and thanks to the performances of Robert Redford and Dustin Hoffman, there are plenty of reasons to watch this true-life drama.

Why a few people believe that the story of a working-class bar dancer who wants to make her dream come true – by enrolling at a prestigious dance academy – is a 1980s classic is a complete mystery. If anything, its charm lies in the songs that would feature at school leavers’ balls and quinceañeras. Watch it purely out of curiosity.

In Boston, the local police plant an undercover agent in a local mafia cell; the mafia does the same, and things start to happen. Drawing slight inspiration from an Asian film, Martin Scorsese crafts a crime drama in his own unique style; every member of the cast ensures the final result lives up to expectations, so that the 150 minutes of running time slip away like sand through your fingers.

A psychological thriller. It’s true that you need to be patient for it to really take shape, but that effort is well rewarded because, in a way, it has a voice all of its own. It’s not for nothing that Ronnie James Dio warned us not to talk to strangers.

From the same director as *I Saw the Glow of the TV*, a love letter in her own handwriting to the slasher films that were all the rage in the increasingly distant 1980s. A blend of horror and comedy, it’s like an exotic dish that must be savoured slowly to appreciate its flavour.

Although fictional, the story of the rise and fall of an R&B band has enough charm to capture the viewer’s interest. It’s refreshing that the film has avoided clichés and added a touch of humour.

In the 1960s, there was a spate of action films set during the Second World War. Of all of them, this is one that is well worth watching, thanks to its pace, its cast and the suspense of the final minutes.

An example of the risks of watching TV late at night. There’s no denying that it’s a breath of fresh air for the genre; however, viewers will need to be patient, as you never quite know what you’re watching or where it’s heading – and the ending doesn’t bother to clear up any doubts. For those looking for fresh ideas.

At first glance, it looks like a low-calorie, teen-friendly version of *Pulp Fiction*. The result itself isn’t all that bad; its main flaw is that it lacks the sharpness seen in Tarantino’s work.

The ordeal of migration from Africa to Europe. What keeps the viewer’s interest alive is that long journey, in which faith and hope are the last things to falter. It is always worth watching.

Inspired by a real-life event, and bearing a certain resemblance to the classic *Dog Day Afternoon*. The plot delivers on its promise – at a leisurely pace – to keep the viewer on the edge of their seat. This is one of those cases where, the less you know about the event, the better.

In recent years, the superhero genre has been rather hit and miss. It’s a relief to see that in this instalment, both the 150-minute running time and the characters are well justified without overwhelming the viewer. And we’ll have to keep an eye out for what comes next.

The idea of a supernatural horror film told from a dog’s perspective seems quite original. And its honesty is to be commended, as is the fact that it avoids clichéd jump scares, and features a final act that doesn’t bother to resolve any unanswered questions.

This war comedy, set in a hypothetical 1941, is a case in point that even the best writers have their off days. From Spielberg’s early period, it isn’t one of his finest achievements, but rather one of those films you only watch out of curiosity and forget about the very next day. And do pay close attention to the opening minutes.

What makes this film interesting is that it isn’t detached from reality, particularly in its handling of time, the reason for the gathering and the dialogue. Olivia Wilde has managed to emulate Woody Allen’s style whilst retaining her own voice, and that’s another strong point. It’s just the ticket for those looking for a break from the summer blockbusters.

According to Asimov, robots cannot attack or kill humans – or can they? What begins as a love story unfolds into a sinister warning about our abusive dependence on technology. A good choice for the weekend.

Whether or not it’s linked to its sister films, *X* and *Pearl*, it doesn’t quite reach the same astonishing standard. The black humour is there, but it doesn’t quite reach the heights of the previous instalments. The consolation is that it’s not a complete waste of time.

From Kevin Costner’s heyday. It may not quite be an 80s classic, but the way it shows how important it is to follow your dreams has a certain charm. And it proved that, deep down, baseball isn’t all that boring.

Here, the idea must have been to create a version of *E.T.* for an older audience. It lacks the charm of the iconic 1980s classic, but it’s watchable if you’re not too fussy. It’s nothing like David Bowie’s equally iconic song.

Una de las mayores sorpresas del año. Aquí se supo cómo adaptar un clásico de la literatura épica sin abusar de las libertades creativas, ni de los efectos especiales, y las casi tres horas de metraje no son agotadoras.

La guerra, el difícil arte de la maternidad, la separación y la muerte; todo en una historia que sabe cómo darse identidad propia, y dar en el blanco sin clichés baratos. Justo lo que todo fanático del animé necesita y ama.

Un conflicto tan idiota como cruel, enfocado en una sus víctimas más indefensas. Lo que más sorprende y emite angustia al espectador es el cómo está narrado como en tiempo real. Aquel que después de verla, no sienta en la boca su sabor amargo, debería ver un doctor.

It is not for nothing that religion, like our parents, warns us against wolves in sheep’s clothing. Robert Mitchum is unsettling in the role of a self-righteous, widowed black preacher. The suspense, with just the right amount of tension, is present throughout.

It’s true that the tried-and-tested formula is still there: the ruthless black humour, the blood spurting everywhere. The problem is that if you already know the series inside out, you’re not sure whether to laugh or be scared; and the question arises as to whether the formula might be showing signs of weariness. The idea is to relax and not take anything too seriously.

Although it’s a romantic comedy, it feels like a fresh take, thanks to the simple premise of how to win someone over and then win them back. The scene where he serenades her with a Peter Gabriel song is a classic – it really hits the spot.

Directed by a then-debutant Stanley Kubrick, this war drama based on real events was one of the first to break with convention, functioning more as an anti-war statement, with an outstanding performance by Kirk Douglas.

It’s always a pleasure to come across a psychological horror film that takes a fresh, innovative approach. The story of an obsessive and uncontrolled romance keeps us on the edge of our seats, as both the plot twists and the final act are unpredictable.

The story of a tramp turned underground fighter may not be a gem from the 1970s. However, the main reason to watch it is Charles Bronson, in one of his most memorable roles. Just what you need for a weekend.

A classic from the now-distant 1950s. The drama of a boxer with a shady past and an uncertain future has everything it takes to captivate the viewer right up to the very last minute. One of Marlon Brando’s greatest on-screen performances.

It’s always a joy to come across a family film that respects the audience’s intelligence and appeals equally to children and parents alike. The characters in the film feel natural – that’s one of its strengths – as does the way it draws on crime novels.

From the increasingly distant 1950s, when this genre of fiction was all the rage. If it has any merit at all, it’s for the chance to see a then-fledgling Steve McQueen. Best watched without any great expectations.

As a thriller, it works quite well without trying to imitate what’s been done before. The cast, of course, do their job well, and that’s much appreciated.

It’s always a pleasure to watch hand-drawn animation that doesn’t over-rely on technology. It was about time we saw a cleverly crafted story set on Mars. Just what you need for a Saturday afternoon.

Comedian Martin Short, in his own words and those of his closest friends. Although the documentary’s pace feels a little slow, it is well justified by his life story, which includes moments both good and bad.

Spielberg returns to one of his favourite themes, this time with a less fantastical tone: aliens. The plot, presented as a conspiracy theory, has just the right amount of suspense to keep the viewer on the edge of their seat, and a final act that leaves questions unanswered. Better that than a happy ending, don’t you think?

Mezcla de hechos reales y ficción en el que se narra cómo México obtuvo la sede de la Copa del Mundo 1986, a pesar de los pronósticos en contra; y cómo fueron los días de gloria y caída en desgracia del artífice de esa proeza. Como comedia es bastante discreta, da la impresión que se quedó a medias.

Tomando como referencia las leyendas y el folclor, el primer largometraje mexicano en stopmotion es un sorprende cuento de hadas en tonos góticos. Una experiencia animada a la altura de quienes llevan la sartén por el mango.