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The idea of a supernatural horror film told from a dog’s perspective seems quite original. And its honesty is to be commended, as is the fact that it avoids clichéd jump scares, and features a final act that doesn’t bother to resolve any unanswered questions.

This war comedy, set in a hypothetical 1941, is a case in point that even the best writers have their off days. From Spielberg’s early period, it isn’t one of his finest achievements, but rather one of those films you only watch out of curiosity and forget about the very next day. And do pay close attention to the opening minutes.

What makes this film interesting is that it isn’t detached from reality, particularly in its handling of time, the reason for the gathering and the dialogue. Olivia Wilde has managed to emulate Woody Allen’s style whilst retaining her own voice, and that’s another strong point. It’s just the ticket for those looking for a break from the summer blockbusters.

According to Asimov, robots cannot attack or kill humans – or can they? What begins as a love story unfolds into a sinister warning about our abusive dependence on technology. A good choice for the weekend.

Whether or not it’s linked to its sister films, *X* and *Pearl*, it doesn’t quite reach the same astonishing standard. The black humour is there, but it doesn’t quite reach the heights of the previous instalments. The consolation is that it’s not a complete waste of time.

From Kevin Costner’s heyday. It may not quite be an 80s classic, but the way it shows how important it is to follow your dreams has a certain charm. And it proved that, deep down, baseball isn’t all that boring.

Here, the idea must have been to create a version of *E.T.* for an older audience. It lacks the charm of the iconic 1980s classic, but it’s watchable if you’re not too fussy. It’s nothing like David Bowie’s equally iconic song.

Una de las mayores sorpresas del año. Aquí se supo cómo adaptar un clásico de la literatura épica sin abusar de las libertades creativas, ni de los efectos especiales, y las casi tres horas de metraje no son agotadoras.

La guerra, el difícil arte de la maternidad, la separación y la muerte; todo en una historia que sabe cómo darse identidad propia, y dar en el blanco sin clichés baratos. Justo lo que todo fanático del animé necesita y ama.

Un conflicto tan idiota como cruel, enfocado en una sus víctimas más indefensas. Lo que más sorprende y emite angustia al espectador es el cómo está narrado como en tiempo real. Aquel que después de verla, no sienta en la boca su sabor amargo, debería ver un doctor.

It is not for nothing that religion, like our parents, warns us against wolves in sheep’s clothing. Robert Mitchum is unsettling in the role of a self-righteous, widowed black preacher. The suspense, with just the right amount of tension, is present throughout.

It’s true that the tried-and-tested formula is still there: the ruthless black humour, the blood spurting everywhere. The problem is that if you already know the series inside out, you’re not sure whether to laugh or be scared; and the question arises as to whether the formula might be showing signs of weariness. The idea is to relax and not take anything too seriously.

Although it’s a romantic comedy, it feels like a fresh take, thanks to the simple premise of how to win someone over and then win them back. The scene where he serenades her with a Peter Gabriel song is a classic – it really hits the spot.

Directed by a then-debutant Stanley Kubrick, this war drama based on real events was one of the first to break with convention, functioning more as an anti-war statement, with an outstanding performance by Kirk Douglas.

It’s always a pleasure to come across a psychological horror film that takes a fresh, innovative approach. The story of an obsessive and uncontrolled romance keeps us on the edge of our seats, as both the plot twists and the final act are unpredictable.

The story of a tramp turned underground fighter may not be a gem from the 1970s. However, the main reason to watch it is Charles Bronson, in one of his most memorable roles. Just what you need for a weekend.

A classic from the now-distant 1950s. The drama of a boxer with a shady past and an uncertain future has everything it takes to captivate the viewer right up to the very last minute. One of Marlon Brando’s greatest on-screen performances.

It’s always a joy to come across a family film that respects the audience’s intelligence and appeals equally to children and parents alike. The characters in the film feel natural – that’s one of its strengths – as does the way it draws on crime novels.

From the increasingly distant 1950s, when this genre of fiction was all the rage. If it has any merit at all, it’s for the chance to see a then-fledgling Steve McQueen. Best watched without any great expectations.

As a thriller, it works quite well without trying to imitate what’s been done before. The cast, of course, do their job well, and that’s much appreciated.

It’s always a pleasure to watch hand-drawn animation that doesn’t over-rely on technology. It was about time we saw a cleverly crafted story set on Mars. Just what you need for a Saturday afternoon.

Comedian Martin Short, in his own words and those of his closest friends. Although the documentary’s pace feels a little slow, it is well justified by his life story, which includes moments both good and bad.

Spielberg returns to one of his favourite themes, this time with a less fantastical tone: aliens. The plot, presented as a conspiracy theory, has just the right amount of suspense to keep the viewer on the edge of their seat, and a final act that leaves questions unanswered. Better that than a happy ending, don’t you think?

Mezcla de hechos reales y ficción en el que se narra cómo México obtuvo la sede de la Copa del Mundo 1986, a pesar de los pronósticos en contra; y cómo fueron los días de gloria y caída en desgracia del artífice de esa proeza. Como comedia es bastante discreta, da la impresión que se quedó a medias.

Tomando como referencia las leyendas y el folclor, el primer largometraje mexicano en stopmotion es un sorprende cuento de hadas en tonos góticos. Una experiencia animada a la altura de quienes llevan la sartén por el mango.

Insolence as a comic device. The rise and fall of a comedian who feared nothing and no one, portrayed with near-mastery by a then-young Dustin Hoffman. The fact that the character isn’t widely known should be no excuse for not watching it.

As a period biographical drama, it works quite well, largely thanks to the direction, the costumes and Audrey Tautou’s performance. All of this makes it well worth watching, even though the plot’s pace feels a bit slow.

A bitter, uncomfortable warning about just how damaging lies and gossip can be, in equal measure. What stands out most are the performances by Audrey Hepburn and Shirley MacLaine.

Nelson Mandela’s first five years as President of South Africa, and his tireless, well-known efforts to rebuild the country both socially and in the sporting arena. Morgan Freeman in one of his most memorable roles, and that is precisely what holds the film together.

La historia de amistad-amor entre dos personas mayores peca de complaciente pero aún así tiene un sabor que atrapa sin remedio al espectador.

Without making a fuss or causing a stir, it is acknowledged that this film fits neatly into the horror genre, having grown from a small idea and making do with limited resources, and with a plot that doesn’t bother to answer any questions.

How many disasters can happen at a formal party when a guest turns up who shouldn’t be there? Plenty. The story of this disastrous party may not have the same strengths as *The Pink Panther*, but as a fun 95-minute escape from reality, it works quite well.

The story of an actress in rehab and her reconciliation with her mother owes its greatest strength not only to the plot itself, but also to the cast, who perform their roles admirably.

From a distance, you can see its resemblance to the 1990s classic *Heat*. The effort would have been more appreciable had the plot not taken longer than necessary to take shape and felt rather slow-moving.

I’m not familiar with the book on which it’s based. The story of two damaged characters who form an emotional bond thanks to an aquarium octopus isn’t exactly groundbreaking, but it’s enough to kill 110 minutes with minimal discomfort.

Eddie Murphy, the iconic comedian, from A to Z.Watching and listening to his story, with its high points and low points, may not be to everyone’s taste. Those who will appreciate it are his die-hard fans. For a weekend with no pretensions.

Although there’s no direct connection, you can sense the influence of Pixar’s creative geniuses. The plot involving a switch of identities isn’t exactly groundbreaking, and it doesn’t quite capture the essence of those who really call the shots. Still, it’s welcome as a wholesome distraction for children.

Another example of ‘less is more’. If this story works, it’s because it relies on an unseen threat, and as a viewer you feel drawn into the atmosphere the characters are in. It’s certainly worth giving it a go.

The story of two fugitives, forced to put their differences aside and work together to gain their freedom, works well as a social commentary in a society marked by racial prejudice. And when you consider the cast, the film is even better.

Time travel, presented from a fresh perspective with touches of romance and comedy; the story knows how to maintain its pace and keep the viewer engaged right up to the very last minute. One of the finest examples of anime cinema.

[SPOILER ALERT: This review contains spoilers.]

The story might be a bit conventional, but what makes it stand out is the way a butler served as a virtually silent witness to historical events shaped, for better or worse, by racial intolerance. It’s always worth a look.

Inspired by a true story, set in an era marked by intolerance. It shows just how far one can go through persistence and resilience, all whilst avoiding sentimental clichés. Something that is very much appreciated.

To find out more about Peter Jackson and Kate Winslet’s humble beginnings. The story of a remarkable friendship—one that has withstood the test of time, artillery, explosives and fire—has plenty to offer viewers and is sure to linger in the memory.

Based on a true story. What follows isn’t exactly a memorable film, but somehow the story of three disillusioned, marginalised characters who create a new and wholesome form of faith has a certain something that keeps the viewer’s interest alive. Perfect for a low-key weekend.

When it comes to the horror genre, you can always expect some big surprises from Japan. The story of three characters searching for a way out of an endless loop may seem repetitive, but it manages to surprise the viewer without resorting to cheap effects, and with an ending that leaves questions unanswered.

The efforts to update this iconic 1980s comedy were not in vain – quite the opposite. It has its own distinct identity without resorting to vulgarity, and proves that, with a bit of effort, Liam Neeson can be funny.

Charlie Kaufman’s experiment as a screenwriter and director was a resounding success. Life itself, portrayed as a play, has a certain quality that keeps the viewer spellbound, despite the slow pace – not to mention P. Seymour Hoffman in the lead role. Not seeing it would be almost a sin.

The story of how a potential nobody became one of the most influential figures in American politics is laced with dark humour, which some have accused of being biased. Were it not for its uneven pacing, it might have been better, and Christian Bale does his utmost to save it.

At first glance, it looks like your typical Adam Sandler comedy, but it isn’t, and this time he proves that he can be funny without his usual mannerisms. No one but Paul Thomas Anderson could have pulled off such a feat; it’s one of those films where everyone comes out a winner.