Critic Reviews

Star City is worlds away from For All Mankind - and is all the better for it.

An intense, immaculate paranoid thriller. .... Impeccably acted (despite the wonky accents) and rife with intrigue, “Star City” is dark, compelling and completely impressive. It works beautifully as a standalone without any prior knowledge of “For All Mankind.”

A incredible show that combines popular genres, digs deep into an alternate history, has a phenomenal cast, and keeps you guessing as the mysteries begin to unravel throughout the series.

Star City's distinct visuals, sharp performances, and compelling narrative that pulls back the curtain on the mysteries surrounding the Soviet position in the space race all combine for a spin-off that doesn't necessarily need to match For All Mankind's longevity to be gripping in the moment.

Star City soon establishes itself as an ideal kind of spin-off, replicating the strengths of its predecessor while thriving as a standalone drama.

Wrings taut drama from the story of Eastern Bloc men and women trying, at great personal and moral risk, to foster innovation under the thumb of authoritarianism.

Star City posits a much darker vision, and arguably one much more in keeping with our own current national mood. It makes for a bleak time — but some very compelling drama.

Star City has none of the glossy blandness that For All Mankind did at the beginning, before it found its feet, and none of the soapiness that has occasionally beset it since. By relocating to the USSR, the stakes are immediately higher and inescapable.

If this is the more slow-burn sibling to For All Mankind, it’s one that gradually draws you in for something perhaps even more satisfying altogether. English accents and all.

Everybody around the space program knows what they’re not allowed to say, and yet a lot of them feel tempted to say it. Which is a tension we can believe in as the series continues to unfold its detailed alternate reality.