TV Guide Magazine

Though a minor work, this worldly comedy is handsomely staged, and Hitchcock's dry wit is already in evidence.

This is a movie with a lot of intelligence and ideas, about someone with a lot of both, for people who, even if they lack one or both of those qualities, appreciate them.

Whether or not The Magician rises to the level of its cinematic predecessors may be up for debate, but thanks to a smart, cleverly constructed screenplay and a compelling lead performance, Ryan’s film displays a flair for storytelling that’s notably lacking in many first-time features. It’s a great addition to the Blue Tongue catalogue, and it’ll be interesting to see where Ryan turns up next.

This film exists only for its glamorous visuals, gorgeous Gershwin music, and the dancing choreographed by Astaire and Eugene Loring.

Perhaps Kenji Mizoguchi's greatest achievement, SANSHO THE BAILIFF is a visually mesmerizing picture that pays great and careful attention to the smallest details of nature and environment, highlighted by Mizoguchi's use of the long take and deep-focus shots.

The first hour of The Tomorrow War is really quite dumb fun. The second half pumps the brakes on the wacky sci-fi and just goes in for gross-out action.

Excellent, but nasty stuff.

The film’s only flaw is a minor one: Some of the stylistic devices, such as the rapid-fire montages of vile and depraved images, have aged poorly. But that in no way detracts from the visceral power of the backslide into the abyss that we experience along with the central character.

Deliberately theatrical but nevertheless greatly indebted to French poetic realism, Children of Paradise is lovingly handled by director Carne. The entire film is crammed with incident and an intoxicating eye for detail.

Director Morita does an exemplary job of bringing a Japanese graphic novel to the screen.