Aramide Tinubu

“War” soars because it goes beyond the obvious. The series thrives because it offers glimmers of humanity sliced between moments of sabotage and betrayal. Miller and West are highly believable as two people who once shared a deep affection for each other.

Despite the bizarre episode pacing, “Coven Academy” is fun.

When it’s all said and done, “S.W.A.T. Exiles” doesn’t reinvent the wheel for its genre, or even from the previous series. But Moore is commanding and earnest as he steps back into Hondo’s shoes.

The show works perfectly well as a standalone, but knowing the lore and history behind “The Cosby Show” spinoff and even Whitley and Dwayne’s romance will undoubtedly allow those viewers a well-layered experience.

“Line of Fire” has all of the essential elements that make procedural dramas so fun.

“The Lizzie Borden Story” offers something refreshing and wholly unique to the “Monster” canon.

“Agatha Christie’s Tommy & Tuppence” is solid, but as the former college sweethearts-turned-sleuths dig deep into intricate crimes that go beyond the obvious, it soars.

“High Value Target” thrives in the scenes between John, the former president and Samir (Dar Salim), John’s translator, who lost countless family members due to Hussein’s systematic state terror. Unfortunately, these scenes are sporadic. The rest of “High Value Target” is a relentless (though rightful) condemnation of an administration that tried to posture its way into justifying a near-decade-long war, but failed in the end.

While the show has all the themes expected in series focused on teenagers and young adults, worn-down tropes hinder “Crew Girl,” leaving its cast to sleepwalk through unrealistic, contrived plot points.

Engaging, devastating and thoroughly entertaining, it’s clear that with its second season, “The Gentlemen” has upped the ante and fully hit its stride.