Radio Times

I Will Find You ends, in the best traditions of the throwaway thriller, with a last twist that doesn’t make sense when you stop and think about it - if you want to stop and think, Harlan Coben is not your guy. On home turf, however, he knows what he’s doing.

The two episodes available to press are bookended with memorable series-defining moments. Of course, with the season storming out of the gate in such a blaze of glory, could it risk of fizzling out further into the run? We’ll have to wait and see.

This Cady is a more complex, stealthier presence. There’s charm to Bardem, a tightrope walk of cunning cloaked in an undeniable charisma.

While often not exactly laugh-out-loud funny, Clement’s comedy background (Flight of the Conchords, What We Do in the Shadows) makes him a reliable source of dry one-liners, and the intergenerational conflict – like when Steve makes a cringeworthy debut to Izzy’s cool friends – will bring smiles of recognition.

Yet overall, this fourth season proves a welcome course-correction for the show - and should leave Critters eagerly awaiting Vox Machina’s final battle, as we head into the calm before the Whispered One-shaped storm.

It’s the usual larks, then, but with a gentler edge. Fans of Top Gear back in the day would not recognise the Jeremy Clarkson seen here fighting back tears when his favourite pigs are loaded on to the truck that only does one-way journeys – but Clarkson’s Farm is healthier than ever.

Star City is worlds away from For All Mankind - and is all the better for it.

Fortunately, there’s enough to the show’s plucky protagonists and rich sense of style to make up for its storytelling shortcomings. In fact, Spider-Noir is far better than such a frivolous spin-off has any right to be, with Cage deserving of high praise as the lynchpin that holds it all together.

The show's sprawling, starry cast is also a blessing and a curse. It has to spend a huge amount of time introducing (and making us invested in) a large ensemble of characters, resulting in the first couple of episodes feeling rather slow. But once warmed up, they’re a treat.

Tatiana Maslany’s ability is not in question, but here it goes to waste.