Radio Times

In sanding down some of the edges, the show has lost some of its urgency – along with its sense of dread about the state of the world. .... But it now feels like a drama that appreciates that no catastrophe is as compelling as one driven by intimate, human stories.

The script offers half a bad idea, which Ferrell and co are tasked with turning into comedy gold through sheer comic exuberance. With so little to work with, and with Ferrell’s ability to perform miracles now on the wane, it never works.

Although the show touches on larger themes such as friendship and betrayal, in the end this is proves to be a fun, but not particularly profound, ride.

Ultimately, Lucky never quite adds up to more than the sum of its impressive parts.

The result is an undeniably heartfelt family drama that, for all its coming-of-age anxieties and sweeping vistas, also dares to ask some difficult questions about the true price of progress.

Trying has the power to bring a tear to the driest eye without warning, and that’s the case again in season five. .... Purely as old-fashioned comedy, every episode is so awfully good.

Apple TV has never shied away from going big with its sci-fi shows, but this truly unforgettable third run proves Silo is in a league all of its own.

This was a movie spin-off full of potential but TV this bland should be illegal.

By The Bear’s standards the air-punch moments veer into indulgence, but we've been through so much together that we've earned episode seven, the most tearful, joyful, human hour of television you'll see anywhere this year. It also contains three or four of The Bear's best ever gags and by far its most hilarious ever one-off character.

I Will Find You ends, in the best traditions of the throwaway thriller, with a last twist that doesn’t make sense when you stop and think about it - if you want to stop and think, Harlan Coben is not your guy. On home turf, however, he knows what he’s doing.