Chris Agar

It may not do anything particularly innovative from either a storytelling or filmmaking perspective, but Spiderhead is proof there's still material to be mined from well-known ground when talented people are bringing the narrative to life.

There were enough pieces here to create something interesting, but it never fully came together.

The Adam Project is a charming and fun sci-fi throwback, fueled by a strong script and one of Reynolds' best performances.

Soderbergh fans and those looking for a slick thriller should be inclined to check KIMI out when they get a chance.

Munich: The Edge of War is a well-made period piece able to stage necessary tension despite its real-life story being so well-known.

The Tragedy of Macbeth is a visually stunning and faithful Shakespearean adaptation fueled by captivating performances from its stars.

Last Night in Soho is a stylish and thrilling work from Wright, bolstered by an impressive lead performance from Thomasin McKenzie.

Space Jam: A New Legacy is a fun family movie bolstered by a good heart and strong visuals that make up for a lack in originality.

The Tomorrow War is a fun entry into the sci-fi/time travel genre, though the pieces never add up to something all that memorable.

Instead of being the next John Wick, Nobody plays out more as John Wick lite, which could be disappointing for some. It's fun to see Odenkirk try something new at this stage in his career, and Nobody clearly knows what it is and never takes itself too seriously (see: the moments of levity, the soundtrack full of licensed classics). Still, these merits don't truly help elevate the final product beyond fleeting entertainment.