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SummaryIn a state-of-the-art penitentiary run by brilliant visionary Steve Abnesti (Chris Hemsworth), inmates wear a surgically attached device that administers dosages of mind-altering drugs in exchange for commuted sentences. There are no bars, no cells, or orange jumpsuits. In Spiderhead, incarcerated volunteers are free to be themselves. Until they’... Read More

Spiderhead

Metascore
54
User score
Mixed or Average
5.4
My Score
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Metascore
54
41% Positive
14 Reviews
50% Mixed
17 Reviews
9% Negative
3 Reviews
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  • Positive Reviews
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  • Negative Reviews
Jun 16, 2022
90
New York Magazine (Vulture)
Here is a place, then, where everyone does as they’re told, and beneath its placid surfaces, its lush setting and clean spaces, lies a deep moral decay. This is a common theme in science fiction, but on film it’s rarely been presented as entertainingly and thoughtfully as it is in Spiderhead.
Jun 13, 2022
70
IGN
Spiderhead is loaded with original sci-fi ideas, and while it may not stick the landing, it makes for an intriguing experience.
User score
Mixed or Average
5.4
29% Positive
22 Ratings
54% Mixed
41 Ratings
17% Negative
13 Ratings
  • All Reviews
  • Positive Reviews
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Oct 26, 2024
10
Toborrance
[SPOILER ALERT: This review contains spoilers.]
Aug 13, 2024
10
Noobird
In a state-of-the-art penitentiary run by brilliant visionary Steve Abnesti (Chris Hemsworth), inmates wear a surgically attached device that administers dosages of mind-altering drugs in exchange for commuted sentences. There are no bars, no cells, or orange jumpsuits. In Spiderhead, incarcerated volunteers are free to be themselves
Jun 13, 2022
65
The Globe and Mail (Toronto)
Perhaps sensing that the film needs all the toe-tapping energy it can get, Spiderhead’s cast make the most out of their thin material.
Jun 17, 2022
60
Screen Daily
The results are both engaging and disposable, offering game viewers an exercise in suspense and off-kilter atmosphere.
Jun 17, 2022
50
Chicago Tribune
The script for Spiderhead makes a rookie mistake: It lets the audience get too far out ahead of the Teller character’s moral and narrative awakening. Hemsworth has some icy, rascally fun with his scenes; when Teller and Smollett get some time together, on their own, the story flickers to something like life. But even at 100 minutes minus end credits, the film’s stretch marks are undeniable.
Jun 13, 2022
42
IndieWire
For a movie so preoccupied with the choices that people can make, Spiderhead invariably makes the least interesting ones available to it, which is a serious problem for a movie streaming on a platform whose subscribers are never far removed from the choice to be watching something else instead.
Jun 13, 2022
20
Variety
Kosinski is a gifted director, but his specialty is juggling human elements with complex visual effects. He is not cut out for this kind of comedy. His design choices are all wrong. The execution is tone deaf.
See All 34 Critic Reviews
Jun 18, 2022
10
melythemac
I absolutely loved it, but its not for people who are expecting a formulaic action movie. I love movies like this with a slow build and character driven
Feb 19, 2026
6
Khashimitooo
Der Film ist ziemlich billig gemacht, denke ich, was das Budget angeht. Aber wegen der Besetzung kann man ihn sich trotzdem mal für einen Abend anschauen. Ich würde ihm so eine schwache Sechs von zehn geben.
Dec 8, 2025
6
MatePolcz
Spiderhead is not as bad as many people say, but I understand why they feel the way they do. The first two acts are pretty good and set up what could be a satisfying resolution. The characters are pretty interesting with their internal struggles and backstories, but something is just missing that would make me feel after the resolution. Some twists work, although some are pretty predictable. The dialogues are pretty natural and funny at times. Joseph Kosinski is one of my personal favourite directors, but this film's third act is tonally a mess. The situations didn't always match with the acting and the music there. The cinematography is simple, but good and it works well with the editing. The production design is moody and probably my favourite aspect besides Claudio Miranda's cinematography. The visual effects are surprisingly wonky, especially the car scene. The soundtrack isn't bad overall, but as I said, some of the song choices for the third act are weird. The other thing that created this tonal mess is the acting, which is also good overall, but some scenes in the third act just don't work at all. Spiderhead is something I wanted to like, because I like the people who made it.
Jun 17, 2022
3
MetacriticOnur
bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree.
Jun 18, 2022
2
PoeticDumpling
THE ONE MAJOR MUST SEE SCENE HERE even if u don't view the film is: Chris Hemsworth sexy dancing scene to More Than This by Roxy Music. I could view that clip over and over. He is the villain which makes the feeling complex. But my god he nails that scene. Sexy as **** for those moments. Can we get a dancing film for him stat? I was really excited about this movie because it sounded like a great premise and Joseph K has delivered Top Gun sequel recently. The further this film goes the less engaging it feels. There are a lot of legit and relevant issues on display here...elite 1%, pharmaceuticals, tech surveillance, situations that dangerously manipulate individuals psychologically due to shadow issues. There are all the right ingredients here for a 1984/BlackMirror cautionary thriller but the ingredients are used poorly and the results are bitter, ****ing nuts, lacking in character care and kind of cold standoffish. I do enjoy the use of both laughter and **** melding of emotions with characters ....feels rather apt right now after everything mass consciousness is traveling through. The film lags a lot and by the time the fireworks ignite at the **** viewer already feels a bit callous and catanotic like one of the test subjects. This is a great idea that needs to be executed better.
See All 76 User Reviews
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  • Conde Nast Entertainment
  • Grand Electric
  • Reese Wernick Productions
  • Screen Arcade
  • The New Yorker
Jun 17, 2022
1 h 46 m
R
How Far Would You Go to Fix Human Nature?
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