IGN Adria

Mouse: P.I. for Hire delivers a striking, unique aesthetic and very enjoyable retro gunplay, though its blend of styles won’t appeal to everyone. Still, as a cohesive and technically polished project, it manages to deliver a high-quality, complete experience that’s rarely seen on today’s indie scene.

In an era of copy-paste open-world festivals, this game delivers a strong linear experience that isn’t afraid to take risks. Despite somewhat clunky combat, it offers a compelling package that no fan of quality cyberpunk storytelling and aesthetics should miss.

All things considered, MotoGP 2026 is a solid, by-the-book annual continuation straight out of the Milestone playbook - one that loyal fans of the series will definitely appreciate, but it’s hard to see it offering anything particularly new or compelling for everyone else.

Mario Tennis Fever is primarily a party game that shines the most in local multiplayer and its creative modes, where chaos, power-ups, and classic Nintendo charm fully come to life. The single-player content, while also fun, leaves a weaker impression, as it feels fairly shallow and serves more as an introduction to the mechanics rather than a proper campaign capable of carrying the game on its own.

The PS5 version is technically shaky, and the DLC is quite disappointing, but the free update still adds a decent amount of new content. For Starfield to truly become a good game, it would need a level of transformation similar to what Cyberpunk 2077 or No Man’s Sky went through. But let’s be realistic - it’s hard to imagine Bethesda putting in that kind of effort for a project that never fully won over its audience.

Reunion finally gives fans what they’ve been asking for - a return of Max and Chloe in a form that captures the very essence of the series. It’s rare for a final chapter to correct past missteps and deliver a satisfying conclusion to a story we’ve followed for over a decade, which makes Reunion essential for all fans, even those turned away by Double Exposure. It may not be perfect, but it’s effective and emotional enough to remind us why we fell in love with Life is Strange in the first place.

A slow-paced space adventure with an interesting central mystery that will satisfy only those players who are interested in melancholic stories where happiness, love, and a future are not guaranteed. A well-acted game about searching for a new home among the stars, which was sadly kept away from its true potential by slim gameplay variety.

In video games, there are two kinds of sequels: those that play it safe, and those that go completely off the rails. High on Life 2 firmly belongs to the latter. As the follow-up to one of the strangest FPS titles in recent years, it feels like a deliberately chaotic shooter that makes you wonder what kind of substances were in play during the writing process.

Housemarque builds on everything that made Returnal great, pushing the intensity and bullet-hell chaos to even greater heights. A well-crafted progression system ensures players can dive into the action with confidence, without worrying about wasting their time.

Tomodachi Life: Living the Dream is the kind of strange Nintendo experiment that can even push fans of Japanese eccentricity out of their comfort zone, leaving them wondering what they’re actually playing. The creative tools offer plenty of freedom, and players looking to shape their own experience will likely spend most of their time there - only to end up with something they can barely share with anyone else. As a solo experience, it can be mildly entertaining, but only for the patient.