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SummarySurrounded by wealth and living with abundant resources in Manhattan, 12-year-old cello prodigy Reggie lives a solitary life. Estranged from family, having slacker boyfriend troubles, and fired from her waitressing job, 23-year-old sometimes musician Eleanor needs a new place to live and a new job. Fate winds her lovely fingers around these two l... Read More

Directed By:Frank Whaley

Written By:Frank Whaley

Like Sunday, Like Rain

Metascore
43
User score
Generally Favorable
7.3
My Score
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Metascore
43
33% Positive
2 Reviews
17% Mixed
1 Review
50% Negative
3 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Mar 20, 2015
80
Los Angeles Times
Whaley nicely calibrates this wistful dramedy's emotional quotient, never allowing sentiment to turn into sap.
Mar 12, 2015
70
The New York Times
Ms. Meester and Mr. Shatkin mesh beautifully, so much so that you might feel a little cheated at the end.
User score
Generally Favorable
7.3
80% Positive
8 Ratings
0% Mixed
0 Ratings
20% Negative
2 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Dec 11, 2016
10
paulmars
Very underrated. Loved the chemistry between the main actors, this movie was a little unsettling for sure, since it seemed like a romance between an adult and a child, but it was loaded with real ****, what a surprise!
Sep 14, 2015
8
LeZee
Being pro nanny isn't an option to babysit some kids. I don't know how many you will agree with me that it was an underrated movie of the year. This film was so poetic, very unusual theme, but you have to understand it, otherwise it will be a plain babysitting movie. I believe as the filmmaker said, it was inspired by the real and so tried to be true as much as possible. The entire film was shot in just 20 days and there's no compromise in quality or the performances. It was a tight call, to label it as a coming-of-age movie, because the definition does not match as the boy in the film was very matured, but only the end answers for that. It all begins with a 23 year old Eleanor, who broke-up with her boyfriend, at a same time lost the job. Standing in the middle of the street knowing nothing about what to do next, luckily a job offer comes her way. A temporary nanny job, to look after a 12 year old wealthy prodigy, Reggie. Subsequently the true narration begins where these two spend those two months together. "Welcome to the weirdness. I'm just trying to navigate a course towards safety & sanity best way I know how." I have seen many movies of Leighton Meester, but not that at least one pops-out of my mind, other than maybe 'The Roommates'. This film might not bring her any awards, but definitely remembered for her simple and perfect character display. I have never seen this boy before, he was just a movie old and awesome as a genius boy. The screenplay was very naturalistic, sensitive, no twists, no sideshows, whatsoever to distract from the main focal point. There's only one perspective where the story flows in one direction, i.e., these two characters. Only the end splits as similar to the opening sequences like the before they came together. The movie reminded me 'Uptown Girls', except the boy in place the girl. Only for the one reason, because in both the film the kids were very smart and matured more than their nannies. One film was a comedy-drama and the other one was a music-drama. But like I earlier mentioned, the end scene leaves a new dimensional meaning of the movie you have watched and understood from the initial parts. It runs at the pace of a snail, so requires patience, but the music was so sweet that you might adapt the slow narration and drift till the end like I did. The film is not proving anything, but just an another perspective of one of the human emotion from the millions relating to the relationship and its uncertainty. The best way to get the movie is trying to understand the fusion of the characters from their mentality, not by the physical appearances. I suggest simply to skip it if you are looking for an entertainment or the inspiration, because it is none of that. An ordinary flick with an emotional conclusion and only a very few would end in happy of seeing it. 7.5/10
Mar 26, 2015
58
The A.V. Club
Whaley aims high for this sort of material, but his film, sweet as it is, gets a little too precocious.
Mar 11, 2015
30
The Dissolve
Shatkin is trying hard here, but Whaley’s overwrought script keeps the young actor from utilizing his charm; Reggie is simply difficult to be around, even as Meester’s Eleanor is expected to act charmed by all his quirks and issues.
Mar 9, 2015
25
Slant Magazine
Frank Whaley never gives these characters a humanizing moment outside of their default personalities, which turns them into cartoon impressions of the worst of each class.
Mar 10, 2015
20
Village Voice
When Reggie advises Eleanor, a former cornet prodigy, to protect her artistic "gift," Like Sunday, Like Rain finally achieves maximum phoniness.
See All 6 Critic Reviews
Mar 2, 2024
1
spmuzik
Like Sunday, like crap A movie in which nothing happens Characters are completely underdeveloped and phony
See All 10 User Reviews
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  • BB Film Productions
  • FJ Productions
  • Thruline Entertainment
  • WillHouse Media
Mar 13, 2015
1 h 44 m
R
Some gifts come in extraordinary packages
Williamsburg Independent Film Festival, US
• 5 Wins & 5 Nominations
Sedona International Film Festival
• 1 Win & 1 Nomination
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