The New York Times
Publication Overview in Movies
61Avg. Critic Score
Critic Score Distribution
positive
9.4k(46%)
mixed
8.4k(42%)
negative
2.5k(12%)
Highest Critic Score
100
Lowest Critic Score
Critic Reviews for Movies
Jun 18, 2026
Maddie's Secret100
Jun 18, 2026
Brimming with style and spirit up to the final scene, Maddie’s Secret is among the most daring movies I’ve seen this year. That it simultaneously guarantees a giddy good time is a minor miracle.
Jun 18, 2026
Rose of Nevada90
Jun 18, 2026
From a perspective of pure atmosphere, this is arguably the most mesmerizing film of the year thus far.
Jun 18, 2026
Color Book90
Jun 18, 2026
Daniels, an actor skilled at delivering hushed poignancy, shares a sincere rapport with Catlett, who furthers the film’s organic tenor with weary eyes that plead for one’s time and grace. His and Daniels’s steady work makes Color Book deserving of both.
Jun 18, 2026
Girls Like Girls70
Jun 18, 2026
Kiyoko didn’t come by her fan-given nickname, Lesbian Jesus, for nothing. Like Kiyoko’s videos, the movie wants to create space for romantic deliverance.
Jun 18, 2026
Leviticus70
Jun 18, 2026
We know from innumerable slashers that when a character is alone, trouble is around the corner. But “Leviticus,” with its gloomy, isolated setting and dogmatic parents, manages to turn this vulnerability into an existential issue, too. To make matters worse, the only glimmers of human warmth our boys receive are from each other — and that opens yet another can of worms.
Jun 18, 2026
The Death of Robin Hood70
Jun 18, 2026
It is the sort of film to which you want to apply the word “visionary,” which is to say that it’s clear the filmmaker had a vision and stuck to it admirably. Nothing in the movie is easy or comforting. Little about it even feels like a gesture toward those enamored of other Robin Hood tales.
Jun 18, 2026
Toy Story 560
Jun 18, 2026
It’s fine, pretty and amusing, but if no one’s heart seems in it, perhaps it’s time to make way for other toys.
Jun 18, 2026
Unidentified60
Jun 18, 2026
While decently absorbing, Unidentified eventually goes way more Hollywood than either of those films, with a plot that defies logic (raising issues of both structure and perspective) and undermines the movie’s message — unless the pulpy swerve is itself intended as a kind of statement.
Jun 15, 2026
The Gas Station Attendant80
Jun 15, 2026
Murthy’s story as a child of immigrants is not particularly unique. But her film is engrossing because of the rich tapestry of sources she draws on.
Jun 11, 2026
Disclosure Day90
Jun 11, 2026
Steven Spielberg’s Disclosure Day is one of those movies that sweeps you up from the start and rarely lets you down.