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Summaryan ambitious chef (Ariana DeBose) as she opens a restaurant on a remote estate where she battles kitchen chaos, crushing self-doubts… and a haunting presence who threatens to sabotage her at every turn.

House of Spoils

Metascore
45
User score
Mixed or Average
4.7
My Score
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Metascore
45
11% Positive
1 Review
78% Mixed
7 Reviews
11% Negative
1 Review
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Oct 9, 2024
67
IndieWire
The filmmakers’ decisive presentation is enjoyable enough as an entrée served straight to streaming.
Oct 10, 2024
60
Screen Rant
House of Spoils is an exploration of witchcraft, land, and the respect it should be given, and a study of the perversion and stress of the restaurant industry.
User score
Mixed or Average
4.7
20% Positive
2 Ratings
50% Mixed
5 Ratings
30% Negative
3 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Oct 13, 2024
6
alanpotter17
O filme começa com uma pegada meio "sabor da vida" e mergulhando nos riscos do empreendedorismo da protagonista, por mais antipáticos e maniqueístas que seus investidores/sócios sejam. Mostra a necessidade de uma América preta livre, no sentido liberal do termo. O problema que o roteiro não sabe desenvolver o suspense e o sobrenatural naquele furturo restaurante (um restaurante numa mansão abandonada, ou seja, o velho clichê da mansão sendo reciclado aqui). São inúmeros os sustos com os insetos por exemplo. Da mesma forma, ao desenvlver o tema da bruxa e de associar isso ao protagonismo feminino, o filme até tenta uma abordagem mais interessante, mesmo com um clímax forçado e irreal, tratando os demais personagens como robôs e tendo um péssimo domínio do espaço. Isso aqui nas mãos de um Robert Eggers ou de um Ari Aster ia ser bem interessante.
Oct 6, 2024
4
valeriiege
House of Spoils made me appreciate Ariana DeBose. Although the film is intriguing when it comes to the culinary arts, it falls short in the horror aspect. I can say I watched it without getting bored, mainly because of the cooking element.
Oct 7, 2024
50
Paste Magazine
Rarely does it ever genuinely feel like a horror movie at all, in fact. Instead, it’s more like a halfhearted feminist kitchen drama, with the occasional “scary” beat inserted under protest, a horror film via technicality of labeling and marketing rather than any particular intent. It wants to be just about anything but.
Oct 3, 2024
50
Collider
The film feels like it's making use of storytelling devices and clichés that have been used over and over again in other stories. The end product is something that is serviceable and easy to digest, but also far too familiar, lacking any major innovations.
Oct 2, 2024
50
San Francisco Chronicle
House of Spoils suffers most from genre hybridization. The more explicit horror moments feel grafted on to what is essentially a character study with mystery elements. But as “Speak No Evil” recently demonstrated, Blumhouse no longer signifies low-budget, terrifying horror. The brand has become shorthand for movies lacking clear identities.
Oct 15, 2024
40
Empire
Despite Oscar-winner Ariana DeBose's best efforts, this fine-dining horror only elicits a few scares. The food looks delicious, and the knife skills are on point, but genre fans will likely want to eat elsewhere.
Sep 24, 2024
38
RogerEbert.com
Jason Blum is a powerful, underrated force in the industry, but I wish he would empower his chefs to cook more interesting horror movie meals.
See All 9 Critic Reviews
Oct 4, 2024
4
bertobellamy
'The Bear' meets 'American Horror Story.' The mix may sound delicious, but the result is bland. Blumhouse just can't deliver now. And Ariana DeBose needs to hire a new agent ASAP because she's made nothing but forgettable movies since she won the Oscar.
See All 10 User Reviews
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  • Amazon Studios
  • Blumhouse Television
  • Divide/Conquer
  • Metro-Goldwyn-Mayer (MGM)
  • Secret Engine
Oct 3, 2024
1 h 41 m
R
Bring your appetite.
Imagen Foundation Awards
• 1 Nomination
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