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SummaryDetroit tells the gripping story of one of the darkest moments during the civil unrest that rocked Detroit in the summer of '67.

Directed By:Kathryn Bigelow

Written By:Mark Boal

Detroit

Metascore
Generally Favorable
77
User score
Generally Favorable
6.5
My Score
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Metascore
Generally Favorable
77
86% Positive
42 Reviews
10% Mixed
5 Reviews
4% Negative
2 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Jul 28, 2017
100
Washington Post
Detroit is an audacious, nervy work of art, but it also commemorates history, memorializes the dead and invites reflection on the part of the living. In scale, scope and the space it offers for a long-awaited moral reckoning, it’s nothing less than monumental.
Jul 25, 2017
91
Entertainment Weekly
A sincere effort to illuminate a singularly dark chapter in history — and a stark reminder of exactly what gets lost when human beings fail to take care of their own.
User score
Generally Favorable
6.5
69% Positive
146 Ratings
15% Mixed
31 Ratings
17% Negative
35 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Jan 26, 2020
10
JPK
Intense Detroit is a very well made look back at the riots in Detroit in 1967.
Jun 25, 2018
10
dbfx
What an incredible experience. If you want a moving, extremely re-active and interactive story this is the game for you. If you love the character interaction parts of games like Mass Effect, you'll love this. Pushing the boundaries of what a video game is and can be.
Jul 25, 2017
88
Rolling Stone
It's a hardcore masterpiece that digs into our violent past to hold up a dark mirror to the systemic racism that still rages in the here and now.
Aug 3, 2017
75
Tampa Bay Times
We are "there" although Detroit squanders that sensation on revulsion, a gut punch needing to take more shots at our heads.
Jul 31, 2017
70
New York Magazine (Vulture)
Bigelow and Boal don’t bring much moral complexity to Detroit. They don’t illuminate the psyches of the cops or suggest the fundamental feeling of weakness that drives people to violence. They don’t shed much light on Dismukes’s inaction or subsequent thoughts about what he didn’t do. What Bigelow does — incomparably — is put us in that room with those people at that moment.
Jul 29, 2017
63
Slant Magazine
Kathryn Bigelow hyper-realistically, almost dispassionately, covers her ensemble’s actions in the manner of a somber disaster film.
Jan 9, 2018
36
The Atlantic
What begins as a shocking portrait of police misconduct gradually becomes a test of audience endurance.
See All 49 Critic Reviews
Dec 28, 2017
10
katezoe
Another sad chapter in America's racist past. Another great movie from Kathryn Bigelow one of the best director's in Hollywood. Excellent story more relevant than ever since now Donald J. Trump a racist is president of United States.
Oct 31, 2018
4
KenR
Director Kathryn Bigelow and writer Mark Boal’s ‘Detroit’ is a gruelling watch, not just for the fact it’s based on shockingly violent, and tragic events in modern USA history but because the screenplay interferes with certain facts for the sake of ‘entertainment’. While it may be the screenwriter's task to ‘dress-up’ the content of a movie it’s not their task to pad it out with violent falsehoods till it begins to lose sight of its fact-based situation. Many scenes tend to play out as unnecessary, and often they are. The main storyline focuses on the deadly 1967 race riots that already feature enough tension and brutality to sustain viewer concern. It’s uncertain what moviemakers feel they can add to these terrible events decades later - within an artificial re-enactment (maybe a quality documentary would have been a better medium?) But, it’s doubtful any good might come from this re-hashing of yesterday’s hatreds – especially given the present climate of extreme ‘identity politics’ causing division between all races - this in itself, comes across as exploitative ‘activism’ - pushing suspect negative agendas. Sometimes, revisiting certain ugly historical events can offer a moral compass - even giving us warnings signs if they are thoughtfully analysed (as with ‘The Free State Of Jones’ in ‘16) – While others, simply fuel more contempt and distrust - feeding increased hatred. Some may ‘like’ this movie but looking at the financial returns, its possible many prospective patrons may have had the wisdom to see this offering as perhaps, unfortunately, one of the latter variety.
Aug 17, 2017
4
PaulHarold
It was alright, And liked some of the director's (K.B.) other movies. I live in Detroit, and i was just a boy during the riots, i remember it much differently than portrayed. I understand that its just my personal experience thats skewing my view of the events in the film. Its an okay movie, and worth the ticket price, but living it, i just feel they couldn't do it the proper justice, but they tried, so A for Effort?
Aug 15, 2017
3
yosemite
Awful. Director elected to focus on the (alleged) events at the Algiers Motel and its a mistake. No background for the characters are provided . Looters loot and cops commit excessive violence. Tell us something we don't already know.
Dec 11, 2024
2
NewNewAmsterdam
From the director of Hurt Locker , Point Break and Strange days , all great movies. How did she fall into this woke trap of a script . Sign of the times I guess , and this is a reason why Hollywood is dying now . This script is way too one sided , too pushy in a liberal know it all way and too anti cop in an Era where neither the US or Europe needs those messages anymore. Cops should be allowed to do their work again .
See All 212 User Reviews
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  • Annapurna Pictures
  • First Light Production
  • Page 1
Jul 28, 2017
2 h 23 m
R
It's Time We Knew.
Image Awards (NAACP)
• 1 Win & 4 Nominations
Black Reel Awards
• 4 Nominations
African-American Film Critics Association (AAFCA)
• 2 Wins & 3 Nominations
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