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Washington Post

Publication Overview in Movies
60Avg. Critic Score
Critic Score Distribution
positive
6.0k(52%)
mixed
3.1k(27%)
negative
2.4k(21%)
Highest Critic Score
Lowest Critic Score

Critic Reviews for Movies

Apr 1, 2026
The Super Mario Galaxy Movie
63
Critic ScoreWashington Post
Apr 1, 2026
The movie loses many opportunities for stronger emotional resonance — the Sonic the Hedgehog films succeed far better because of their strong focus on character relationships. Yet, while watching this movie, I was reminded of the beginning of cinema.
Feb 5, 2026
Holding Liat
63
Critic ScoreWashington Post
Feb 5, 2026
The resulting film offers a unique and revealing — but fundamentally incomplete — perspective on the ongoing war in Gaza.
Feb 5, 2026
Dracula
25
Critic ScoreWashington Post
Feb 5, 2026
Dracula is one of the most confounding, and worst, movies I’ve seen in a long time.
Jan 30, 2026
Arco
88
Critic ScoreWashington Post
Jan 30, 2026
The sheer earnestness of director Ugo Bienvenu’s elegiac, even mournful tale feels as appealingly anachronistic as its lush 2D animation.
Jan 30, 2026
Shelter
63
Critic ScoreWashington Post
Jan 30, 2026
This month’s Statham movie is titled “Shelter.” And as these things go, “Shelter” is more Shake Shack than it is McDonald’s. It resembles his other genre movies in the basic form and idea, but it’s a much more high-end and satisfying version.
Jan 29, 2026
Send Help
75
Critic ScoreWashington Post
Jan 29, 2026
McAdams again proves she has real comedic chops that this island, and Raimi’s direction, have only sharpened.
Jan 23, 2026
Magellan
100
Critic ScoreWashington Post
Jan 23, 2026
At 160 minutes, “Magellan” is one of the shortest and most accessible of Diaz’s films, which for the past decade have tended to fall between four and eight hours...But the scale of the film remains resolutely epic, in part because Diaz is patient and in part because he’s insistent on telling this story of conquest and domination on his terms.
By Michael Andor Brodeur
Jan 22, 2026
Mercy
63
Critic ScoreWashington Post
Jan 22, 2026
Almost every narrative choice is ludicrous. And yet, “Mercy” is also a hoot and a half.
Jan 22, 2026
A Private Life
63
Critic ScoreWashington Post
Jan 22, 2026
It’s a mark of creative achievement that Zlotowski’s film manages to dwell in uncertainty — about what’s really going on, where Lilian’s marbles have gone and, for that matter, why her ex is so game to chase them around with her. Still, there’s something less than satisfying about a story that’s peculiar but not exactly funny, low-key unsettling but far from provocative, and elbow-deep in dreams and memory but without much discernible revelation.
Jan 16, 2026
All That's Left of You
75
Critic ScoreWashington Post
Jan 16, 2026
At minimum, “All That’s Left of You” is a thoughtful exploration of how trauma can both fracture and bond a family. But for those who need it, the film serves as an urgent reminder of how ignorance and passivity undermine what it means to be human.
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