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SummaryOver the course of four days, a brutal murder and a racially charged trial trigger and explosive chain of events that resonate throughout Los Angeles. While navigating through the tumultuous neighborhoods of South Central L.A., two of the LAPD's elite Special Investigations Squad officers (Russell, Speedman) must track down cold-blooded killers ... Read More

Directed By:Ron Shelton

Dark Blue

Metascore
57
User score
Generally Favorable
6.4
My Score
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Metascore
57
51% Positive
19 Reviews
38% Mixed
14 Reviews
11% Negative
4 Reviews
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  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
100
Baltimore Sun
Dark Blue is one of those totally happy surprises that moves so quickly and curves so sharply that it leaves this era's hyped critical hits looking like beached whales.
75
Chicago Sun-Times
Not a great movie, but it has moments that go off the meter and find visceral impact. The characters driving through the riot-torn streets of Los Angeles provide some of them, and the savage, self-hating irony of Russell's late dialogue provides the rest.
70
Variety
Refreshingly devoid of flashiness or artificially pumped-up action, this consistently gripping, well-constructed police thriller… showcases a tightly controlled performance from Kurt Russell.
63
Boston Globe
In the end, the problem with movies like Dark Blue is that they willfully ignore the systemic, historical, cultural, and class causes of racism in favor of pinning it all on a few bad apples. Sure, that's entertainment. It's also a lie.
60
Los Angeles Times
Sensitively directed by Ron Shelton and helped by what just might be the best performance of Kurt Russell's career, Dark Blue is as interesting and successful as it can be within its limits, but those limits make this a more generic film than its makers intended.
40
Austin Chronicle
Ultimately, Dark Blue feels roughly a decade too late with its back story of the Los Angeles riots. Gates’ department had its share of dirty blues, to be sure, but that hasn’t been notable since the smoke cleared back in 1992.
10
The New Republic
Imagine finding the will to get up every morning to do another day's work on this stale story tarted up with relevance.
See All 37 Critic Reviews
User score
Generally Favorable
6.4
50% Positive
11 Ratings
36% Mixed
8 Ratings
14% Negative
3 Ratings
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Apr 19, 2024
0
Broyax
Ce polar se déroule juste avant les émeutes de 1992 à Los Angeles, suite au verdict ‘non coupable’ des quatre policiers ayant un peu trop tabassé un ‘délit de fuite’, notamment un refus d’obtempérer ! or, si l’on se montrait très régulièrement aussi rigoureux et aussi ‘sévère’, nul doute qu’il y aurait moins, beaucoup moins de refus d’obtempérér ! Le film charge la barque au maximum et critique donc pendant presque deux heures les forces de l’ordre qui font un travail admirable, notamment dans cette ville du crime et de la corruption. Un agenda des minorités est ici évidemment à l’oeuvre puisque tous les Blancs sont méchants et corrompus… et tous les Noirs sont gentils et honnêtes ! et victimes du racisme des méchants Blancs très méchants (et corrompus). Kurt Russell, le flic corrompu alcoolique et obéissant à son patron (très méchant et corrompu) fait in extremis son auto-critique et son auto-flagellation à la fin du film : il s’humilie ainsi dans un mea culpa affligeant, afin de faire reluire la communauté afro-américaine, notamment le gros culturiste gavé de stéroïdes, le très mauvais acteur Ving Rhames, futur chef de toute la police de L.A.Enfin bref, donc, ce film n’est que du début à la fin une grosse merde de wokerie SJW à la petite semaine avec son gros agenda racialisé au cul ! une sombre bouse !
See All 22 User Reviews
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  • Intermedia Films
  • IM Filmproduktion
  • Alphaville Films
  • Cosmic Pictures
Feb 21, 2003
1 h 58 m
R
Sworn to protect / Sworn to serve / Sworn to secrecy
Black Reel Awards
• 2 Nominations
Political Film Society, USA
• 1 Nomination
AARP Movies for Grownups Awards
• 1 Nomination
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