The New Republic
Publication Overview in Movies
65Avg. Critic Score
Critic Score Distribution
positive
285(58%)
mixed
159(33%)
negative
45(9%)
Highest Critic Score
Lowest Critic Score
0
Critic Reviews for Movies
Apr 21, 2011
St. Nick60
Apr 21, 2011
A potentially stifling ambience is deflected by quiet suspense and the awe-inspiring compositions of the cinematographer, Clay Liford. Decaying rustic interiors evoke Andrew Wyeth still lifes; pastoral long shots suggest a Southwestern walkabout. And Mr. Lowery seems ready for a bigger canvas.
By Andy Webster
sex, lies, and videotapeCritic ScoreThe New Republic
100
Soderbergh is helped enormously by the interplay of his actors, whom he has cast like a master... [He makes] a film that goes past what it shows to disclose what can't be seen. It's a fine achievement. [4 Sept 1989, p.26]
The Sweet HereafterCritic ScoreThe New Republic
100
Any film that provides Ian Holm with a large role is off to a good start. The Sweet Hereafter gets off to that start and keeps going. [Dec 8, 1997]
Secrets & LiesCritic ScoreThe New Republic
100
Leigh, the writer, ties up things somewhat neatly and is a touch homiletic. Leigh, the director of cast and camera, is masterly. [Sept. 30, 1996]
Sling BladeCritic ScoreThe New Republic
100
Who is Billy Bob Thornton? The question fascinates after seeing Sling Blade, the extraordinary first film that he wrote and directed and in which he plays the leading role. [Feb. 10, 1997]
Boogie NightsCritic ScoreThe New Republic
100
If Boogie Nights were poorly made and acted, its materials would make it intolerably tawdry. But its so well done that we keep watching. [Nov. 10, 1997]
Shakespeare in LoveCritic ScoreThe New Republic
100
With most historical films the informed viewer scrutinizes in order to cluck at errors. (There are books full of such cluckings.) With Shakespeare in Love, the more one knows, the more one can enjoy the liberties taken. [Jan. 4, 1999]
TitanicCritic ScoreThe New Republic
100
With the ship, with its totality of people, Cameron is wizardly, creating an entire society threading through the various strata of a world that has been set afloat from the rest of the world. [Jan. 5, 1998]
The Truman ShowCritic ScoreThe New Republic
100
The Truman Show is a reminder of the Beckett theme. The screenplay by Andrew Niccol starts from something like Beckett's abstraction and reifies it with details of contemporary culture, then moves on into fantasy. [June 29, 1998]
ShineCritic ScoreThe New Republic
100
If this weren't a true story, who would believe it? Well, a good many of us, probably. First, it's the kind of exceptional circumstance we like to dwell on as proof that pessimists are wrong; second, Shine is markedly well made, therefore persuasive. [Nov. 18, 1996]