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The New Republic

Publication Overview in Movies
65Avg. Critic Score
Critic Score Distribution
positive
285(58%)
mixed
159(33%)
negative
45(9%)
Lowest Critic Score

Critic Reviews for Movies

Apr 21, 2011
St. Nick
60
Critic ScoreThe New Republic
Apr 21, 2011
A potentially stifling ambience is deflected by quiet suspense and the awe-inspiring compositions of the cinematographer, Clay Liford. Decaying rustic interiors evoke Andrew Wyeth still lifes; pastoral long shots suggest a Southwestern walkabout. And Mr. Lowery seems ready for a bigger canvas.
sex, lies, and videotape
100
Critic ScoreThe New Republic
Soderbergh is helped enormously by the interplay of his actors, whom he has cast like a master... [He makes] a film that goes past what it shows to disclose what can't be seen. It's a fine achievement. [4 Sept 1989, p.26]
The Sweet Hereafter
100
Critic ScoreThe New Republic
Any film that provides Ian Holm with a large role is off to a good start. The Sweet Hereafter gets off to that start and keeps going. [Dec 8, 1997]
Secrets & Lies
100
Critic ScoreThe New Republic
Leigh, the writer, ties up things somewhat neatly and is a touch homiletic. Leigh, the director of cast and camera, is masterly. [Sept. 30, 1996]
Sling Blade
100
Critic ScoreThe New Republic
Who is Billy Bob Thornton? The question fascinates after seeing Sling Blade, the extraordinary first film that he wrote and directed and in which he plays the leading role. [Feb. 10, 1997]
Boogie Nights
100
Critic ScoreThe New Republic
If Boogie Nights were poorly made and acted, its materials would make it intolerably tawdry. But its so well done that we keep watching. [Nov. 10, 1997]
Shakespeare in Love
100
Critic ScoreThe New Republic
With most historical films the informed viewer scrutinizes in order to cluck at errors. (There are books full of such cluckings.) With Shakespeare in Love, the more one knows, the more one can enjoy the liberties taken. [Jan. 4, 1999]
Titanic
100
Critic ScoreThe New Republic
With the ship, with its totality of people, Cameron is wizardly, creating an entire society threading through the various strata of a world that has been set afloat from the rest of the world. [Jan. 5, 1998]
The Truman Show
100
Critic ScoreThe New Republic
The Truman Show is a reminder of the Beckett theme. The screenplay by Andrew Niccol starts from something like Beckett's abstraction and reifies it with details of contemporary culture, then moves on into fantasy. [June 29, 1998]
Shine
100
Critic ScoreThe New Republic
If this weren't a true story, who would believe it? Well, a good many of us, probably. First, it's the kind of exceptional circumstance we like to dwell on as proof that pessimists are wrong; second, Shine is markedly well made, therefore persuasive. [Nov. 18, 1996]
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