Très beau jeu du début à la fin. Voir l'écran se colorer au fur et à mesure du voyage est vraiment agréable. La musique est superbe tout au long du jeu.

Though a visually beautiful game worth a play-through. Its basic puzzles and gameplay aren’t nearly as engaging. Play this when you are grieving a lost one, a Mother specifically.

This watercoloured world is painted with such artistry and imagination, that the moments of awe almost serve the game too well, in that they end up distracting from the subdued and surprisingly thought provoking symbolic themes of this game. Gris is a titan of the medium that deserves to stand among the greats like Journey and Abzu, and has unmistakeably carved its own identity out of the conventions of contemporaries that have come before it. Like those games, Gris is a visual and audio treat, but one that takes a refreshingly unique approach. Where Abzu and Journey give the impression of representing interactive paintings, Gris is the closest videogames have gotten to actually being one. The visual identity lends the game a level of intrigue and fascination that more direct and unambiguous worlds fail to capture; Gris is not a game that takes place in a world that follows our logic. It is very much an abstract-impressionist style of game, where the story behind the beauty matters less than what the beauty evokes. Gris' soundtrack is perhaps the most important in that regard; it is evocative and hauntingly beautiful, with Berlinist offering a rich contrast to the more orchestral, documentary-style melodies of Austin Wintory and others. I almost feel bad for not discussing the puzzle-platforming foundations of this game, because they are quite good, but the main draw is once again the visuals and the audio and both are supreme. Gris is a beautiful glossy gem that takes pride in what it delivers best, wastes no time splitting its personality between different pursuits, and stands as one of the most visually and musically enjoyable works in the medium.