G. Allen Johnson

It is Jessie’s show, and Cusack, the two-time Academy Award nominee, makes the most of it. There’s one scene under a tree atop a hill that harks back to her origins in “Toy Story 2” and is as moving as any scene in the franchise.

It’s a cracking good thriller.

México 86 may be a little too inside baseball — er, fútbol — for some, but its light breezy comedy goes down well.

Utilizing Magnason’s voluminous supply of home movies and supplementing it with cinematographer Pablo Alvarez-Mesa’s spectacular footage of Icelandic landscapes, Dosa portrays the passing of a way of life that hints at an uncertain planetary future.

Hoffman, last seen in Francis Ford Coppola’s “Megalopolis,” is a delight, and Jean Reno provides added charisma in a small role in the film’s second half. But the film belongs to Woodall, who turns brooding silence into riveting cinema. His is a star-making performance, perfectly in tune.

It’s hard to imagine a more original movie, or a more unfiltered vision from the mind of its maker.

The Mandalorian’s memorable catchphrase is: “This is the way.” His first theatrical feature gets about halfway there.

Visually mesmerizing, lyrical and with a unique cadence, “Is God Is” is a one-of-a-kind experience. It’s angry and yet imbued with wry, fatalistic humor.

Blows an opportunity to be as great as its subject.

One might quibble that Jackman and Thompson aren’t in the film enough, but really, humans are a distraction. The movie rides on its woolly sleuths, so audiences won’t feel fleeced.