GameSpot

The Adventures of Elliot: The Millennium Tales is a surprisingly strong first attempt at reaching into this genre from a studio not known for it. The combat is snappy and fun, with loads of build customization and ability tailoring to your style. The dungeon designs are well-crafted homages that allow room for creative problem solving, and the HD-2D visual style is lovely for this type of game. I was left wanting for a story I cared more about, with characters that were more three-dimensional, in a world that felt alive and took better advantage of its time-travel concept. Those factors make the game fall short, but it creates a foundation that I hope Square Enix builds upon.

Like perhaps all co-op games, NBA The Run is very obviously better with friends. If you hop into games with random players, you’ll have fun at least some of the time, because the core basketball gameplay is enjoyable, the world is full of style, and you’ll occasionally be able to rely on your teammates. But jumping in with two buddies and chasing championships is much more fun, likely to result in deeper, more rewarding runs, and allows you to establish a cohesive team composition and strategy. While anything less than that is more prone to headaches and heartaches, if you’ve got the squad for the optimal setup, NBA The Run is an obvious winner.

I think fans of Star Fox 64 are going to be very happy with this remake. It seems incredibly faithful, perhaps to a fault, with significant upgrades in both its visuals and cutscenes that bring the franchise into the modern era, even if its gameplay isn’t doing the same. While as a newcomer to the series, I felt mixed on the campaign, I left our session eager to experience more of its multiplayer, despite finding its Game Chat avatars to be little more than a momentary amusement. [Hands-On Impressions]

Lord of Hatred is a must-play expansion. The final chapter of the Hatred Saga triumphs in amplifying all of Diablo IV’s best qualities while also introducing fantastic quality-of-life updates, breathing life into the game, and providing players with the best narrative arc in Diablo history. All that plus the addition of two fantastic new classes, and you have a truly meaningful expansion that elevates Diablo IV as a whole. Though Blizzard thankfully seems to be keeping things open-ended, leaving me hopeful this isn’t the end of Diablo IV, Lord of Hatred offers a satisfying conclusion to a truly great saga.

I am awed by what Yacht Club Games has created here. Mina the Hollower is so ambitious and dense and sprawling that it is hard to believe that it is contained in such a modest presentation. It surpasses the boundaries of mere homage or retro throwback to become something new, fresh, inventive, and exciting. Shovel Knight was a well-deserved successful debut for Yacht Club. Mina the Hollower may be its masterpiece.

In the end, IO’s take on James Bond was actually more like Hitman than I expected, but that’s not to say it’s simply Hitman by another name. As someone who has loved that series for nearly 25 years, it’s fascinating to see IO apply everything it’s learned. 007: First Light wisely repurposes what works in both universes but isn’t afraid to reimagine or ditch those parts that don’t. Though some aspects of the game do hinder the pacing, so much else feels authentic and riveting. As Hollywood seems uncertain about where to take Bond next, IO Interactive’s debut effort is supremely confident. “James Bond will return,” the movies always like to say. If and when IO’s Bond returns, it’ll have a great first act to follow.

Being able to raise and lower your hood at any time is cool, and the removal of those god-awful tailing missions with the immediate fail states is a blessing. But unless I'm missing something, Resynced might be adding as many problems to Black Flag as it's addressing. [Hands-On Impressions]

How much mileage you get out of those extra stages, and in fact out of the entire game, relies largely on your level of curiosity. Yoshi and the Mysterious Book is fundamentally a game about poking and prodding at the world and seeing what happens. It won’t test your precision platforming skills, but it serves as a gentle introduction for novices, and an experiment for even experienced gamers to see an audacious, expanded idea of what a platformer can be.

In a larger sense, Lego Batman: Legacy of the Dark Knight is fundamentally about time and the changes that come with it. It's been more than 20 years since Lego games hit it big with Lego Star Wars, and for a while, it felt like it had lost its way and become a whirring franchise-printing machine. Legacy of the Dark Knight rights the ship by getting back to fundamentals with deeper focus, razor-sharp writing, and just the right amount of mechanical complexity. For the first time in a long time, this is a return to form for the Lego series. It's still simple, but not quite as simple, it's bursting with even more secrets, and it's another playful take on a mythology that I love. It's the most fun I've had with a Lego game since 2005, and a template for how Lego games can rebuild into something greater, piece by piece.

It's these systemic enhancements that most notably separate Zero Parades from Disco Elysium. It struggles in other areas, often feeling like a pale imitation of the studio's predecessor--dangerous territory when the likelihood of reaching the same heights is marginal at best. But even with these hiccups, this is still an excellent RPG, with varied and mostly well-defined characters, a fully realized setting encompassed by insurmountable depth, and an endlessly captivating narrative that offers myriad ways to maneuver through its fantastic twists and turns. It might not capture the same rarified magic, but it's well worth venturing into Zero Parades: For Dead Spies' clandestine world.