GameSpot

Big Walk takes fundamental and timeless video game concepts–obstacles and incentives for clearing them–and, through an intensely focused co-op experience, shapes them into something singularly rewarding, supremely mysterious, and totally unforgettable.

Despite Beast of Reincarnation’s enticing mix of high-quality inspirations, it fails to reach the same heights as those experiences.

I played three hours of Silent Hill: Townfall, and I’m certain of this: the Silent Hill series is having an evolutionary moment. [3-Hour Hands-On Impressions]

It’s still an odd sensation to be playing a Halo game on a PlayStation console. If you had asked teenage Jordan–the one who spent hundreds upon hundreds of hours laughing alongside their friends in Halo 3 and Halo Reach online multiplayer–whether Halo would ever make its way to a Sony console, they’d have told you it was impossible. Yet, here we are. And 25 years later, Halo: Combat Evolved’s story is still really, really good.

I would be surprised if Splatoon Raiders supplants the main Splatoon titles. The series is a big success for Nintendo, so clearly the competitive ink-splattering multiplayer has found an audience. But Splatoon Raiders shows a new degree of flexibility for the franchise, with a single-player campaign that’s much more satisfying than its past attempts to inject a story campaign into the main games. I hope this new looter shooter sub-series gets to live alongside the main series, because it’s loads of fun already, and the concept could be pushed even further.

I regard Resynced with the exact same sentiments as Mass Effect Legendary Edition. Resynced goes beyond the scope of a traditional remaster and adjusts the content of Black Flag to make improvements to the experience (what you’d expect for a remake). But the downside to these fixes is that it highlights problems that weren’t fixed or, even worse, new problems that didn’t even exist in the original game. Resynced is a half-step toward something truly fantastic. If you play it, you will see the strengths of Black Flag. You will see why the original game was the de facto pirate video game for years. But you will also find a remake that doesn’t manage to take the crown from the very game that it’s remaking.

Nintendo is one of the biggest and oldest game publishers in the world, so it feels strange to say that something it made carries itself with indie sensibilities. But that’s always been true of WarioWare, and by extension, it’s true of Rhythm Heaven Groove. It’s such a strange, low-fi game that it comes off as if the team is getting away with something while the boss isn’t looking. But it’s also a genuinely welcome addition to my Switch collection, because it’s such an oddity. Whenever I feel the need to tap my toes while feeling the beat of a tadpole march, or invite my friends to compete in a foot race as lucha libre across giant bouncy balls, I’ll return to Rhythm Heaven.

Star Fox is a remake, but it also appears to be an attempt at a reset. The franchise has never really found its footing, despite clearly having a lot of love from Nintendo. This story has always felt like a starting point, establishing the characters and hinting at their backstory. So altogether, this remake may be the best possible way to give the series a fresh start. At the same time, the original still holds up very well, and if you have Switch Online with the Expansion Pass, you can already play it. That makes this hard to recommend, which is a shame. If Nintendo means this to be a new beginning for Star Fox, retreading familiar ground undermines the effort.

This is not to be confused with Burnout Paradise, since Galactic Racer isn’t an open-world racing game. But the takedowns themselves feel pure Burnout, albeit with speeders and speederbikes and swoops instead of cars and motorcycles and trucks. [Hands-On Impressions]

The Adventures of Elliot: The Millennium Tales is a surprisingly strong first attempt at reaching into this genre from a studio not known for it. The combat is snappy and fun, with loads of build customization and ability tailoring to your style. The dungeon designs are well-crafted homages that allow room for creative problem solving, and the HD-2D visual style is lovely for this type of game. I was left wanting for a story I cared more about, with characters that were more three-dimensional, in a world that felt alive and took better advantage of its time-travel concept. Those factors make the game fall short, but it creates a foundation that I hope Square Enix builds upon.