Edge Magazine

When Forza Horizon 6 manages to get out of its own way, its magic is that it was two compelling fantasies to draw on. Being a world-class race driver is a pleasure we can get elsewhere - although this makes it accessible to those who might fear Gran Turismo's sterner sim - but it can also satisfy the humbler dream of being on holiday in a fun new place. Whether Playground has captured the authentic Japanese experience, we can't say, but it's certainly got that last bit nailed. [Issue#425, p.102]

If there was any chance of coming away from this frictionless journey feeling deflated, then, Good-Feel ensures there's no danger of that. [Issue#425, p.110]

Phonopolis' few flaws are easy to forgive in the face of the artistry with which this terrible, magnificent place has been put together. [Issue#425, p.114]

Stories such as this are still rare in games, and the visual-novel format Toge Productions employs gives them the space to unfold with delicacy and nuance. [Issue#425, p.120]

In the hot seat at Number 13, survival typically takes precedence over morality, but developer Cavalier delights in letting you feel the sting of your actions. [Issue#425, p.121]

Zero Parades does succeed, but it's a qualified success. [Issue#425, p.106]

Mina is at its best when it's channelling Zelda, less so when it lens into Soulslike territory or becomes ascetic in its early-'90s sensibilities, trying too hard to retain a link to the past. [Issue#425, p.116]

The final result is surprisingly unvaried and well-behaved. Within the space of 20 hours, it makes what is ostensibly a fresh version of Bond feel like he needs another new shot of life. [Issue#425, p.98]

These mechanics are supposed to be more immersive, but they're little more than busywork designed to placate any suspicion that you're only truly playing a game if you've nudged a character around with the analogue stick. [Issue#425, p.108]

When Legacy of the Dark Knight finds its focus, there's still plenty of zen-like charm to enjoy here. And if you crave the chaotic? Well, beanbag begins. [Issue#425, p.112]