Who's That Girl

Who's That Girl? is sunny and harmless. Perhaps it's indicative that feminist hostility is taking a milder turn. Or perhaps the genre has gone Hollywood. [09 Aug 1987, p.6C]

Fortunately, Dunne’s playful personality eventually counter-balances Madonna’s shrillness, and their adventures together, while completely farfetched, finally become involving. What’s lacking is pure and simple good humor.

Madonna, left to her own devices and her own canny pace, is a very engaging comedian, and the screenplay, by Andrew Smith and Ken Finkleman, contains a lot of raffishly funny ideas that get lost in the busyness of the physical production.

Technique counts for a lot in directing a picture like this -- more perhaps than in any other genre -- and Foley doesn't have any. His approach here is to toss things up into the air without caring much where they land. And as a result, the noise they make when they land is not a pretty one.

Tiring stuff.

Who's That Girl is a stern test of your MQ (Madonna Quotient). It is quite possible to hate this movie before the animated credits sequence is over. [10 Aug 1987, p.1D]

Who's That Girl's writers botched the creation of their confection. A successful screwball comedy is like a souffle. This is a souffle made of concrete. [07 Aug 1987, p.D1]

Nikki Finn uno de mis personajes favoritos ever.. Cada que puedo la veo, recomendada.

Lame attempt at screwball comedy, Copying the Bringing Up Baby formula, Nearly all the jokes fail, Totally overplayed by the cast, Silly and ludicrous, and not in a good way, Only hot looking Madonna makes it watchable,

Sangat buruk, membosankan dan layak razzie. Akting Madonna sangat buruk ****, dan soundtracknya bahkan lebih buruk.

Very bad, boring and razzie worthy. Madonna’s acting is so bad it hurts, and the soundtrack is even worse.

[SPOILER ALERT: This review contains spoilers.]