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SummaryAndrew Neyman (Miles Teller), a young jazz drummer who attends one of the best music schools in the country under the tutelage of the school’s fearsome maestro of jazz named Terence Fletcher (J.K. Simmons), struggles to make it as a top jazz drummer.

Directed By:Damien Chazelle

Written By:Damien Chazelle

Whiplash

Metascore
must-see
89
User score
8.8
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Metascore
89
98% Positive
49 Reviews
2% Mixed
1 Review
0% Negative
0 Reviews
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Dec 2, 2025
100
Radio Times
Damien Chazelle's blisteringly told tale of an aspiring jazz drummer and his bullying mentor is a hugely entertaining, refreshingly subversive take on the well-worn "inspirational teacher" theme.
Oct 10, 2014
100
Slate
Even if you couldn’t care less about jazz drumming, though, Whiplash is a thrill to watch. Underneath that taut, stylish surface, it’s really a movie about the perils of pedagogy, about the relationship between a passionate (perhaps too passionate) student and a demanding (perhaps too demanding) teacher. Which is to say, a movie about a uniquely powerful and potentially destructive form of love.
User score
8.8
94% Positive
1704 Ratings
4% Mixed
70 Ratings
3% Negative
46 Ratings
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Apr 17, 2026
10
nethul
Whiplash is such a special movie in my heart. The movie represents so much more than being a drummer on a band playing sheet music. This movie is one of the greatest examples of achieving greatness. Overall: 10/10
Mar 4, 2026
10
marytheproducer
Whiplash touches upon the inherent drive for greatness that many creatives experience and its follies when those desires are abused and pushed to their limit. Showcasing a journey that’s disgusting and hard to look away from, as the protagonist’s dreams, background, and insecurities are used against him until he is completely unraveled. This is supplemented by an outstanding performance of music, acting, and cinematography that makes this film a masterwork in depicting the darker side of creative **** film follows Andrew, a first-year student at one of the best music schools in the nation, following his dream to become a drummer who is seen as “one of the greats”. His family doesn’t ‌understand him and he doesn’t have any friends, but despite this he continues to pursue his love of drumming. While practicing, he catches the eye of Fletcher, the instructor of a highly respected jazz conservatory, and adds Andrew as the newest and youngest drummer to the band. During this, Andrew is shown that Fletcher will do whatever it takes to produce only the greatest musicians for his band. Whether that’s through manipulation, insults, or physical harm, no action is deemed ‌too excessive for Fletcher. As the end result of producing an artist capable of shaking the creative world justifies the means. This process ultimately destroys Fletcher both physically, mentally, and socially, as his life is dismantled in order to accommodate his desire to win Fletcher’s **** a creative myself, watching this film is like looking at a bloody but enticing car crash. That feeling of wanting one’s artistic pursuit to be commended is hung like a carrot on a stick over Andrew’s head throughout. What Andrew is willing to do to obtain that validation is strikingly relatable to someone who has put blood, sweat, and tears into their own creative endeavors. This is only strengthened by the captivating cinematography and acting performances that filled my stomach with dread throughout. The shots of Andrew’s blood and sweat dripping onto the drums and the close-up shots of Fletcher’s face and expressions really stand out as unforgettable moments within the cinematography, as it pushes the viewer's eyes unpleasantly close to the abuse that is happening. The pacing overall also felt fantastic, as these intense scenes are punctuated by the musical performances of Andrew’s drumming and Fletcher’s band. Allowing the pacing time to breathe in between the scenes while simultaneously creating an ongoing suspense as the viewer never knows when Fletcher will stop the performance abruptly to berate and calibrate his band to perfection.What really pulls these elements together is the overall messaging and bittersweet ending of the film. Whiplash challenges viewers, making them question how great artists are created and if suffering is truly necessary for greatness. Throughout the film, Andrew’s torment and relentless dedication appear to move him closer to his goal. However, this torment destroys him in the end, and right when it seems the film will take the stance that suffering is unnecessary for greatness, its ending leaves the question far more ambiguous. As the final moments force the audience to watch the culmination of Andrew and Fletcher’s efforts finally pay off but at what cost?Overall, Whiplash is essential viewing for anyone pursuing a creative pursuit or curious about the darker side of striving for greatness within the arts. The film fundamentally understands how that desire for greatness unwinds and hurts individuals and the people around them. Truly a 10/10 unforgettable film that will leave audiences shocked for years to come.
Oct 8, 2014
100
McClatchy-Tribune News Service
The script and Simmons, known for TV’s “The Closer” and as tantrum-tossing editor J. Jonah Jameson in “Spider-Man,” make Fletcher a monster, and then look for ways of explaining him.
Oct 10, 2014
90
New York Magazine (Vulture)
As a go-for-it music movie, Whiplash is just about peerless. The fear is contagious, but so is the jazz vibe: When Andrew snatches up his sticks and the band launches into a standard—say, Hank Levy’s “Whiplash”—it’s hard not to smile, judder, and sway.
Sep 16, 2014
88
Slant Magazine
The thrill of watching Fletcher and Neyman's fray unfold is intensified by Damien Chazelle's attention to the craft and challenge of musicianship.
Jan 22, 2014
80
The Hollywood Reporter
The antithesis of “let’s-put-on-a-show” fluff, Whiplash...is about the wages of all-out sacrifice and commitment.
Oct 10, 2014
50
Christian Science Monitor
I don’t get the enthusiasm for this movie, written and directed by Damien Chazelle, which is such a cooked-up piece of claptrap that I half expected Darth Vader to pick up the baton. We’re supposed to think that Terence’s tough love is more “honest” than the usual pussyfooting tutelage, but in any sane society this guy would have been brought up on charges long ago.
See All 50 Critic Reviews
Dec 1, 2025
10
Longhitano
[SPOILER ALERT: This review contains spoilers.]
Sep 22, 2025
6
CoolBR
Não vi nada demais nesse filme ganhador de oscar. Só tem 2 personagens relevantes, o baterista (Neiman) e o instrutor abusivo que sempre deprecia os estudantes para incentivar eles a treinarem e melhorar mais. A relação abusiva é interessante sim, mas não acho que isso carregue um filme sozinho nas costas, algo que poderia ser feito em 40-60 minutos demora quase 2 horas
Nov 10, 2022
6
AmadouIraklidis
Pretty decent, though the character became mostly insufferable by the end. A little bit of a taxing watch, though if it strikes your tone, it is definitely worth a viewing.
Jan 18, 2015
3
AkashVijay
The movie glosses over reality on so many occasions that it's hard to take it seriously. Miles Teller and J.K. Simmons give great performances but they're both oversimplified characters. Simmons just plays a comic book villain. How no one filed a complaint against him in his time at chauffeur is beyond me. Moreover how did he get a job as the conductor of a pro band despite the fact that he's been accused of emotionally torturing a boy to the point where he committed suicide? Shouldn't Fletcher be in jail? How is he walking free. Moreover some of his actions don't even make sense. He expels a student from the band who is in tune because he didn't know whether he was off tune but doesn't even take action against the one who's out of tune, even though he's completely oblivious to that fact as well? I'm sorry is it just me or is that a contradiction. Car accidents don't seem to bother our protagonist too much. That's the least of his problems. He just couldn't afford any scars at that time so he didn't get any. "There's no to words more harmful than Good Job"? Really? That's not dark, that's not bleak, that's just stupid and simplistic. Whiplash is a film about the pain that accompanies passion, and the blood that's shed on the road to perfection. But sadly, it doesn't execute well. The movie has some tense scenes but the overall result is contrived and unsatisfying. It has a few twists but ultimately it's the same conventional story about the tough love shared by the arrogant apprentice and the abusive master.
Dec 16, 2015
2
TLHG
An extravagant mentor with a lot of style who pushes the young pupils to the edge and pupils playing the mentor's game... I've seen that in House, Devil Wears Prada, even in Hell's Kitchen... and now in Whiplash. This movie is nothing but an old plot with a new costume, one that adds a hip/cult aspect to it and will extract good comments from posers who want to look hip and cult. Very superficial though and get bored when you watch a movie that does exactly what thousands of movies have done before, don't bother watching. One point to Simmons and one point to the music though.
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  • Bold Films
  • Blumhouse Productions
  • Right of Way Films
  • Sierra / Affinity
Oct 10, 2014
1 h 47 m
R
The road to greatness can take you to the edge
Academy Awards, USA
• 3 Wins & 5 Nominations
Golden Globes, USA
• 1 Win & 1 Nomination
Gold Derby Awards
• 4 Wins & 9 Nominations
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