Critic Reviews

The narrative, which is wonderfully told through a kind of archival collage that, along with the futuristic soundtrack of the profiled composers, makes it feel like an avant-garde art film.

Lisa Rovner’s superb documentary pays a deeply deserved, seldom-expressed tribute to the female composers, musicians and inventors from the brief history of electronic music.

Perhaps one day, gender will cease to be an object of discrimination, but that day is still far off. In the meantime, we need warriors like these brilliant composers to wage war against a stacked patriarchal system.

The film is a vital historical corrective, inscribing the names of these women into history as the innovators, independent thinkers and trailblazers they were.

There’s nary a dull moment – nor a dull character – in this gripping history.

That the film is online because of the Covid-19 pandemic might be considered a silver lining: Not only will more people be able to see it, but they can, and should, experience it through headphones. A big screen would be nice, too, given Ms. Rovner’s hallucinogenic way with pictures. But the sound, as she would probably agree, is paramount.

What a joy is a documentary that neither talks down to its audience nor diminishes its subject.

Much of the film’s power comes from a series of deft, often wry juxtapositions between video and audio.

This film is informative and often fascinating.

While it is gratifying to hear each woman speak on her art in her own terms, the documentary’s most illuminating moments are those that demonstrate how each musician’s work has been received by others over the years.