Glenn Kenny

A zippy and intriguing documentary.

Nino and Yasmina embark on a life together in spite of the obstacles the sad world puts in front of them...You root for them, and for the idea that love can make the world a little less sad and a little more beautiful.

The humor is broad and crude and often genuinely funny. The younger comedians are excellent foils for Hart, who himself remains an uncanny talent.

The Isolate Thief is a tough, grisly Western that overplays the grisliness a little too often for its own good; towards the end you’ll be thinking, “So-and-so’s now got HOW many bullet wounds and sounds like they’re breathing through a really major bronchial infection, so how are they still alive?” but like they sometimes say, movies can be all about suspension of disbelief.

Wittrock’s performance as the rather hard-to-like Thomas is acute; he’s a callow guy who mistakenly wagers that art can exorcise his demons even as he desperately skirts the prospect of making amends.

Scripted by Soren Narnia and Justin Yoffe and directed by Daniel Stamm, who’s also responsible for “The Last Exorcism” and “Prey For The Devil,” “Lockbox” teeters uncomfortably between psychological horror and supernatural hoo-hah for much of its running time and finally settles on the hoo-hah.

The movie’s title, “Romería,” means “pilgrimage,” specifically a religious or spiritual one; Simón is suggesting that the search for self can indeed fall into that category. In any event, this is a pilgrimage well worth taking for film lovers.

“This is crude humor,” André ad libs in the end credits gag reel. It sure is, throughout, but the good-natured performers commit to their bits so much one can’t help but smile.

The appealing Zoey Deutch is the best reason to watch Voicemails for Isabelle. Written and directed by Leah McKendrick (who also plays a small, amusing role), the movie begins as a tear-jerker and morphs into a rom-com with poignant notes.

Thompson uses archival footage, contemporary interviews, and better-than-decent animation to construct a story that’s as much about White’s legacy — one that’s crucial to Thompson the musician — as it is about White himself. The Questlove-White connection helps the movie go deeper than a portrait by a nonmusician might have.