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Enys Men

Critic Reviews

78
Metascore
Generally Favorable
positive
25(89%)
mixed
3(11%)
negative
0(0%)
Showing 28 Critic Reviews
Jan 13, 2023
100
CineVue
Whereas Bait was a lament for a way of life swallowed up by mindless urbanite tourism, Enys Men is a hymn to sublime, endless time and the hauntedness of existence.
Jan 13, 2023
100
The Irish Times
The film arguably shares DNA with the psycho-geographical works of Pat Collins and Alan Gilsenan.
Feb 27, 2023
100
The Observer (UK)
What Enys Men “means” will differ for each viewer. For me, it is (like Bait) a richly authentic portrait of Cornwall, far removed from any tourist-friendly vision. . . I’ve seen the film three times so far, and I can’t wait to dive into it and be swept away again. Bravo!
Apr 1, 2023
100
Collider
It’s open enough to be perceived as a character study, a horror story, or something different altogether. But what is indisputable is the movie’s excellent use of wide shots and close-ups, the gorgeous production design and cinematography, and Woodvine’s quiet but compelling performance.
May 25, 2022
91
The Playlist
The witchy atmosphere Jenkin conjures is spine-tinglingly devilish, the poetic manifestation of the subject’s deep grief, ever-ambiguous and frosty, taking on the aching melancholy of loss.
May 28, 2022
91
The Film Stage
Shot by Jenkin on 16mm color negative with a 1970s clockwork Bolex and scored with post-synch sound, the film looks and sounds as a relic unearthed from one of the island’s caves. A chest stashed with stories in turns seductive and chilling, woven into a tale that will keep on unfurling, in an endless and confounding maze.
Mar 30, 2023
90
The New York Times
At times, Jenkin’s bold, experimental style can perplex; but his vision is so unwavering and beholden to local history that his message is clear: On Enys Men, the earth remembers what the sea has taken.
Mar 31, 2023
88
RogerEbert.com
I was riveted by every moment of this haunting weird film. Enys Men made me legitimately uneasy.
May 25, 2022
80
The Guardian
It is not exactly a horror film, despite some spasms of disquiet, but an uncanny evocation of how, when left utterly on our own, we spiral inwards into our memories, dreams and fears.
May 25, 2022
80
The Telegraph
It wouldn’t be quite right to describe Mark Jenkin’s Enys Men as a horror film. Rather, it’s the kind of thing the victims in a horror film might watch, just after pulling it from the cellar of a derelict harbour cottage, and shortly before succumbing to some blood-curdling maritime curse.
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