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SummaryThis adaptation of Alfred Uhry's Pulitzer Prize-winning play looks at the 25-year relationship between an elderly Jewish woman and her African-American chauffeur.

Directed By:Bruce Beresford

Written By:Alfred Uhry

Driving Miss Daisy

Metascore
must-see
81
User score
Generally Favorable
7.3
My Score
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Metascore
81
88% Positive
15 Reviews
12% Mixed
2 Reviews
0% Negative
0 Reviews
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  • Positive Reviews
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  • Negative Reviews
100
St. Louis Post-Dispatch
This is Daisy's story, and Hoke's story. It's a beautiful story, filled with warmth and compassion. It was a glorious evening of theater when I saw it, and it's just as glorious on the screen. [12 Jan. 1990, p.3F]
100
Chicago Sun-Times
Beresford is able to move us, one small step at a time, into the hearts of his characters. He never steps wrong on his way to a luminous final scene in which we are invited to regard one of the most privileged mysteries of life, the moment when two people allow each other to see inside.
User score
Generally Favorable
7.3
76% Positive
70 Ratings
22% Mixed
20 Ratings
2% Negative
2 Ratings
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Sep 8, 2025
10
d1zzy_w0mbat
[SPOILER ALERT: This review contains spoilers.]
Nov 20, 2021
10
DawdlingPoet
This is a drama film featuring themes including old age, civil rights, racism and anti semitism. I found it to be an easy watch, with intriguing characters. I thought it was a good example of historical social commentary. I found some of the dialogue quite amusing - Daisy is very much a stubborn, principled lady, who seems very much aware of what she values and how she expects things to be and won't shy away from saying such. The way she argued with him could seem a bit infuriating at times but I liked his come backs (I found myself cheering for him, as he is a bit of an underdog character) and although there is relatively little, content wise, that goes on, I found it very much to be a watchable and entertaining film regardless. Cast wise, Jessica Tandy plays Daisy. She looks very much the prim and proper type, with quite a sharp tongue. Meanwhile, Morgan Freeman plays Hoke. Given this film was released in 1989, I can only imagine that he had makeup (or otherwise) to age him, as he can't have been as old as his character appeared, I'd have thought but I liked how Hoke responded to Daisy's various jabs and his facial expressions were amusing. He has the look of a relatively older and wiser type - he is quite a philosophical type and I liked that. I'd go so far as to say that their a good match for each other. Meanwhile, an Akroyd plays the son, Boolie and Esther Rolle plays the African American house keeper, Idella. The music played is classical in style - I suppose it highlighted the fact that Daisy was certainly from the upper classes. I found some plot elements quite touching - I'm not the sort to easily get emotional or find most things touching as such but I definitely did find myself feeling sorry for Hoke and I enjoyed the way the two of them held thoughtful conversations and also some of the more fly-away/impulsive comments made. Hoke has a nice sense of humour that I felt was relatively endearing - its thoughtful to see how different people, of different backgrounds and belonging to different minorities, see things. Plot pace wise, its a bit slow but I found myself feeling quite intrigued and entertained throughout and I wouldn't say its especially bland or boring as such. If your keen on character driven dramas (pardon the car related pun there!) then you might very well enjoy this. I found it quite revealing, some of the things that Daisy admitted to Hoke, which gives an insight into what life was like for people such as Daisy and Hoke, at the time its set in (the 1950s). Of course there is inevitably a moral aspect to this film, with racism clearly being depicted and not just racism but anti semitism as well. Its perhaps not the most visually shocking film, given its 'U' rating of course but it could be regarded as a thought provoking film regardless. Content wise and as I say, there's relatively little in the way of graphic scenes or offensive material, although there are some quite mild domestic incidents (conflicts perhaps may be an applicable term?) depicted and there are some racist terms used, which could (of course) offend people. There are a couple of sad incidents which are spoken of, described by Daisy and Hoke but these are not visually depicted on screen. Otherwise there's nothing really likely to offend or upset people, I'd have thought. Due to this, as I say the film carries a U rating, making it suitable for all, although I imagine very young kids would find this a pretty boring watch, as its not full of special effects or cartoon characters and the like but thats pretty obvious. I thought the film looked like a TV film - it seemed as if it had been filmed with a low budget, although thats not to say it seemed flimsy or put me off due to it - if anything, its nicely under-stated. It is a bit sad in parts but it is also light hearted and amusing in others, so its a decent all rounder, I suppose, if you know what I mean. There's little I could think of in terms of criticisms, although the characters do have relatively thick southern American accents, which perhaps some might struggle to hear properly?. Yes I'd recommend this film, as I felt it was quite touching, with good characters and cast, some witty dialogue, some funny moments and some sad. Its an easy watch and its relatively thought provoking as well.
90
Variety
Bruce Beresford's sensitive direction complements Alfred Uhry's skillful adapation of his Pulitzer Prize-winning play.
80
The New York Times
Mr. Beresford and Mr. Uhry, working in concert, see to it that the essential spirit of Driving Miss Daisy shines through the sometimes deadening effects of literalism.
70
Los Angeles Times
When something heartfelt occurs in this movie, you accept it without too much squirming. The disciplined yet intuitive way in which these actors connect is a model of ensemble performance.
40
Tampa Bay Times
Movies like Miss Daisy purport to be humanistic or aimed at a higher consciousness, but they're as self-righteous and silly as the one-dimensional characters they depict. [12 Jan. 1990, p.7]
See All 17 Critic Reviews
May 3, 2026
9
Habibiehakim
The film knows that if its structured and concluded in the most generic way, the audience will suffer, Jessica Tandy is so good at playing her character and we all know why she will be a pain to watch, not in a good way if they do the other way, but thankfully, she never does. I really love how the film shifts so beautifully in the middle, what starts as a complicated, sometimes tense relationship between Miss Daisy and Hoke slowly turns into something genuinely warm and meaningful, their bond feels real because it's built through small moments, disagreements, and shared experiences over time. Morgan Freeman delivers a lovely performance and full of charm, while Dan Aykroyd, in one of his rare serious roles, also does a great job, Hans Zimmer score sits beautifully in the background, the makeup work, showing the characters aging over the years, is also very well done. At its core, this is a gentle, heartfelt journey between two old folkes in a time that wasn't always fair, their simple conversations, small arguments, and everyday rides together become the heart of the film, and they're genuinely a joy to watch. If i had one small criticism, it's that Morgan Freeman's performance can occasionally feel almost too polished, like it leans a bit too much into perfection at times, most people probably won't notice it, and honestly, it doesn't take away much, he's still terrific overall. In the end, Driving Miss Daisy is a warm, sincere, and beautifully told story that stays with you.
Jan 21, 2026
6
famfacat
The rhythmic machinery **** friction: A 3.0-star "stagnant" drift through southern tradition.2011 (3.0)I watched "Driving Miss Daisy" in 2011, and it remains a functional 3.0-star record in my archive—a "vivid" but ultimately safe exploration of human connection that failed to provide a visceral "revelation" of true cinematic rebellion. While the production attempted a "sensational" and heartwarming portrayal of an unlikely friendship against a "stagnant" backdrop of racial tension, the narrative rhythm felt 100% predictable, following a slow-burning trajectory that lacked the "chewy" intellectual depth or the "raw" human distrust found in my 5.0-star pillars. Seeing the "pathetic" yet stubborn pride of Miss Daisy soften over decades provided a rhythmic sense of closure, but the emotional payoff felt too "vividly" polished for a story set in such a "raw" and turbulent era. The 95% preservation of my memory is centered on the "stagnant" pacing of the car rides and the high-tension, unspoken social boundaries of the time, creating a journey that felt more like a "stagnant" ritual of aging than a "sensational" act of spirit. Unlike the high-tension precision of "The Experiment" or the "raw" soul of "Snowpiercer," this experience provided no permanent, "sensational" scar on my soul, leaving me in a state of "silent frustration" at its "stagnant" reliance on sentimental comfort. It stands in my 2011 record as a "vivid" exercise in historical charm—a 3.0-star artifact of rhythmic patience that, while "raw" in its subtle moments, remained too "stagnant" to reach the "sensational" heights of my most cherished psychological archives.
Jan 19, 2021
6
gracjanski
Little charming movie, but I would not like to see it again: it doesnt happen much. Sure, the characters are well written and the actors are perfect. And it was interesting to see the little differences through time.
Apr 16, 2020
6
glomman
Driving Miss Daisy is a very simple movie depicting the relationship between Miss Daisy and her Driver, Hoke. It is simple in the sense that there isn't that much extreme stuff happening, you basically just see how Miss Daisy and Hoke talk while they're driving together. I missed some sort of large event, some sort of large twist in the story, but I was disappointed. To be honest, if you want to watch a movie like this, just with a bit more drama, action and so on, I highly recommend Green Book.
Dec 31, 2016
1
Broyax
Dans les années 50, Tatie Danielle euh Tatie Daisy, acariâtre mamie juive de son état, se voit confier un chauffeur de couleur (insérer quelques clichés raciaux -discrets- de part et d'autre) pour se faire conduire à l'insu de son plein gré, car Mémé a la vue qui baisse et un défaut d'attention embarrassant. C'est l'occasion pour Tata Daisy qui s'est fait forcer la main par son gros lourdaud de fils (un Dan Akroyd devenu bien gras comme un beau porcelet) de nouer une nouvelle relation avec ce vieux monsieur conducteur qui a presque son âge et qui supporte stoïquement ou presque toutes les manies et les humeurs de Tata Gaga. Ils se marièrent alors et eurent beaucoup d'enfants... et... non ce n'est pas ça, me dit-on dans l'oreillette. Ils n'ont pas poussé la niaiserie jusque là. Mais presque !... Cela dit, notre Tatie Danielle à nous avait -au moins- quelques moments drôles, ce qui n'est pas du tout le cas ici : on reste dans le gnangnan moralisateur et donneur de leçons à la petite semaine. Et on s'emmerde grave. Le film a le mérite je suppose d'avoir fait connaître Morgan Freeman, l'excellent acteur réduit ici au chauffeur-majordome obséquieux qui renâcle rarement sous le joug de sa vieille maîtresse. Il faut bien débuter quelque part, comme on dit. Mais putain, on compâtit.
See All 92 User Reviews
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  • Warner Bros.
  • The Zanuck Company
  • Allied Filmmakers
  • Majestic Films International
Dec 15, 1989
1 h 39 m
PG
The comedy that won a Pulitzer Prize
Academy Awards, USA
• 4 Wins & 9 Nominations
Golden Globes, USA
• 3 Wins & 3 Nominations
BAFTA Awards
• 1 Win & 4 Nominations
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