SummaryA poor Midwest family is forced off their land. They travel to California, suffering the misfortunes of the homeless in the Great Depression.
Directed By:John Ford
Written By:Nunnally Johnson, John Steinbeck
The Grapes of Wrath
Metascore
Universal Acclaim
96
User score
Universal Acclaim
8.1
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Metascore
Universal Acclaim
96
94% Positive
15 Reviews
15 Reviews
6% Mixed
1 Review
1 Review
0% Negative
0 Reviews
0 Reviews
100
As son Tom Joad, Henry Fonda gave the screen performance of his career. [09 Apr 2004, p.10E]
100
Ford's film, shot by Gregg Toland with magnificent, lyrical simplicity, captures the stark plainness of the migrants, stripped to a few possessions, left with innumerable relations and little hope.
User score
Universal Acclaim
8.1
87% Positive
73 Ratings
73 Ratings
7% Mixed
6 Ratings
6 Ratings
6% Negative
5 Ratings
5 Ratings
Feb 23, 2026
10
The **** of Wrath stands as one of the most quietly forceful depictions of Depression era America ever put on screen, and what continues to impress is not simply its fidelity to John Steinbeck’s novel but the way it feels inhabited, weathered, and utterly unvarnished. John Ford, often associated with mythic Americana, turns his eye here toward a harsher, more fragile national landscape, and the result is a film that seems to breathe dust, sweat, and uncertainty. Its authenticity is not a matter of documentary realism but of emotional truth: the characters move through the world as though they have lived in it long before the camera arrived.
The story of the Joad family’s displacement, migration, and struggle for dignity is rendered with a restraint that makes its moments of intensity all the more affecting. Ford avoids melodrama, instead allowing the bleakness of the era to speak through the details—the worn clothes, the cramped truck, the makeshift camps, the wary glances exchanged between strangers who have all lost something. This lived in quality gives the film a grounded power; it never feels staged or ornamental. Even the compositions, beautifully shot by Gregg Toland, carry a sense of weight and fatigue, as though the land itself is tired.
Henry Fonda’s Tom Joad is an emotional anchor, and his performance is remarkable for its quiet conviction. He embodies a man shaped by hardship yet still capable of moral clarity, and his gradual awakening to collective struggle feels organic rather than rhetorical. Jane Darwell’s Ma Joad provides a spiritual core, her steadiness and compassion offering a counterbalance to the surrounding instability. Ford’s direction finds dignity in perseverance, and the film’s final notes—tempered, sober, but not defeated—reflect a worldview shaped by endurance rather than triumphalism.
More than eight decades later, The **** of Wrath remains compelling because it feels lived rather than constructed. Its authenticity is not a stylistic choice but a moral one, and that integrity continues to resonate.
Apr 4, 2025
10
Otra película sensacional que retrata la crudeza de una realidad latente hasta el día de hoy: el desempleo. Primero, despojados de su propia tierra y luego en búsqueda de un lugar para trabajar, migrando de un lugar hacia otro, con expectativas de trabajo destruidas al llegar. La explotación laboral, la violencia en todo nivel, desde la económica (ya que el pago es irrisorio con respecto al trabajo) hasta la física (ya que simplemente exigir un empleo digno significa que eres un alborotador del orden preestablecido). Luchar por los derechos de los trabajadores se convierte en ser enemigo de los poderosos amparados por el estado. Es, sin duda, una de las mejores películas en su tipo, ya que parece una especie de documental o historia de vida de una familia, pero que refleja una realidad que existe a día de hoy.
100
The word that comes in most handily for The Grapes of Wrath is magnificent. Movies will probably go on improving and broadening themselves; but in any event, The Grapes of Wrath is the most mature picture story that has ever been made, in feeling, in purpose, and in the use of the medium. You can drag out classics (it is often safer not to go back and see them) and you can roll off names in different tongues and times. But this is a best that has no very near comparison to date.
100
It is an absorbing, tense melodrama, starkly realistic, and loaded with social and political fireworks.
100
Gregg Toland captures the open spaces and big skies of rural America, while the normally conservative Ford puts forward a sympathetic but radical plea for workers' rights and freedom for the people.
90
Ford's admirers have rightly tended to play this down in favor of his later and more personal westerns, but there's much to admire here in Gregg Toland's sun-beaten photography and Henry Fonda's meticulous performance as Steinbeck's dashboard saint, Tom Joad.
50
This famous film, high on most lists of the greatest films of all time, seems all wrong - phony when it should ring true. Yet, because of the material, it is often moving in spite of the acting, the directing, and the pseudo-Biblical pore-people talk.
Sep 11, 2019
10
This is a masterpiece of historical storytelling. I grew up watching this movie, and it is one of those timeless dramas you can watch again and again.
Sep 11, 2019
10
The **** of Wrath is a classic film that stands out as one of the American greats. Not only does it hold up today, but it stands out as one of the best adaptations of a novel I have ever seen. The stunning visuals really help sell the sense of hopelessness that pervades The Great Depression. The performances are fantastic and the ensemble cast really bares their souls and shares their pains, their hopes, their dreams, and their inevitable defeat. This is a must see movie for film buffs.
May 1, 2026
9
Essential viewing, perhaps, for a look into the American soul. The best looking black and white production I have seen to date.
Apr 13, 2025
8
A good film drawing out some of the best themes from possibly the best book of all time! Dated now, but with some good performances. The book really needs a new film drawing out the similarities with our modern era. Worth a watch!
Oct 8, 2024
3
Never been a fan of Steinbeck, and this book especially. I wonder what he'd think with hindsight on his support of socialism. I get why it took root, as there were no safeguards for workers in this country at one point. The good the unions did was to guarantee as close to a living wage, safety, and job security for workers, but in the end, it also accounted for companies taking their business overseas to simply compete with other manufacturers. As for getting kicked off farms, etc., if you have no ownership or can't pay the mortgage, what happens? You get to live for free? No bank would ever lend money to purchase a farm/house ever again and where would we be. Is capitalism perfect? No, of course not, and it could use a little socialism (I know that's a dirty word to some), but we know for a fact that communism is a dead end that often leads to totalitarianism and ruin. Ten years later, and this film would have never been made. Outside of the call for socialism, this is a pretty boring film. It doesn't look bad, but often, films making political statements ****. This one too, and I'm a big fan of Henry Fonda.
Production Company:
- 20th Century Fox
Release Date:Mar 15, 1940
Duration:2 h 9 m
Tagline:The thousands who have read the book will know why WE WILL NOT SELL ANY CHILDREN TICKETS to see this picture!
Awards
Academy Awards, USA
• 2 Wins & 7 Nominations
National Board of Review, USA
• 3 Wins & 3 Nominations
Photoplay Awards
• 3 Wins & 3 Nominations





























