royalguy07

A chuckle worthy stoner comedy that's a little too action focused for its big moments. Has a lot of strong comedic performers in their prime.

Plays the hits with no chance or creativity, has a solid plane crash sequence and a forgettable shark sequence.

Well written and directed, with a loaded supporting cast. Heath Ledger is so good, may re-watch A Knight's Tale soon.

Its strongly performed in a classic tale and structure, there doesn't seem like enough story to support the middle. But the intro and ending are very memorable.

Would find more storytelling in a fatalities montage on Youtube. Was laughing at Cole's treatment in this, he went from main character to no lines and early death.

We need more movies with speedboats, this movie also needed more speedboat scenes. Jamie Foxx is in multiple nightclubs, shootouts, and has his girl blow up and never speaks over a whisper, incredible.

I like the location and setup. It's pretty low on energy and doesn't really expand in any notable way throughout its runtime.

Stays really funny throughout with Haddish giving a one of one performance.

Guy Ritchie is lost in the wilderness, you couldn't find a character arc or beat in this if you watched it a thousand times. No shot or scene last longer than a minute. Cavill and Gyllenhaal are blank slate quip machines.

Diane Lane was up to the task, cuck Richard Gere was awkward to watch, and the cops who couldn't solve this case should be fired.

An incomprehensible slog to get through. I don't know much about Markiplier but having you first film be written, directed, and solo starred by yourself is too much to take on maybe.

Should of had sequels and a cinematic universe. Everybody involved is just at their peak.

Definitely interesting, its an extended drive and talk as a man searches for an assistant in his suicide. I expected the ending but that back half of this is effective.

Would love to see a nicer print of this, the technicolor landscape was incredible. While it remains a typical western setup, it is much more focused on Wayne's character as being problematic and in the wrong than the other famous films of the era and genre.

Distracted by Karen Allen and getting mad at the guy who wasn't doing everything she said and choosing to frat party instead of hang out with her.

Certainly harmless enough but this is a low point in the genre of studio rom coms. This managed to make Tuscany look and feel like a hallmark studio shot movie.

Go Buckeyes. Entertaining black comedy with a lot more action and blood than I expected.

Brother what? Everyone is speaking at half speed and in metaphors the full 2 hours.

This is a solid action heist film that features the worst and most out of place final 10 minutes in movie history. I can only assume the studio said you have to get this to 90 mins and they had no choice.

40 minutes in and we still aren't mummy'ing, 120 minutes in and we are still cutting to the Egypt B plot. Take a shot every time you see a split diopter shot and RIP.

Really not even worth thought or consideration in a review. There is no arc, there is nothing new, there are familiar, forgettable faces and action scenes around every corner.

This guy Skyler Gisondo should really be the next James Bond and Ethan Hunt.

Need much better character archetypes to support the storytelling setup in this.

The ending does a great job re-contextualizing the entire film, particularly Sam Neil's insane roller coaster of a performance.

Extremely watchable and light, The main takeaway is Meryl Streep has one the nicest kitchens I've seen and is somehow complaining about it So of course she is building a new even better, bigger kitchen.

Plots a little disjointed for my taste, but a well made movie with mega stars more than makes up for it. The "That oughta do it" dynamite bit had me laughing harder than I have in awhile at a movie.

Sets us as a cat and mouse game between IAD and Gere, a crooked cop. The problem is Gere is less a crooked cop and more just a guy who wants to **** every married woman in LA.

Incredible performances and direction, some of the best framed shots I've seen which is to be expected with PTA.

Certainly a step back up from 2 but a few plot contrivances and a disappointing climax held this back from being an action classic.

Good, unique premise and delivery, the horror genre really has the legs to support anything.

The plot is obviously loose to set up this silly plot structure, I just think Arnold is so good and maybe the only actor ever who could pull this off. We are unfortunately at a 0/10 on the villain scale here.

Shocked by how funny and on point the comedic timing of Matt Dillon is. Why did he not do more comedies?

Has good, funny moments for a streamer slop action film. I was not enough up on Gilmore Girls to appreciate fully.

Smartly written and acted, definitely more funny than I was expecting. Pattinson and expert level awkward doofus.

The leads chemistry was not exactly popping here, this is such an easy role for Willis that he seemed mostly bored by it. Tony Scott was the true one of one.

Everyone is clearly having a great time here, the tone is wacky and so inconsistent. Has one of the best dream film houses.

Only makes you feel bad and sad for the most part, but in a way that maybe inspires you to do better or appreciate life more.

Rough for all involved, no impact in really any sense. Not sure what the idea was here

I definitely think the story needed time to breathe instead of this all happening the day after the original. The energy stays consistent but this movie is basically just "Our Blondes are covered in blood", and it works.

No but like seriously how? It says it took them 5 years to make, would of taken me and the boys a century, minimum.

Knocking some shorter titles off the Letterboxd top 500. I like Daft Punk music as much as the next guy, but this is not a narrative feature, pleasant enough to have on and vibe out to.

Essential viewing, perhaps, for a look into the American soul. The best looking black and white production I have seen to date.

Generally not a fan of this genre of directionless, ensemble, 'hangout' movies similar to this. But i did find the characters unique and quirky enough to mostly enjoy this.

Tons of fun and unique camera angles in here, decent action filmmaking throughout for sure.

Impressive and caring stop motion animation and storytelling focused on a young group of foster children.

Nothing here really at all, no twists, slop action, directionless filmmaking.

The star power (John Williams) is doing all the work here. Boxing scenes were funny, story is pretty tame, Irish Cruise is something.

Wow wow wow, Martin Davidson I was not familiar at all with your game. This has a great script and a few of the best framed shots I can remember.

It takes much better writing and setup to enjoy a movie where there is literally nobody to care about or root for.

A charming, twisty, and fun time from some Canadiens I have never heard of in my life.