royalguy07

I signed up for the killer tire movie assuming the killer tire would kill people in a tire like fashion. Instead he had telepathic powers that blew their heads up. Which was much less interesting.

Love musicals, the songs here were all pretty good. I think the crazed sexual energy, memorable characters and scenery are reasons why this has endured for so long.

Underwater filming in 1954 feels very impressive. Julie Adams in this may have created the character archetype and the low point at the same time for the 'damsel in distress', she literally only turns around and screams.

Cregger is so loaded with the juice you could put the first 40 minutes of this up against anything in horror.

Big disappointment, retains nothing of value from the original while also trying nothing new.

A Killer ant movie that is what it is, has some pretty comically low grade CGI for the ants. Naturally the ants heads explode when exposed to bad rock music.

A fun and knowing look at maybe my favorite genre. Just a really great idea for a film and while it is executed how you would expect at the end it contains a lot of laughs through the end.

I think this is a pretty funny satire with a loaded, overqualified cast. I can't believe Bruce Dern has just been 'crazy old guy' for 50 years.

Dracula is cool and committed here, the movie practically falls off a cliff when we cut to the human drama. Some really remarkable sets that use the B&W filmmaking perfectly.

It appears that every modern trope of werewolf storytelling began here. While the characters here are fairly weak due to the short runtime, the setting and direction is not. The foggy forest set is one of the best ever put on screen for a horror film.

A movie you have seen a thousand times, featuring actors you know that aren't trying or care.

Maybe controversial to think this is better than the first. Even though the drum move finish is laughable compared to the swan kick, I found this more in touch with its characters and themes.

Its a mostly fun time, and the swan kick finish does kinda kick ass to salvage it.

To say nobody else is making them like this is an understatement. Work **** and looking for work **** just as much.

It is just 50% a clip movie, but the clips are still funny and the crew is still an incredible hang.

The Evil Dead franchise was due for a dud at some point. This one is easily the worst in the series with its completely gray design and Vecna ass final monster.

This was moving along really well with good pacing, fun Blunt time, and some Spielberg camera tricks. But I have never seen a film hit such a brick wall as this did in its last hour.

Effective and inoffensive streaming slop, Mary Steenburgen getting a real solid rom com part at age 73 is impressive.

What I will remember from this is being able to see De Niro as the young reckless hot head in a mafia movie.

I am unsure on what could of saved this absolute slog. There's a decent action set piece early on and then 90 minutes of viewing displeasure.

An Australian, religiously summoned it follows demon as a conversion therapy device movie . The themes are very strong I think, scares are fairly timid.

F I need a big wine trip and also some nice wine to hold me over in the meantime.

Pretty aggressively unfunny for the most part. Since it has been so long they tried to hit on too many things in such a short film. I still think what works the best is the comedic timing of Shawn Wayans as not gay Ray.

Incredibly unique and exhilarating fight choreography, especially when Miao Xie is fighting. Have always liked Joe Taslim since The Night Comes for Us (2018). I would argue nothing works in this movie besides the fighting, but it maybe ends with the greatest hand to hand combat finale ever put on screen.

I felt the hater rising within me during this, then Spidey and the Hulk had a fight sequence and I felt it was definitely worth it all. They are fortunate their main cast here is so good and charming.

It has almost no visual creativity in its settings and design. Hopefully the worst is already here and past of the gunnerverse.

A pretty stellar rom com with its design and characters. Anytime Julia pulls out the massive hair look is just woah.

Overlong but has enough endless silly, sloppy, and BS fun to earn its place.

The villain nanny gets enough evil smirks in to last a lifetime. A real poor performance by the husband here.

He's just like me. (The guy recommending jello shots to get the party back on track)

Direct to Video Cage slop that meets the bare needs of crime thriller. Cage is way too bland and forgettable here.

Just kind of bland since the lead is both uninteresting and kind of a bad person not worth the effort. I do love when classic music lyrics carry thematic relevance to the plots of the characters.

"HEY YO HAS ANYBODY SEEN RICHIEEE??" "DOES ANYBODY KNOW WHY RICHIE DID BOBBY LUPO??" This is genuinely verging on a parody masterclass, unknowingly. Seagal seemed determined to be make a mafia movie where he plays a wise guy. But since he has to be the good guy he just plays a cop that talks and acts like a wise guy, incredible. Audibly laughed out loud several times, my favorite was when he decided to check his dead partners work desk to see what he was maybe getting into that caused his death and he pulled out in order: a massive bag of cocaine, fat stacks of cash, and close up polaroid's of him with hookers. I'll say again that this was in this cops work desk.

It turns out trading Spielberg, Dreyfuss, and Shaw out for Jeannot Szwarc and some teens who would struggle to make the case in a Friday the 13th movie has negative yields. Awesome shark death at the end.

Weaponized male incompetence final boss. Most unbelievable parts were all the shots off the Titans stadium that made it seem full of all Titans fans.

From now on when I get back from the grueling odyssey from my work to my home I am going to immediately put someone else in charge of the situation and self exile myself to the TV.

Kubrick certainly has particular, and seemingly accurate, view of America and its military.

Really dreadful, there is just so little plot movement or character development that its just a soulless exercise. A reunion travelogue with the main cast would of been better than this. Disney please have 2 seconds of self reflection when the plot of your big summer movie is about how soulless corporations **** everything up and take the creativity out of it.

Great debut directing and vibes. I liked the traditionally filmed sequences way more than the found footage sections, the story definitely lost me eventually.

Contains all the trappings of the genre but I think its silly and campy enough to be watchable.

First movie I've ever considered not rating. The performances are great for the most part but it is an awkward watch given the subject matter.

A lot of thoughts but better than I remembered. The impact of having prime Madden and Summerall is huge, they have some of the best lines. It's somehow a pretty even split between a football movie and a stripper cheerleaders movie. They are shown before during and after every play.

Incredibly strong direction and performances with a moving and emotional ending.

A toothless college football movie laden with genre stereotypes, poor acting, and stale direction. This will not be a Jimmy Caan performance that I remember, he embodies a college football coach so poorly its shocking. I want to give a specific shoutout to 'Eastern State University' and their schedule here as they try to get bowl eligible for the first time in 3 years and also win their conference championship (????). They played Miss State, Michigan, Boston College, Texas, UNC, Iowa, and Georgia Tech. I can only assume the producers could only take what they were given in terms of willing university's to participate.

John Candy never misses, Murray does sometimes. Its certainly silly and harmless enough for some laughs.

I know my mom loves Fred Astaire and Ginger Rodgers, this film is clearly only a vehicle for them to shine together. Astaire has an unfortunate, extended blackface sequence that's completely out of place with the rest of the movie.

A real boring affair. The best part is that the bad guy likes to bang to the score from The Shining.

Dreadful. Travolta and Vaughn are in a movie long struggle for the worst line readings and acting. Completely perplexing characters and plot structure.

An incredible relic of the era. The comedic timing and general brainlessness of the American people he encountered here make every sequence of this entertaining.

Solid tenant from hell movie, its way too light on all aspects Keaton. Watching Modine crash out over and over again was funny.