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Shane

Critic Reviews

85
Metascore
Universal Acclaim
positive
14(82%)
mixed
3(18%)
negative
0(0%)
Showing 17 Critic Reviews
100
Chicago Sun-Times
Shane wears a white hat and Palance wears a black hat, but the buried psychology of this movie is a mottled, uneasy, fascinating gray.
100
The New York Times
Shane contains something more than beauty and the grandeur of the mountains and plains, drenched by the brilliant Western sunshine and the violent, torrential, black-browed rains. It contains a tremendous comprehension of the bitterness and passion of the feuds that existed between the new homesteaders and the cattlemen on the open range.
100
Chicago Tribune
Shane is one of those movies that I revisit at least once a year, just to remind myself how stirring a Western can be when the mix of myth and method is just right. [21 June 2002, p.C8]
100
Empire
Tries just a tad too hard to be a classic, with Ladd's Roy Rogers woodenness not quite getting the depths of author Jack Schaefer's fallen hero, but the support - Jean Arthur as the yearning farmer's wife, Ben Johnson as the conscience-struck bully - are excellent, and some scenes lodge forever in your memory.
100
The Seattle Times
George Stevens' mythic 1953 Western finally gets a video transfer that captures the crisp, bright beauty of its Oscar-winning cinematography. [17 Aug 2000, p.D3]
100
Philadelphia Inquirer
Among lovers of the genre, Shane is surely among the top five westerns ever made. [14 Jun 2003, p.D01]
100
The Independent
Beloved adaptation of Jack Schaefer’s wonderful novel, with Alan Ladd perfect as the buckskinned gunfighter trying to hang up his six shooter but finding that “There’s no living with a killing”. [10 Dec 2022]
100
The Observer (UK)
Shane is a beautiful, deceptively simple movie that takes on different meanings for each generation. [08 Oct 2000, p.10]
100
The Telegraph
Few Westerns examine the depths of human feeling, but this film by George Stevens is one of them, and it has since become a cinematic landmark. [13 Feb 2020, p.29]
91
Portland Oregonian
Ladd's career had been declining and kept declining after Shane, but his minimalist, passive style was perfect for this character, a violent man who has grown thoughtful too late in life. This is his best work. [28 Apr 2000]
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