Portland Oregonian

The team did better later, but they did just fine with "Shanghai." [07 Sep 1988, p.E05]

It's pretty outrageous, though not my cup of tea. If you've liked the Trailer Park Boys in the past, though, "Don't Legalize It" doesn't really mess with the formula.

Exarchopoulos and Seydoux give their characters dimension and spark. Kechiche touches on issues of not only gender, age and sexuality, but also socioeconomic class. And if the movie doesn't quite seem to know when to end, it's because the director can't bear to say goodbye to these fascinating, fully-formed characters.

It’s a harrowing and impressive accomplishment (especially considering potential government censorship), and it shows how, in its mad rush toward modernity, China has become a land of haves and have-nots, where income inequality and lack of opportunity have made a mockery of the nation’s purported ideals. Sound familiar?

Telling Northrup’s story, McQueen gives a grand tour of the institutionalized sadism and astonishing inhumanity ubiquitous in the slave economy.

Nothing tops the discussions of mortality between Leary and Ram Dass, during which both of these battered but unbowed explorers of reality come off as nothing less than enlightened.

Inspired by uprisings in the former Soviet bloc as well as, more pointedly, the Arab Spring, Makhmalbaf serves up a surprisingly tense, sometimes poignant parable. It's good to have him back.

German director Christian Petzold's new movie is a testament to the way textured performances and a skillfully woven script can entice a remarkable suspension of disbelief.

Sorrentino’s storytelling sometimes seems deliberately obscure, and his film can be as indulgent as the society it chronicles. But as this existential odyssey draws to a close, it sews itself up with the aplomb that only a confident, controlled filmmaker can marshal.

An inspirational, and mostly entertaining, saga, Joy is a Horatio Alger story for the 21st century — but who reads those anymore?