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SummaryAfter years away, theater director Jeanine (Amanda Seyfried) re-enters the opera world to stage her former mentor’s most famous work. Haunted by dark and disturbing memories from her past, Jeanine allows her repressed trauma to color the present as her personal and professional lives begin to unravel.

Directed By:Atom Egoyan

Written By:Atom Egoyan

Seven Veils

Metascore
Generally Favorable
62
User score
Mixed or Average
5.1
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Metascore
Generally Favorable
62
63% Positive
12 Reviews
37% Mixed
7 Reviews
0% Negative
0 Reviews
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Mar 7, 2025
91
The Playlist
A marriage of dramaturgy and remembrance, Seven Veils dances through its themes and character history with thoughtful intention that would impress Salome herself. Emotionally bracing and infused with a meta-text that leapfrogs the story and the characters themselves, it is almost good enough to lose one’s head over.
Feb 27, 2025
80
The Hollywood Reporter
Essentially serving as a constant spectator, looking in on both the production and her own tangled life, Seyfriend impressively conveys a myriad of tamped-down, long-repressed emotions with an economy of dialogue at her disposal.
User score
Mixed or Average
5.1
50% Positive
4 Ratings
13% Mixed
1 Rating
38% Negative
3 Ratings
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Aug 7, 2026
8
MovieReviewMave
Movie Review Mom GRADE: B+IN A NUTSHELL:The Canadian thriller was directed and written by Atom Egoyan. This is the second movie Amanda Seyfried has been in that was directed by Atom Egoyan. The real opera was in production while this movie was being filmed, allowing both projects to use the same sets. **** story is about an earnest theater director who has the task of remounting her former mentor’s most famous work, the opera Salome. Some disturbing memories from her past allow her repressed trauma to color the **** story of Salame’s dance in the court of King Herod is based on Mark 6:22 and Matthew 14, which led to the beheading of John the Baptist.Already, the film has been nominated for several awards, including Best Director, Best Female Actor, and Best Supporting Female Actor.TIPS FOR PARENTS:This movie is not appropriate for kids.Kids will be extremely bored.Quite a bit of implied sexual content.A theatrical suicide is portrayed.Lesbians are portrayed.Talk of several illicit affairs.THEMES:ForgivenessAbuseLoveBad behavior in the name of artRevengeInnocenceTraumaObsession with things you can’t haveExploitationPassion vs. punishmentThe ghosts that haunt usTHINGS I LIKED:Atom Egoyan has directed many operas during his career, the first being Salome in 1996. He began directing film in the 1980s and often wondered if he could combine his love for both media. That’s exactly what he does in this movie, and very well I might add!Amanda Seyfried did an outstanding job and also looks fantastic. She is a lovely singer, so it would have been fun to hear her sing a little bit during the opera **** rest of the cast is also terrific and includes Rebecca Liddiard, Douglas Smith, Mark O’Brien, Vinessa Antoine, and Lanette Ware, among many others.Some of the actors in the real opera are also in the movie such as Ambur Braid and Michael **** title of the film is appropriate because it alludes to the fact that some truths are veiled or hidden in this multi-layered movie. A veil has traditionally been a symbol of a covering that represents modesty, authority, consecration, and fidelity. The actual term “dance of the seven veils” was used in the 1891 stage production of Salome by Oscar Wilde. There are many interpretations of the phrase throughout history; I’d love to have a conversation with the director to learn which meanings he has applied to the title!We see visuals on a screen that illustrate what Salome and Jeanine have gone **** film premiered at the 2023 Toronto International Film.Several characters are faced with moral dilemmas; it’s fascinating to see how they handle them.THINGS I DIDN’T LIKE:Those who don’t enjoy opera might not like this film **** film is extremely “artsy-fartsy”. Some viewers may not appreciate it or understand it. Some will be bored and think it’s overly pretentious. Others will think it’s brilliant.Many viewers will find they won’t be able to relate to most of the characters in the movie.FUNNY LINES: None. This is a serious drama.INTERESTING LINES: “I’ve been asked to make this personal, so I shall.” – Jeanine (Amanda Seyfried)“Take away one sense and others are heightened.” – Jeanine (Amanda Seyfried)“You’re worthy of being loved.” – Jeanine (Amanda Seyfried)“Nothing is clear to you right now except your pain.” – Jeanine (Amanda Seyfried)“The mystery of love is greater than the mystery of death.” – Jeanine (Amanda Seyfried)
Jul 22, 2025
8
alanpotter17
É um filme instigante, que tenta trabalhar com uma metalinguagem no processo de fazer um filme sobre uma peça (Salomé, baseado na obra de Oscar Wilde), ao mesmo tempo que a diretora da peça, Jeanine, interpretada pela ótima Amada Seyfried deve conviver com seus traumas (quem escrevera a peça, no filme, morre com desejo de que Jeanine a dirigisse, mas há entre eles relações obscuras). Misturando um excesso de simbologia com cenas que mais sugerem do que explicam, fico a imaginar o quanto a própria versão de Wilde segue uma estrutura patriarcal pelo desejo de Salomé, quase reificado. Não à toa o filme apresenta alguns personagens secundários que questionam certos comportamentos (inclusive há também abusos entre os personagens secundários), que embora não tão bem trabalhados quanto à protagonista, dão o tom para um muito muito aberto a múltiplas interpretações. Essa colcha de retalhos parte de um roteiro confuso, sim, mas quero destacar aqui o grande trunfo do filme: a trilha sonora, simplesmente fantástica, o que torna a experiência hipnotizante. Lembra a atmosfera de "Cisne negro", mas aqui o foco é a direção, e não o palco, e de como a arte nos faz criar novas perspectivas da vida. Se fosse um pouco mais coeso, renderia de forma melhor, já que, muitas vezes, o menos é mais. Ainda assim, obra bastante desafiadora.
Feb 27, 2025
70
Screen Daily
This intense psychodrama about buried trauma and doomed romance demonstrates an unapologetic operatic flair which entrances and over-reaches in equal measure. Seyfried exudes a stark intensity that grounds the proceedings — whenever Egoyan risks losing control, she keeps the production on course.
Mar 8, 2025
63
Chicago Tribune
It’s a lot. Seyfried, who has worked with writer-director Egoyan before on the super-ripe erotic drama “Chloe” (2009), finesses some zig-zaggy tonal swerves confidently and well. The writing, however, wobbles.
Feb 27, 2025
58
IndieWire
Acting as the film’s teetering anchor, Seyfried channels a fascinating blend of composure and chaos that, in a less muddled movie, would have sung. Yet here, her portrayal of an assured woman unraveling under pressure merely lends a haunting note to a tale that strikes as simultaneously laborious and opaque.
Mar 8, 2025
50
The A.V. Club
Egoyan’s film is at once stylish and slipshod, a film that is both gorgeously shot—haunting shadows, deep colors—and inelegant in its themes of sexual trauma and assault.
Feb 22, 2024
40
The Telegraph
It’s an egghead exercise, both scrambled and undercooked.
See All 19 Critic Reviews
Apr 30, 2025
6
Brent_Marchant
Author/poet/playwright Oscar Wilde is widely renowned for his observation that “Life imitates art” (or, more precisely, as the full quote maintains, that “Life imitates art far more often than art imitates life”). But is that statement indeed true? In many ways, it seems that both propositions are just about equally valid these days. And that’s a pervasive theme – from both perspectives – that runs through the latest feature from writer-director Atom Egoyan. The film tells the story of a theatrical director (Amanda Seyfried) who takes on the challenge of mounting a new production of the Richard Strauss opera Salome (a work ironically based on an Oscar Wilde play of the same name), a revival based on a previous version staged by her former mentor and now-deceased unrequited love. The opera, in turn, serves up a musical interpretation of the Biblical tale of prophet John the Baptist (Michael Kupfer-Radecky) and Judean Princess Salome (Ambur Braid), perhaps best known for her erotically charged “Dance of the Seven Veils” and who asks her stepfather, King Herod (Michael Schade), to present her with the holy man’s head on a silver platter when he spurns her romantic advances. Ironically, the director’s personal story uncannily parallels that of the operatic subject matter she’s now in the process of staging, presenting her, as well as many other members of her cast and production team, with an opportunity to examine themselves, their circumstances and the ghosts of their long-ignored pasts. In a sense, this scenario thus provides all concerned with a chance to work through their respective long-unresolved (and often-interrelated) issues, a de facto form of art therapy not unlike that explored in films like “Black Swan” (2010). Unfortunately, the narrative is overloaded with story threads and at times becomes a little too intricate and cumbersome for its own good. What’s more, after a while, the myriad connections linking these various subplots start to seem a tad convenient and contrived to be believable, regardless of how interesting they may each be in and of themselves. This tends to bog down the flow of the picture, which is unfortunate in light of the film’s promising premise, intriguing production design, and fine performances by its ensemble cast, particularly Seyfried and Rebecca Liddiard as the production’s property master. In all truthfulness, none of this is meant to suggest that this is an awful film; indeed, “Seven Veils” genuinely borders on being a truly engaging, memorable, well-crafted work. However, with so much going on, it tries to cover too much ground, which, if it had been judiciously pared down, could have made for an outstanding release. As it stands now, though, this is a case of an ambitious filmmaker not quite knowing when to quit trying so hard and not realizing that sometimes there’s no need to go overboard in trying to impress viewers.
See All 8 User Reviews
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  • Rhombus Media
  • Ego Film Arts
  • Téléfilm Canada
  • Cinetic Media
  • IPR.VC
  • XYZfilms
  • Canadian Opera Company
Mar 7, 2025
1 h 47 m

Awards

Canadian Screen Awards, CA
• 1 Win & 6 Nominations
Vancouver Film Critics Circle
• 3 Nominations
Windsor International Film Festival
• 1 Nomination
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