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Parenthood

Critic Reviews

82
Metascore
Universal Acclaim
positive
16(94%)
mixed
1(6%)
negative
0(0%)
Showing 17 Critic Reviews
100
Chicago Sun-Times
Ron Howard's Parenthood is a delicate balancing act between comedy and truth, a movie that contains a lot of laughter and yet is more concerned with character than punch lines.
90
Los Angeles Times
Ron Howard reaches real maturity here, as he pulls together the script's tendency to skitter between sociology and sitcom, making it into one perceptive, delicious whole. [2 Aug 1989, p.1]
88
Rolling Stone
Parenthood, heartfelt and howlingly comic, also comes spiced with risk and mischief. Just when you fear the movie might be swept away on a tidal wave of wholesomeness, a line, a scene or a performance poke through to restore messy, perverse reality.
88
Boston Globe
Funny, gritty, filled with surprising stabs of feeling, Parenthood is a stretch for Ron Howard, its director. This new adult comedy has the generosity of "Cocoon" and "Splash," but it takes Howard into deeper, darker, messier territory. [2 Aug 1989, p.57]
88
Chicago Tribune
Ron Howard's first-rate dramatic comedy Parenthood, with Steve Martin headlining a first-rate cast in a most clever script about the joy and pain of being both a parent and a child. [4 Aug 1989, p.A]
88
TV Guide Magazine
While Parenthood crosses the border into schmaltz a number of times, the movie runs the gamut of realistic emotions, and one scene or another is bound to hit home with the parents who see the film.
80
The New York Times
Ron Howard's bittersweet adult comedy, Parenthood, lays out an entire catalogue of psychological stresses afflicting family life in white middle-class America, then asks if the rewards of being a parent are worth all the agony.
80
Washington Post
Perhaps Parenthood works so well because Howard and Co. dabble in the dark side of family happiness and the lighter side of family darkness.
80
Wall Street Journal
The picture sets up high expectations for itself with its wonderful casting, and the actors don't disappoint. [1 Aug 1989, p.1]
80
Time
There is something brave and original about piling up most of our worst parental nightmares in one movie and then daring to make a midsummer comedy out of them. It really shouldn't work, but it does. The movie does not linger too long over any moment or mood, and it permits characters to transcend type, offering a more surprising range of response to events. [7 August 1989, p.54]
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