Critic Reviews

Soderbergh seems to have found his vision again. It'll be a great day when he returns to writing his own material, but until then, this is none too shabby.

For sheer urbane elegance coupled with technical mastery and lush, old-fashioned élan, no one working for the studios today comes close to the versatile Soderbergh.

Let’s be honest: With a cast like this, it doesn't matter too much what the characters are doing onscreen, or if it makes about as much sense as a monochrome rainbow.

Enjoyable, and will likely appeal to anyone who appreciated the 2001 film.

Soderberg provides a cornucopia of fizzy, post–New Wave imagery, fitting for a picture that’s pretty much all about surfaces.

As soon as it's over, and you find yourself back in the harsh light of the workaday world, you'll be hard-pressed to remember what happened. Except that you'll remember enjoying yourself - immensely.

Isn't just a double whammy, it's a whammy squared - a goofy, stylish heist movie that'll steal moviegoers from other pictures.

At the rate things are going, all of Hollywood will put in about a day's work on "Ocean's Seventeen."

This loose, slightly lazy sequel is both funnier than the original and more bizarre.

The movie is all about behavior, dialogue, star power and wiseass in-jokes. I really sort of liked it.