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Love and Death on Long Island

Critic Reviews

81
Metascore
Universal Acclaim
positive
18(95%)
mixed
1(5%)
negative
0(0%)
Showing 19 Critic Reviews
100
Entertainment Weekly
A highly original Death in Venice-scented comedy drama written and directed with flair by British feature novice Richard Kwietniowski.
100
Christian Science Monitor
Hurt gives an astonishingly sensitive and funny performance as the bedazzled intellectual, and first-time filmmaker Kwietniowski unfolds the story with an unfailing blend of humor and compassion.
90
Chicago Reader
A witty, canny meditation on the power of pop culture in general and the rationalizations of cinephilia and film criticism in particular.
90
Los Angeles Times
Love and Death on Long Island is sharp, sophisticated and completely delicious, a purposeful comedy that focuses on the power of screen images to uproot lives and the poignancy of amour fou, totally mad love.
90
New York Magazine (Vulture)
Writer-director Richard Kwietniowski has never made a feature before, but this debut effort is a triumph, a buoyant and elegant achievement -- romantic and ruminative yet always precise, a comedy of longing propelled by a strong current of satirical observation.
90
The A.V. Club
An unpredictable, often funny, always winning film, Love And Death On Long Island is filled with low-key humor and sharp observations about the state of art at the close of the millennium.
88
Chicago Sun-Times
These opening scenes of Love and Death on Long Island are funny and touching, and Hurt brings a dignity to Giles De'Ath that transcends any snickering amusement at his infatuation.
80
The New York Times
John Hurt is simply wonderful -- acerbic, funny and heartbreaking.
80
Newsweek
The first-time writer-director, Englishman Richard Kwietniowski, has adapted Gilbert Adair's novel with wit, economy and a delicate understanding that the funniest comedies are played with dead seriousness.
80
Variety
This is arguably Hurt's best role in years, and he bites into it with relish, managing to seem both manipulative and vulnerable, dour and droll at the same time.
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