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Godmothered

Critic Reviews

49
Metascore
Mixed or Average
positive
5(42%)
mixed
7(58%)
negative
0(0%)
Showing 12 Critic Reviews
Dec 9, 2020
75
RogerEbert.com
The cuteness of Godmothered is a winning one overall, especially in how it uses a playful sense of humor and good heart to find its own way to Happily Ever After.
Dec 17, 2020
70
Polygon
The result is a movie that interrogates Disney tropes but actually delivers on dismantling them.
Dec 2, 2020
67
The A.V. Club
What elevates Godmothered is an ending that manages to tie up the film’s familiar themes in a surprisingly moving way.
Dec 2, 2020
65
TheWrap
For the most part, Godmothered is a mixed-bag of clever comedy and banal kid-movie clichés, but director Sharon Maguire (“Bridget Jones’ Baby”) and writers Kari Granlund (2019’s “Lady and the Tramp”) and Melissa Stack (“The Other Woman”) craft an ending that’s so emotionally and intellectually satisfying that it’s easy to forgive the film’s less magical attributes.
Dec 2, 2020
63
The Globe and Mail (Toronto)
At least Bell and Fisher make the most of their screen time, with each playing off each other like close friends simply thrilled for the opportunity to frolic in the film’s ridiculous fantasyland.
Dec 3, 2020
50
Screen Rant
Godmothered is a campy and heartfelt family-friendly Christmas flick, but ends up feeling like an adult rom-com shoehorned into a kids movie.
Dec 4, 2020
50
Movie Nation
A script that scrimps on laughs — not enough zingers or pratfalls — and relies on sentiment to get by lets them down.
Dec 2, 2020
42
IndieWire
Godmothered has all the pieces for at least an amiable enough production. Instead, the result is a paradoxical combination of sweet messages and dull execution, good-hearted ideas and bizarre subplots, a dull affair that very clearly sprang from a good place.
Dec 2, 2020
40
Slashfilm
Most of what Disney+ has released among its live-action fare is the kind of mid-budget movie that served as the Disney studio’s bread and butter in the 1990s. Godmothered, even with its connection to the Disney fairy-tale universe, is very much in line with those watchable, wholly unremarkable films. It helps that Jillian Bell and Isla Fisher do their best in predictable roles, but the roles being so predictable is hard to look past.
Dec 2, 2020
40
Variety
The movie does serve up a rather satisfying ending, suggesting the studio’s latest politically correct reinterpretation of “true love.” The rest looks cheap and lacks much of a personality.
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