TheWrap

It’s just a really, really scary movie about a really, really, really big snake.

There does appear to be at least a level of self awareness when it comes to realizing that the sexiness of the film is necessary, as “Verity” relies on two things to succeed: the performances of its leads and how hot everyone is.

Digger is what happens when you give the week’s worst Saturday Night Live sketch an inexplicably large budget and delusions of grandeur.

It’s a great Godzilla sequel, maybe even one of the best, but it’s not one of the great Godzilla movies

The film is not all sound and fury, with a solid story of friendship at its center combined with a wicked sense of irreverent humor.

Unabomber is a dud.

You pretty much know it’s going to get triumphant, at least to some degree, and Heder knows how to work triumph on screen. There’s no question that she’s pulled off another crowd-pleasing film, but the key to Being Heumann is that its importance goes beyond those audience smiles.

Joss Crowley gets away with Pretenders because he has some thrilling archival footage, and because Hynde and Chambers are always blunt and honest, even when they’re sometimes being evasive.

It’s very funny and pretty disturbing and quite entertaining until it starts to run out of gas. And even then, you can forgive it because of Rosalind Eleazar, the British actress best known for “Slow Horses” who has the pride and the pipes and the passion to embody the title character.

Heart of the Beast' is functional. It tells a clear story, it’s never boring for long, and most of its emotional crescendoes resonate.