SummaryA criminal investigation into an alleged kidnapping of a child by a suspect who is presumed to be a local from the projects ignites long-simmering racial tension between two neighboring New Jersey towns. (Sony Pictures)
Directed By:Joe Roth
Written By:Richard Price
Freedomland
Metascore
Mixed or Average
43
User score
Generally Favorable
6.5
My Score
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Metascore
Mixed or Average
43
34% Positive
12 Reviews
12 Reviews
40% Mixed
14 Reviews
14 Reviews
26% Negative
9 Reviews
9 Reviews
80
The film is, above all, a moving portrait of hurting souls, brought to life in compelling performances.
67
If Freedomland reminds you of Spike Lee's "Clockers," that's not by accident. Like that film, it's adapted by Richard Price from his novel and is set in the neighboring Northern New Jersey communities of Dempsy, predominantly poor and African-American, and the largely white blue-collar suburb of Gannon.
63
Hugely ambitious and driven by Julianne Moore, Samuel L. Jackson and Edie Falco's fine, intense performances, Richard Price's adaptation of his own sprawling novel about a racially charged kidnapping that turns a volatile New Jersey town into a powder keg tries to tell too many stories in too little time.
50
Individual scenes feel authentic, but the story tries to build bridges between loose ends.
40
Anyone who has seen the trailers for Freedomland, which don't exactly skimp on maternal angst, already knows this is going to be a sad-mommy story. What we don't know is that it may be a bad-mommy story as well.
38
Steer clear of Freedomland, the movie. Your time would be better spent reading Richard Price's much more compelling 1998 novel.
10
An early candidate for worst film of the year is Freedomland, an inept, lethally dull drama.
User score
Generally Favorable
6.5
50% Positive
4 Ratings
4 Ratings
38% Mixed
3 Ratings
3 Ratings
13% Negative
1 Rating
1 Rating
Jan 6, 2015
6
Exploring racism and police misconduct in a mixed neighborhood, Freedomland had ambitious goals and tried to tell it's story without taking a position. As the film moves forward, it becomes very clear which way the films writers are leaning, and it defeats the films intended purpose. Julianna Moore plays a woman who claims she was carjacked in the black part of town. Samuel L. Jackson, one of the detectives assigned to the area, goes to investigate, and when he interviews the victim, she drops a bombshell, telling Jackson that her 5 year old son was in the car. We all know that Samuel L. Jackson is a legend and he performed like one in this film, but the problem was Julianne Moore. I get that she's playing a mother who is missing her kid, but she was so whiny and out of it the whole film, that every scene she was in was just painful to watch. Add to that the fact that she's trying to use some southern redneck accent, and she was barely understandable. A white woman claiming her child was kidnapped by a black man is the premise of the film and leads to the police putting down the hammer on the black part of town. It was a story that could have gone in so many terrific directions, but instead it falls flat on it's face, with nonsensical sub-plots, shotty performances, and of course a writer who did anything but tell his story objectively. The investigative part of the film was pretty interesting and Samuel L. Jackson is always great, but overall Freedomland is a cliche, that plays on racial conflict in order to get people to watch it.
Production Company:
- Revolution Studios
- Scott Rudin Productions
Release Date:Feb 17, 2006
Duration:1 h 53 m
Rating:R
Tagline:His Streets. His Rules.
Awards
The Stinkers Bad Movie Awards
• 1 Win & 3 Nominations
Bambi Awards
• 1 Win & 1 Nomination
AARP Movies for Grownups Awards
• 1 Nomination




























