Critic Reviews

Yan’s film mines several prominent social issues to contextualize the improbable plot, including socioeconomic mobility, environmental degradation and market speculation. Rather than just documenting their prevalence, she demonstrates how they coalesce to create a conflicting array of impacts for her characters.

If that lack of discipline is the cost of the generous, expansive, energetic wit of Yan’s immensely promising first feature, it’s one we should be happy to pay.

A bold social satire that never loses its sense of fun, Dead Pigs finally lets us confirm what Birds Of Prey already suggested: Cathy Yan has a sharp eye and a fearless voice — we’re lucky to have her.

Dynamic in a Hollywood-friendly manner, the film has a deliberately broad tone, but by no means does that detract from its thematic acumen.

Dead Pigs’s intermingling of grit and polish is hugely satisfying: a potent combination of pearls and swine.

A great first feature from Cathy Yan, Dead Pigs paints a vivid backdrop of globalization, wealth inequality, and the anxieties of a dual Eastern and Western existence. With these complexities in mind, it forces its idiosyncratic characters into personal and financial battles which often feel unwinnable.

Yan’s debut as a writer/director is a mostly sturdily constructed, and deftly edited, series of “meanwhiles,” a sprawling narrative of loosely and closely connected people whose lives intertwine in a variety of ways.

Although the film still sparkles, a trimmed-down version focused solely on the Wangs might have had the explosive power of a hand grenade. But the story isn’t the main attraction here. The real star of the movie is Yan, whose carnivalesque sensibilities emerge fully formed in this, her first feature.

I think its quirky charm and sense of humor will turn off a lot of people, but if you’re into the weird and unusual you might want to give Dead Pigs a look. It’s far from great, but it’s an entertaining and pleasant enough watch.

Demonstrating a light touch — underscored by a whimsy-leaning score and overtly comic moments, but never delving into flimsiness or farce — Yan handles her chosen topic, and the tapestry of tales it’s woven through, with care.