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SummaryThe new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.

Brubaker

Metascore
54
User score
Generally Favorable
7.0
My Score
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Metascore
54
36% Positive
4 Reviews
64% Mixed
7 Reviews
0% Negative
0 Reviews
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  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
70
The New Yorker
This muckraking melodrama has considerable power and some strong performances. The script, by W.D. Richter, has offhand dialogue with a warm, funny edge.
63
Chicago Tribune
Robert Redford stars as a reform-minded prison warden fighting for his life against a corrupt prison system. Competent but dreary. [11 July 1980, p.8]
User score
Generally Favorable
7.0
60% Positive
9 Ratings
40% Mixed
6 Ratings
0% Negative
0 Ratings
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Aug 9, 2022
8
Kai82
A prison drama with a really strong Robert Redford that is sadly based on a real life scandal (fictionalized aka the Hollywood version but not hiding atrocities). If you are interested in this you should google “Joe Hyams / Tom Murton” and / or “Arkansas Prison Scandal”. It is set in 1969 and the main character Henry Brubacker was appointed as the new director of the Wakefield State Prison by the governor to reform it to fit the new laws / regulations. Because he wants to see what he is up for he disguises himself as inmate and gets into the prison. What he sees and experiences is far surpassing his worst expectations (and probably nightmares). It is his duty to change this inhumane, illegal and disgusting system. Of cause this made him a lot of enemies as many do not want to get the public's attentions to the serious misdeeds. It is to dangerous to the people in charge that want to cover it up. Sidenote to all that say undercover is exaggerated. People lie to higher ups / their bosses for various reasons. All employees have to learn what to say to their boss and what not or face consequences. As boss you never get the truth and you are mostly to blame for this yourself. Many companies create this atmosphere of euphemism, denial and hiding unpleasant truths. “Undercover Boss” is factual correct in this regard. Back to the review. It is a great story of a battle against the awful status quo and people in charge. There is the critique that you learn not much about the characters and it is theoretical valid but I think this was not necessary here or the point of the movie. The characters deliver a great performance and especially Robert Redford made an impressive performance. I think it is fair to praise the whole cast, writer W.D. Richter, director Stuart Rosenberg and team behind the screen. Another strong point are the location and sets. They used a closed real life prison in Junction City. This created an intense and believable atmosphere that I never doubted. Overall this was a surprise as I watched it because nothing else I liked was on TV. I did not regret it and it was a good experience. An 8/10 for me with a recommendation.
Sep 19, 2025
6
chriss17eu
promising, but not good enough. 'brubaker' begins with an almost perfect introduction, managing to situate the viewer both in the space and among the characters, clearly establishing the tone and atmosphere of the story. while watching it, i couldn’t help but think of 'the shawshank redemption', even though the latter was released years later; the comparison arises almost inevitably due to the premise and prison atmosphere they share. robert redford delivers a remarkable performance, solid and convincing, carrying much of the film. the soundtrack, however, serves its purpose in supporting the narrative but is unlikely to be memorable for the audience. the plot is well-developed and written, showing a coherent and structured script, though despite its quality, it doesn’t quite engage with the intensity its premise could have promised. it is important to clarify that i enjoy slow-paced cinema, but in this case the story doesn’t quite help. unlike films like 'the godfather', which, despite being long and slow, maintain a tremendously interesting rhythm and plot, 'brubaker' can feel somewhat uneven in its development, causing interest to wane as it progresses. nevertheless, it combines strong performances and a solid narrative, even if it doesn’t reach the emotional or narrative impact that other films in the same genre have achieved. spanish: prometedora, pero no suficientemente buena. 'brubaker' comienza con una introducción casi perfecta, que logra situar al espectador tanto en el espacio como entre los personajes, estableciendo de manera clara la entonación y el ambiente de la historia. mientras la veía, no podía dejar de pensar en 'cadena perpetua', a pesar de que esta última se estrenara años después; la comparación surge casi inevitablemente por la premisa y la atmósfera carcelaria que comparten. robert redford ofrece un papel notable, una actuación sólida y convincente que sostiene gran parte de la película. la banda sonora, sin embargo, cumple su función de acompañar la narrativa, pero difícilmente quedará en la memoria del espectador. la trama está bien desarrollada y escrita, mostrando un guion coherente y estructurado, aunque a pesar de su calidad, no logra enganchar con la intensidad que su premisa podría haber prometido. es importante aclarar que disfruto del cine lento y pausado, pero en este caso la historia no termina de ayudar. a diferencia de películas como 'el padrino', que siendo largas y lentas mantienen un ritmo y una trama tremendamente interesantes, 'brubaker' puede resultar algo irregular en su desarrollo, haciendo que el interés disminuya a medida que avanza. aun así, combina buenas actuaciones y un relato sólido, aunque sin alcanzar la fuerza emocional o narrativa que otros títulos del mismo género han logrado.
63
Chicago Sun-Times
Brubaker is a grim and depressing drama about prison outrages - a movie that should, given its absolutely realistic vision, have kept us involved from beginning to end. That it doesn't is the result, I think, of a deliberate but unwise decision to focus on the issues involved in the story, instead of on the characters.
60
TV Guide Magazine
A very tough movie, Brubaker is not for the squeamish. Director Stuart Rosenberg, whose spotty career includes credits ranging from Move to The Amityville Horror, moved into a higher strata with this one, but no matter who's directing him, one can't escape the feeling that Redford is the man behind the man behind the camera.
50
Washington Post
Filmmakers ought to be granted time off for good intentions. Then, perhaps, those responsible for the prison film Brubaker could have gotten their do-good impulses under reasonable control, and used them to make a good picture, instead of a goody-goody one.
50
The New York Times
Brubaker is an earnest, right-minded, consistently unsurprising movie about a penologist named Brubaker (Robert Redford), who sets out to reform a single corrupt prison and finds himself bucking an entire system, including the state administration that appointed him to his job. It says a lot about a movie that the only mildly interesting characters in it are those who are corrupt, such as the insurance-selling member of the prison board, played by Murray Hamilton, and a smarmy building contractor, played by M. Emmet Walsh, who attempts to buy Brubaker's neighborly good feelings with a homemade chocolate cake.
40
Time Out London
By its attribution of every evil to simple human greed, the melodrama remains hamfisted; while Rosenberg's direction signals 'realism' with crude denim-blue tints in every image. After two hours and ten minutes one is left only with a numbing awareness of Redford's charmless charm, the macho image unable (unlike Eastwood or Reynolds) to even contemplate self-irony.
See All 11 Critic Reviews
Jan 31, 2019
6
amheretojudge
Change Comes Involuntarily. Brubaker Rosenberg's prison stay is exactly how it should go, an impenetrable fascism writhing against an unbiased force with of course a pinch of madness. This recipe has always worked, not for its procedure, but for the obvious tasty ingredients it is brimmed of. Yes, it overstays its welcome and feels a bit stretch over here and there, but there is a lot to look and ponder about. The meticulous gritty long sequences that it adapts to convey a messages out loud and clear is a double edge sword, since there is barely anything cinematic about it, it can be both unnerving and illuminating. The characters are stereotypical pawns as we usually see in such genre, a big bully, a corrupted cop and a rotten system run by bratty misleading leaders. But all of it can be forgiven by easily, since our protagonist is equally glorifying and worth rooting for. The whole "one man can change" theory bodes well in this narration, which the makers being aware of, makes sure that the protagonist bubbles up as the ultimate dream hero there ever was and should be. Portraying such a powerful character lies Redford's exceptional performance, where the annoyance and irritation of single minded people is expressed freely through him. In fairness, the elements of the storytelling too helps him, a few incident where the right and wrong scale is imbalanced and shucked out of the window, to makes you clench your jaw. What makes this experience jarring- and mind you not poignant, which is usually the case- is the buoyancy of the screenplay, it keeps throwing enough reasons back to makes you punch your way out of this. On that very note, Rosenberg triumphs on mapping down that emotion for us to visit blatantly on screen, Brubaker is the leader we want but we cannot get.
See All 15 User Reviews
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  • 20th Century Fox
Jun 20, 1980
2 h 11 m
R
The most wanted man in Wakefield prison is the warden!
Academy Awards, USA
• 1 Nomination
Jupiter Award
• 2 Nominations
Motion Picture Sound Editors, USA
• 1 Win & 1 Nomination
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