SummaryBrazil is a surrealistic nightmare vision of a "perfect" future where technology reigns supreme. Everyone is monitored by a secret government agency that forbids love to interfere with efficiency. When a daydreaming bureaucrat (Pryce) becomes unwittingly involved with an underground superhero and a beautiful mystery woman, he becomes the tragic v... Read More
Directed By:Terry Gilliam
Written By:Terry Gilliam, Tom Stoppard, Charles McKeown, Charles Alverson
Brazil
Metascore
Universal Acclaim
84
User score
Universal Acclaim
8.1
My Score
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Metascore
Universal Acclaim
84
83% Positive
15 Reviews
15 Reviews
17% Mixed
3 Reviews
3 Reviews
0% Negative
0 Reviews
0 Reviews
100
Gilliam's dystopian epic remains among his best, blending his trademark visual inventiveness with a vicious brand of social satire. Unique and essential.
100
It's a glimmering hunk of fractured brilliance riddled with Orwellian paranoia encased in a production design seemingly pieced together from the shared dreams of Franz Kakfa and Salvador Dali, and shot from cruelly low angles.
User score
Universal Acclaim
8.1
84% Positive
215 Ratings
215 Ratings
10% Mixed
26 Ratings
26 Ratings
6% Negative
15 Ratings
15 Ratings
Sep 15, 2024
10
A wonderful criticism of modern bureaucracy, “Brazil” underscores the need for humanity and reasoning to accompany the soulless and heartless machine we are running. Believe it or not, Capitalism has a place for the consumer; one of respect and consideration; one where the client is correct, their needs are tended to, and all parties profit from it. Have you been to a McDonald’s recently? Doubtless their servers have made a mistake or two in your order from time to time. If you report these errors to their management, they tend to immediately replace your purchase, for free, and apologize. Charity does exist in business and can even lead to more profit. Brazil’s absurdity magnifies the issues of paperwork and administrators, but not as excessively as you’d imagine. Many working people are incredibly detached from reality, and are desperate to return to human nature (or to a semblance of reason and security). It’s no surprise, then, that the heroes of this story are those who calmly defy the current order. In contrast, the film also presents incredibly immature people in positions of incredible power, demonstrating the immense harm they can do if not confronted. After all, the protagonist has the mental development of a fifteen year old, exactly like so many of our current day politicians and celebrities! Brazil’s brilliant use of props, environments, color and lighting allow us to detach from existence, while still delivering an entertaining, deeper meaning regarding our reality and the people in it.
Mar 8, 2018
10
A unquestionably bizarre film, "Brazil" at first seems like an improvisation on Orwell's 1984, a funnier 1984, and ends up being like nothing else ever made by anyone, anywhere. An average fellow, the son of a rich, decadent woman, who works for the Ministry of Information, gets caught up in a series of bureaucratic nightmares inflicted by a heartless, tyrannical, uber-government. He fantasizes about flying thru the air, confronting demons dressed like samurai robots, and of a pretty blonde, who turns up in his life one day, the member of a rebel group. There was some controversy about "Brazil" back in the day because of its liberal use of terrorist bombings and its misanthropic character sketches. The story is nothing all that brilliant, but the visuals are magnificently dystopian, with fantastic, gritty, futuristic urban sets, pipes and ducts tumbling out of walls, police in **** garb, and depictions of luxury. I read somewhere that this movie was the beginning of the steampunk aesthetic. Bravo, Terry Gilliam!
100
A ferociously creative 1985 black comedy filled with wild tonal contrasts, swarming details, and unfettered visual invention--every shot carries a charge of surprise and delight.
90
Chillingly hilarious.
75
Brazil can be enjoyed without knowledge of the behind-the-scenes circumstances but the rich irony of the parallels between Gilliam and his fictional creation, Sam Lowry, add a layer of appreciation to the project that it otherwise lacks.
70
Blindingly obtuse, excessively morose, the film is nevertheless dazzling in its inventive and massive sets and spectacular in its techniques...A powerful work that is both bleakly funny and breathtakingly assured.
40
Brazil doesn't add up to much, not only because its cautionary tales are familiar, but because it has no real point of view, nothing urgent under its facile symbols. And the story winds on and on looking for a finish. Three or four times I reached for my coat prematurely. [17 Feb 1986, p.26]
Dec 9, 2016
10
It is one of those science-fiction motion pictures people may not have seen for many years, a remarkable cinematography, sets and greatest direction by Terry Gilliam, full of images that you need to experience with and those images have representations. If someone who is a Monty Python fan, I highly recommend this.
Oct 1, 2022
6
This is like a weird dystopian nightmare - less V for Vendetta and more 1984-ish, with a heavy emphasis on 'Big Brother' and government ministries. I knew it'd likely be a bit weird but it really is rather bonkers and there's not much context or information provided to the viewer as it goes on - we have to guess things as and when. I recognised a number of well known comedian/actors, including Bob Hoskins, Gorden Kaye, Michael Palin and of course Robert DeNiro. There is some witty dialogue present but its not what I'd call a particularly accessible film - its very quirky and surreal with a weighty feel to it, so you have to be in the right sort of mood for it I suppose. It's very much a film about corporate and indeed government based bureaucracy. It's quite dark in terms of the themes covered and the visual look of the film - most settings are in barely lit dark rooms. I suppose it does well at putting an oppresive feel across. I did laugh a bit at the scenes depicting a worker or manager being hounded by a gang of other workers asking him questions, as he rushed down a long, long hall, reminiscent of MPs being hounded by the press I suppose (not that I feel sorry for them most of the time), due to the upbeat music played during these sequences. There's an element of riddle present in some of whats said and given this film dates from the mid 1980s, its visually somewhat dated, a little like Blade Runner, only without the flying cars obviously. This is quite a niche sort of a film - not one that will likely appeal to too many people, certainly on first watch. I wouldn't really recommend this as such, as I don't think its the kind of film that will appeal to many unless your really in the mood for something off-centre.
May 15, 2021
6
The critics love this movie, but somehow I didnt enjoy it much. I guess it is too surrealistic. I didnt like the protagonist Sam Lowry and his teenage like behaviour to another character I didnt like, Jill Layton, who was half a man. So of course I didnt like their "love" also.
And somehow the movie felt very long. Also the visual effects and sets needed much bigger budget in my view, because they look cheaply. The dystopian and bureaucratic world is well made though and something you will not forget so fast. And also there are some popular actors.
Mar 7, 2020
6
One of Gilliam's more coherent efforts but includes his trademark lunacy. Pryce is good.
May 18, 2020
2
I am really surprised about the number of positive reviews for this film !! it's one of the worst movies I've ever watched, I felt confused (what's going on?!) until the end of film, even the jokes were so silly. I know the film is talking about satirizing the dystopian society, but it was so messy and you don't know what's going on or why !! maybe if you watched it at that time you will like it, who knows! On my advice, don't waste 2 hours of your life on it.
Production Company:
- Embassy International Pictures
Release Date:Dec 18, 1985
Duration:2 h 12 m
Rating:R
Tagline:It's only a state of mind.
Awards
Academy Awards, USA
• 2 Nominations
Los Angeles Film Critics Association Awards
• 3 Wins & 3 Nominations
Boston Society of Film Critics Awards
• 2 Wins & 2 Nominations




























