Karen Gordon

Toy Story 5 is a movie for everyone. But if you're feeling down, if the world seems overwhelmingly bleak, or if you just need a reminder that your heart can still be touched, then forget the chores and see it.

Disclosure Day weaves these ideas and more into what seems to be a straightforward action film with some sci-fi elements. And given that this is Steven Spielberg, he doesn't give us answers but leaves us with some hopeful things to contemplate.

Office Romance is wonderfully cast down to the cameos but so filled with bits and pieces aiming to amuse that almost from the get-go, it feels artificial enough to remind us that we’re watching a movie that’s trying hard to please.

The new Netflix documentary Marty, Life Is Short is a portrait of the man and the artist, that prioritizes heart and affection and doesn't pretend otherwise. And it’s not just affection for the film’s subject.

From a story point of view, Omaha is a slight film but one that punches way above its weight.

While it’s fun to see the characters back in action, The Devil Wears Prada 2 is overstuffed and meanders. The film also suffers from self-consciousness. Too many celebrities show up in ways that feel pointless, turning TDWP2 into self-congratulatory mush.

Is this about forgiveness as a pathway to love? Lowery doesn’t sew it up for us in a neat package or give us the answers, but I have no doubt that anyone who resonates with the film will come away with thoughts of their own.

The scenes feel like they've come straight out of 1970s and 80s B-comedies, outdated and out of step with the main plot, which feels richer in comparison. It’s distracting enough to slow the movie down.

We can see the character’s angst, happiness and sorrow, but it doesn’t cut through. The film’s emotional life doesn’t quite connect and feels remote.

Wuthering Heights is a sensual feast. But, while there’s plenty to admire and lots of passion and heat, the film doesn’t quite add up in a way that brings the feels.