JohnClaymore

Peak From Software gameplay. The speed and variety of the combat system is unmatched. The visual design and the setting are a piece of art. A true feudal japan setting , very far away from the abominatios we have seen in 2025. Must be played with the japanese voiceover.

Incredible visual design. Narrative of a very high standard and a solid gameplay base, not too challenging on normal difficulty but never boring.

This title deserves a higher score to reward its originality and quite unique approach, which in recent years has become confined almost exclusively to the indie space. The story itself is quite gripping, with little handholding, but it suffers in two key aspects: 1) I am not a fan of the "cozy" design style, the plot could have benefitted incredibly from a realistic, serious tone and design. 2)The gameplay loop is not optmized or polished, leading to excessive repetition and wasting a lot of time to just get at the point where new trial and error is necessary to advance, which can become tedious.

Whatever this piece of anti-natal propaganda is, it is clearly not a silent hill game, but rather an action game with the silent hill moniker plastered on it. Very dull, full of "action" combat, and devoid of any subtlety which made the true silent hills what they were.

A botched sequel which does everything worse than the original. Marred in controversy and filled to the brim with propaganda, is het another example of a "modern audience" utter failure.

Clunky at times but oozing originality under every single aspect. A mix of styles and gameplay which is impossible to see in more recent times.

Nice example of original and compelling narrative in the visual novel genere. Excellent design.

Another terrible example of a woke infested sub par game from Ubisoft. Nothing of value is in this game. By the way, as with Failguard Metacritic is again deleting negative user reviews, violating EU law such as Article 19 (2) of the ICCPR.

Very nice and solid improvement over the first one. Beautiful characters and engaging narrative, without any trace of the tipical western developer political propaganda injection. Beatifully weird.

An incredibly innovative title, which plays more like an interactive movie than a videogame. The PSVR2 experience is superb, and the narrative is very gripping and emotional. The major downside is the "gameplay" itself, if it can be called so. Using an involontary movement such as blinking to progress a scene is a double edged sword. The scene could be cut too soon with an involontary blink and resisting the urge to listen to dialogue to the end or achieve some trophies feels a bit like torture. Deserves a lot of credit for its uniqueness.

A masterpiece by From Software. A incredibly immersive and stunning setting combined with a combat systemt that favours dynamic and aggressive combat as a departure from the more defensive approach required in the Dark Souls series. The lore is just stunning an all the art in the game. A Must Play.

Nobody likely felt the need for this remake. Twisted and westernized for political reasons, it fails to convey the atmosphere of the original. For a much better experience, I recommend playing the original on PS2 hardware.

A long shot from what Silent hill used to be. Hardly anything worth of the moniker of psychological horror. More of a teen drama. Extremely bad choice for the protagonist, most likely dictated by DEI rather than any narrative reason. Not recommended.

Brilliant and constantly fun. The base mechanic is extremely fun, and the level layout adds a layer of challenge which is quite on par even for experienced gamers. A classic of playstation history and a must have for any collector.

A joyful, snappy and fun platformer garnished with the wonderful history of playstation. It never stops delivering funny design and adorable character animations. If you have kids, it will be unforgettable to play it together. A must have!

An amazing evolution on the proven souls formula. Spectacular art and lore once again combined with an engaging and challenging combat system.

A true masterpiece choked full of inspiration and references to very good surreal horror literature and classic survival horror references. A unique blend of captivating art, literature, Resident evil, Silent Hill and dead space. Gripping from start to end, and will leave a lasting impression within your brain. A must play for any sci-fi horror fan.

A good take on the early Destiny-stile gameplay loop. Very Solid art style, especially f or the characters,good environment design and solid gunplay. Being free to play, the inevitable excessive grind and pay to win mechanics are flawing the experience. Would be extremely nice to see a full paid product from the same devs. Excellent female character design, nowhere near the abominations of recent western game developers.

The PR campaign and press reviews are way above actual reality. It is an overall good game which builds on the current D&D ruleset and the legacy of the previous Baldur's Gate title and general Bioware RPGs. The interface is clunky, and the combat and gameplay is sometimes too. The character faces and movements are not top notch. Woke elements are ruining the character creation to the point of being unbearable. 5 or 7 face options are given but for some reason the same amount of dangling genitalia was deemed more important. Writing of characters is sometimes very shallow, with the language depth of a pre-teen (Barbarian). Multiplayer is very enjoyable though again, junky in terms of dialogue. Totally worth playing, but nowhere close in terms of quality to what the press PR pushes it to be.

As its predecessor, a very addictive and engaging core gameplay loop. Multiplayer is extremely fun. The 3rd person view makes the experience better in my opinion, map becomes larger in perception and the aiming and use of stratagems has become more complex and varied. A very solid entry, absolutely recommended if you have a group of friends to play with. The only downside is the introduction of microtransactions and the tipical live service cancerous practices, such as premium warbonds released at a way too high frequency and endless grind for unlocking ship modules.

A refreshing design style in an era where character design tends to be unappealing and dull. Very solid combat, reminiscent of a Nioh meets Devil May cry. Very positive also see a new IP and not yet another sequel. Good solid game.

A very solid follow up to the previous entry, which build upon the stunning visuals for the time of release and excellent story telling. FMVs and realistic character design were a first for the series. The plot is excellent, with the usual convolution expected from an FF entry. Full of rapturing moments and emotionally engaging. The gameplay is very solid, I personally love the Junction system. The only drawback is how spells are acquired and used, the draw mechanic is not a very good design, leading to a lot of repetition. And then, there is the best minigame of all time: Triple Triad. If you want to experience serious addiction, just press square.

Mediocre gameplay with a lot of repetition. Story has some good elements, but the protagonist constant comments and mary sue attitude detriments the overall experience.

Good experience overall for W40k fans. Nice art/graphical style. Gameplay is too repetitive forcing you to endure way too long levels. Would have benefitted from Doom style level length.