Rarely is a TV show simultaneously as blistering funny as it is delicately devastating but Feel Good – sublimely – is both.

Martin and Hampson have made a delicate comedy and a tender love story, grafting both on to an undercurrent of pain, without ever being maudlin about it. Feel Good is a beautiful achievement, kind, human, as clever as it is funny.

Its second season, also just six episodes, is just as richly textured and even more ambitious in its storytelling. Martin’s comedic voice is original and sharp, and the show unflinchingly embraces discomfort and mess.

Beneath the surface charms of this clever, entertaining series, Martin wants to show us how difficult it is to be a moral person, and how beautiful it is to try.

The new episodes of “Feel Good” are on a par with the old ones — textured, funny, a bit dramatic, and fitted with a clear theme: trauma and recovery from it.

Martin was the revelation of the first season, an inexperienced lead who immediately displayed astonishing on-screen ease with both comedy and pathos. The second season somehow amplifies the two extremes of the performance perfectly. ... These episodes rush by, perhaps too quickly, with an abruptly resolved series finale.

It’s a lot to squeeze into a short season with short episodes, and parts of it can’t help feeling rushed. But much more of it works than would seem possible under these conditions, and in many ways the second season is even more satisfying than the first.

Stopped watching this half way through didn’t find it amusing at all I didn’t even find the first season funny and watched it all but couldn’t cope with this one.

Awww..., more rainbow-coloured schmaltz that leaves every Graudian reviewer weak at the knees.

Literally everything that’s wrong with TV. Unimaginative, cliche, and self impressed.