Rachael Sigee

The Game does not hit the tense heights of his best 5 project, last year’s Coma, but it’s a perfectly serviceable mystery that spotlights Watkins’s unparalleled ability to play the snowballing anxiety of men in over their heads.

The serious issues Ten Pound Poms touches on are couched in a cosiness that does not always serve them best.

Duff, Marsan and Ayling-Ellis are the big names but the charismatic Gurney is a revelation in the lead role, with an intense performance that wavers between volatility and vulnerability.

Not every course The Bear serves up is perfect, but with a final dish that sings like that, it remains an unforgettable feast for viewers.

This is a gentle and polite travelogue that benefits from having a clear path to emulate and a genial host.

It’s a forgettable – if gorgeous-looking – thriller that never surprises past its initial set-up.

All you need to know here is that Sunday nights are back in business when it comes to tense, twisty police thrillers.

The truth is that we will never know what Jane wrote to her friends and that is probably exactly as it should be. But Miss Austen is nonetheless a gentle and charming period drama, filled with classy performances that will delight Austen fans if not necessarily spawn new ones.

If you can avoid spoilers, it’s worth allowing yourself to be won over – just don’t overthink the details.

It has to be said that this was not one of Vera’s most thrilling plots. .... Like Vera herself, this episode was perfectly solid but it feels as though the best may be being saved for her final swansong.