Guardian

The Adventures of Elliot is not especially ambitious. It is a comforting balm during turbulent times. If you can stomach its occasionally nauseating earnestness, this rich fantasy world is a cosy one to retreat to. And despite my instinctive reaction to the off-puttingly cheesy dialogue, this charming world eventually began to warm even my cold, cynical English heart, thanks to some inspired dungeons and rewarding, customisable combat.

The story does a great job of pulling you along for the first few hours as you go from rivals to friends and back to rivals again. It gets you invested in the action and raises the stakes, but the narrative climaxes near the beginning of your UFC career and then fizzles out. It feels like a bit of a missed opportunity to keep you engaged when you reach the top and have to defend your belts. Nonetheless, between the fluid fighting and the story-mode razzmatazz, this is the best version yet of EA’s fight-sim series.

It’s easy to see why The 7th Guest was so beloved in the first place. Vertigo Games has given this classic a well-deserved facelift, ratcheting up the impact of its theatrical story and unique historical atmosphere. Frustrating mechanical woes aside, it still feels like essential reading for puzzle-lovers who wish to experience one of the classics that shaped the adventure game genre.

Mina the Hollower doesn’t only trade in nostalgia; it’s a game that could only have been made today. But if you’re looking for vintage Sega or Nintendo-alike magic, here it is. A simple, perfectly satisfying move, spun out into 20 hours’ worth of fun, squeezing out every possible surprise and delight along the way. As links to the past go, this is hard to beat.

Very few fans get to play in the sandbox of their obsession like IO has here. As far as Bond video games go, nobody has done it better.

But mostly, it’s business as usual at the Forza Horizon festival: an expansive map filled with scenic and seasonal variety (plus hidden cars!), an intuitive yet still challenging handling model and hundreds of challenges to take part in. Forza Horizon 6 adds to the size and visual splendour of the environment, brings in better progression and provides an impressive array of accessibility options for players with different abilities, including full auto drive, limitless fast travel and high contrast mode. It does not revolutionise what this series has always done, there is nothing radical here to attract a whole new base of players. But that’s fine. There is no other way most of us will ever get to sit in a Porsche 911 GT3 and cruise into the Daikoku parking area with Yellow Magic Orchestra playing on the radio. For that experience, and so many others, the designers of this beautiful game should be thanked and applauded.

This mixtape, then, plays it safe, curating a crowd-pleasing compilation of teenage tropes and homages to coming-of-age cinema. It’s a beautiful and inventively silly series of musical vignettes – but without any real conflict at its core, the adventure fails to match the memorable heights of Life Is Strange. Much like an evening spent scrolling through classic music videos on YouTube, there’s a simple, nostalgic joy to be found. But once this four-hour spectacle is over, you might be left wishing that you’d spent your time more wisely.

It is wonderful to see such a difficult and unwieldy idea executed so brilliantly. It has been a pleasure to go on this weird trip back to the crucible of PC gaming culture. You don’t have to be nostalgic for the period of fuzzy FMV and splatterhouse gore to appreciate Forbidden Solitaire – it works as a brain-teasing card-battler in its own right. But if you were playing games 30 years ago, when interactive horror meant bad acting, looming purple skies, pixelated images of decapitated heads and stories inspired by pulp fantasy fiction, Forbidden Solitaire is a wildly self-aware, multi-textured treat. Enter if you dare.

There’s so much happening during the action that you learn to focus on the centre of the screen, relying on reflexes and peripheral vision to take it all in simultaneously as the scene explodes. Saros asks a lot of you – you’ll strafe until your thumbs hurt – but it taps into something primal, pulling you into a flow state where even a screen full of flaming orbs spat by towering hostile aliens no longer seems that big a deal.

Replaced’s most memorable stretch sees Warren sneaking back into the heavily guarded facility where the adventure began. You crouch amid tall, swaying grass and boggy marsh while being stalked by futuristic choppers that can end your life with a single, booming bullet. A gigantic wall looms in the background, rendered as an imposing black silhouette. For much of its 10-hour run time, Replaced seems content with replicating cyberpunk leitmotifs in pretty pixel-art fashion without adding much of its own. But this supersized, militarised fortification sees the game extend its purview, powerfully evoking the Mexico-US border wall and the West Bank barrier.