The Furious

This is a whooping-and-hollering movie. It’s more than satisfying. It’s bloody heaven.

The Furious is a rousing piece of spectacle.

This ambitiously staged brawler understands that narrative simplicity is the core of a truly relentless, propulsive action movie.

The Furious is two hours of exactly the martial arts mayhem you were hoping it would be.

An astonishing bloodbath of brute hand-to-hand combat, highly resourceful weaponry and gnarly bodily contortions, “The Furious” is such a feat of mass physical coordination that such niceties as character and narrative can afford to be an afterthought. Here’s a film where you come for the fighting and stay for the fighting, and are unlikely to feel shortchanged.

Kenji Tanigaki's direction during the fights, combined with the intricate choreography, puts Hollywood action movies to shame. As Nicole Kidman continues to say in those AMC bumpers that really should be retired by now, "We come to this place for magic." And magic is what "The Furious" gives us. Violent, bloody, ass-kicking magic.

Sonomura’s fight choreography blends seamlessly with Meteor Cheung’s fluid cinematography; long, circular takes capture the action in full, and Sonomura stages sequences that utilize every star’s unique fighting style while also finding a rhythm and flow among the different practices.

Awesome action packed fight movie. Only suffers from being a little cliche and a slow beginning. Once it gets rolling it's non stop action with some unique fights. Best movie I've seen this summer so far.

Review of The Furious (2025) The Furious is one of the year's most impressive action films in terms of fight choreography. The combat sequences are creative, varied, and rely heavily on practical stunt work rather than CGI, giving the action a strong sense of physicality and realism. From a purely technical standpoint, the film's action direction is excellent. However, the main problem is that almost every other element of the film exists primarily to serve the action. 1. Characterization Nearly every character remains a type rather than becoming a fully developed character. The police chief is essentially a stereotypical corrupt official. From beginning to end, his behavior is highly predictable. He never faces meaningful internal conflict, makes genuinely difficult decisions, or adapts his strategy to protect his position. The rest of the police force is largely divided into two simple categories: "good cops" and "bad cops," with very little moral complexity. Despite being a child, the daughter is portrayed as unrealistically fearless, even fighting back against violent criminals without the film providing enough dramatic justification for that level of courage. The male supporting character is almost entirely defined by a single motivation: finding his wife and exposing the child trafficking network. The protagonist is similarly one-dimensional. He is a skilled fighter and a devoted father determined to rescue his daughter, but the film rarely explores who he is beyond those traits. The main antagonist is also a conventional, one-note villain rather than a character with layered motivations or meaningful contradictions. Using archetypal characters is not inherently a flaw. However, in this film, keeping the characters at that level does not serve a larger thematic or dramatic purpose, leaving them emotionally flat. 2. Screenplay and Story The story is straightforward and highly familiar, offering few surprises. Simplicity itself is not the problem. The real issue is that the characters and their relationships are not developed enough to make that simple story engaging. Had the characters made more complex and less predictable decisions, the narrative could have become far more dynamic. For example, the corrupt police chief could have shifted alliances, betrayed his criminal partners, attempted to save himself politically, or manipulated both sides to protect his own interests. Instead, nearly every major character follows a fixed and predictable path throughout the film. 3. Pacing The film's biggest weakness, in my opinion, is its pacing. The issue is not the amount of action. Films such as Mad Max: Fury Road demonstrate that a movie can feature almost nonstop action while maintaining outstanding pacing. The difference is that Fury Road allows enough space between action sequences for its characters to evolve, relationships to change, and dramatic conflicts to deepen. As a result, each new action scene carries greater emotional weight than the one before it. In The Furious, by contrast, many of the non-action scenes feel as though they exist merely to bridge one fight sequence to the next. Consequently, despite the outstanding choreography, the film gradually becomes exhausting rather than increasingly exciting. Final Thoughts The Furious succeeds as a showcase of expertly choreographed fight scenes, practical stunt work, and energetic action direction. These are unquestionably the film's greatest strengths. However, its shallow characterization, conventional narrative, and pacing that rarely allows room for meaningful dramatic development prevent it from becoming a truly complete cinematic experience. Instead of integrating action into a compelling story, the film too often lets the story exist only to justify the next action sequence.

Firstly the action is definitely 110% the actors are giving it their all and then some. Unfortunately it's not my taste and i really wanted to like this. A lot of what i call falling down kung fu.. where they're trying to build intensity by having a lot of impractical grabbing, slipping, sliding and falling all over the place waving their arms kung fu which to me makes the action look more silly than visceral and cool. It's not all like that.. but so much of it is like that. If you like that kind of movie martial arts then you'll love this because they really go all out and have so much creativity. Unfortuantely for me i like more grounded realistic style. And i know it's never realistic but this is soo far from realistic. the english dubbing really takes me out of it too. it's like the jackie chan movies they brought over to america int he 9i0s and redubbed in english. I get what they're doing to try to get a broader audience but it sounds so off i wish they would just speak their native languages like when they speak mandarin sometimes. They have to do a lot of their acting with facial expressions and they do a good job! ..but it can only go so far.

[SPOILER ALERT: This review contains spoilers.]

It wanna be like Raid but stupid story and average choreography makes this movie forgettable