SummaryA young, naive Hollywood studio assistant finally turns the tables on his incredibly abusive producer boss.
Directed By:George Huang
Written By:George Huang
Swimming with Sharks
Metascore
Generally Favorable
66
User score
Generally Favorable
7.1
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Metascore
Generally Favorable
66
71% Positive
10 Reviews
10 Reviews
21% Mixed
3 Reviews
3 Reviews
7% Negative
1 Review
1 Review
83
Swimming With Sharks swipes its basic design from Robert Altman’s The Player: It’s yet another black satirical morality play about a yuppie climber who learns to be a killer. But since Guy, for all his ass-kissing resentment, isn’t really filled in as a character, our attention — and, in a curious way, our sympathy — shifts to the monster himself. When Spacey goes ballistic, only to freeze the nitroglycerine in his veins a moment later, you don’t want to look anywhere else.
80
Swimming With Sharks, the latest Tinseltown dig at Tinseltown, is being advertised as a jokey spoof, but it's something quite different: a dark slice of retribution that recalls Stephen King in his Misery mode.
75
There is much that is hilarious about this bleak house of horrors, based on the real-life traumas of writer-director George Huang. Most of the humor surfaces early--including a clever opening restaurant scene--as Buddy (Kevin Spacey, in a terrific performance) gives his new assistant, Guy (Frank Whaley), a harsh lesson in subjugation. [12 May 1995, p.H]
70
Within its very limited range, pic has verve, a fine control of tone and a stylish look given its low budget and three-week sked. Spacey dominates, but Whaley makes a convincing transition from goody-goody to icy insider, and Forbes manages well despite being forced to flip-flop on command between sarcastic bitchiness and softer intimacy.
63
Swimming with Sharks is fine when it puts Buddy into outrageous play. But it stumbles in a few other places, requiring a pretty hefty suspension of disbelief - first at Guy's making it into his miserable job that many would kill for, then when he finds himself on the receiving end of romantic attentions. [09 June 1995, p.57]
50
Swimming With Sharks, despite its attempt to be wicked and hiply fun, is ultimately just tiring as it pits people against one another.
38
George Huang's Swimming With Sharks purports to give us the goods on the big bad egos who run Hollywood, but it lacks both credibility and coherence. [06 May 1995]
User score
Generally Favorable
7.1
70% Positive
7 Ratings
7 Ratings
30% Mixed
3 Ratings
3 Ratings
0% Negative
0 Ratings
0 Ratings
Feb 21, 2024
9
Une parfaite illustration du harcèlement moral, un peu exagérée, un peu caricaturée (quand même… non ? ça se passe comme ça à Hollywood ? quoique… allez savoir…) et carrément cynique sur la fin (mais quelle fin, nom d’un chien !). Kevin Spacey brille de mille feux et Michelle Forbes irradie de son charme ténébreux.Quant à Franck Whaley, excellent, il fait comme le bleu-bite : il ferme sa gueule et il enregistre. Ce film étonnant (mais aussi effrayant et drôle à la fois) a l’intelligence de ne pas sombrer dans un manichéisme réducteur : tous les personnages évoluent dans un gris pas très net. Et la morale de l’histoire (oui, il y en a une) est la suivante : l’ambition transforme les gens en vrais connards… ou en serpillères !
Aug 30, 2024
8
Not entirely what you'd expect from the promo art, this strange hybrid of chilling suspense and black comedy bears a surprisingly deep, developed cast of characters and a bitter, intense message about the origins of a corporate monster. Kevin Spacey is at his usual best as the pompous, demeaning studio executive with a finger in every pie, while journeyman Frank Whaley (Brett from Pulp Fiction) overplays the wide-eyed, naïve farmboy act as Spacey's hapless assistant on the verge of a breakdown. While early scenes hint that this is just another predictable, pull-for-the-little-man light comedy, the narrative's regular flashes forward in the timeline paint a larger, more sinister picture. When the dust settles, Spacey is revealed to be far more complicated and damaged than he lets on, Whaley has worked himself into a deep, dark pit of trouble and neither man is who they were at the outset. Bewildering at times due to the jolting changes in tone and atmosphere, it lingers with the viewer well after the credits have rolled.
Production Company:
- Cineville
- Keystone Studios
- Mama'Z Boy Entertainment
- NeoFight Film
Release Date:Apr 21, 1995
Duration:1 h 33 m
Rating:R
Tagline:Back Stabbing Ruthless Two Faced Revenge
Awards
Deauville Film Festival
• 1 Win & 2 Nominations
New York Film Critics Circle Awards
• 1 Win & 1 Nomination
Seattle International Film Festival
• 1 Win & 1 Nomination


































