Critic Reviews

Glory's inconsistent characterization defeats rather than builds tension, and the tepid soon gives way to the ridiculous.

The story, too, undercuts the actors.

After a promising entrapment scene that offers some casually eerie narrative details, the film collapses, lurching awkwardly between a variety of tones and intentions.

Ultimately Serving Up Richard feels about as substantial as a Happy Meal (which this poor guy assuredly is not).

Olek never decides what his film should be, and the result takes wild stabs at slasher gore, supernatural horror, black comedy and even social commentary, thanks to a zero-hour attempt to tie things up with a morality tale about the damaging effects of organized religion.