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SummaryBrilliantly transforming a classic whodunit plot, Gallic Master of Suspense Henri-Georges Clouzot takes us from the wings and dressing rooms of the Parisian music hall and circus worlds to the drab, airless corridors and holding cells of the Quai's Criminal Investigations Department, in a blend of social realism and psychological cruelty that bec... Read More
Directed By:Henri-Georges Clouzot
Written By:Stanislas-André Steeman, Henri-Georges Clouzot, Jean Ferry
Quai des Orfèvres [re-release]
Metascore
Universal Acclaim
89
User score
Generally Favorable
7.7
My Score
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Metascore
Universal Acclaim
89
90% Positive
9 Reviews
9 Reviews
10% Mixed
1 Review
1 Review
0% Negative
0 Reviews
0 Reviews
100
A gorgeous flirt of a murder movie.
100
A film noir? A backstage musical? A whodunit? A comedy? In truth, it's all of the above -- plus a kinky love story, an absorbing melodrama, and a mordantly jaded snapshot of postwar Paris -- and all of them are wonderful.
91
Like all great film noir, however, the real delight of this film is in its mood and atmosphere.
90
It is in fact a traditional mystery more reminiscent of Agatha Christie than the reigning film noir aesthetic of 1947. But it's fabulously entertaining.
90
Brooding, beautifully made and almost impossible for Americans to see -- Quai des Orfèvres, makes a triumphant reappearance on theatrical screens after an absence of about 50 years.
75
This pungently filmed 1947 melodrama doesn't rank with Clouzot classics like "Diabolique" and "The Wages of Fear," but it's full of hard-boiled charm and has a musical score that adds extra dimensions to its impact.
60
While the story is thin, Clouzot uses his immense skills to raise the picture above the standard for the genre.
User score
Generally Favorable
7.7
86% Positive
6 Ratings
6 Ratings
14% Mixed
1 Rating
1 Rating
0% Negative
0 Ratings
0 Ratings
Oct 17, 2011
9
Quai des Orfevres is a truly fine example of a murder-mystery, chiefly because of how it breaks the "typical" formula for the genre. The film isn't about finding out "whodunit" - we are provided with that information from the very start. In reality, it's a tale of deception and misunderstanding - the police think they are on the right line of enquiry, but fail to guess how far off the real culprit they really are, and the innocent man who is suspected is forced to cover his tracks as the evidence against him is strong. Performances across the board are strong, but Louis Jouvet is the real highlight of the film, playing one of the all-time greatest grizzled movie police detectives - he is absolutely captivating in every scene. The real achievement of Quai des Orfevres is how expertly it bridges the gap between formula and innovation. It's extremely enjoyable as a highlight of the mystery genre and noire filmmaking, but it is memorable because it deconstructs these filmic artifices and is unafraid to do something a little different in regards to narrative and character.
May 19, 2019
5
Ce Quai des Orfèvres tire grand avantage du charismatique Louis Jouvet et de sa gouaille étonnante ! il en impose assurément et s'avère plus têtu qu'un Columbo... Bernard Blier qu'on reconnaît déjà sans peine impressionne également. Mais Robert Dalban j'ai mis un bout de temps à le reconnaître et pourtant c'est bel et bien lui, l'habitué des seconds et troisièmes rôles, déjà ! L'histoire se tient et jusqu'au bout, on ignore qui va se faire prendre et finir au ballon... Toutefois, le film souffre de nombreuses longueurs et d'une musique trop forte particulièrement criarde et désagréable. De même, le temps d'exposition est exagérément bavard sans mentionner les quelques chansonnettes qui vrillent bien les nerfs ici et là... Un film intéressant qui aurait beaucoup gagné à ne pas se disperser autant en digressions et autres lenteurs.
Production Company:
- Majestic Films
Release Date:Oct 25, 2002
Duration:1 h 46 m
Awards
Venice Film Festival
• 1 Win & 2 Nominations
Edgar Allan Poe Awards
• 1 Win & 1 Nomination




























