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La Commune (Paris, 1871)
SummaryThis epic chronicle of the Paris Commune of 1871 is an attempt to challenge existing notions of documentary film, as well as the notions of 'neutrality' and 'objectivity' so beloved by the mass media today. [First Run / Icarus Films]

La Commune (Paris, 1871)

Metascore
Universal Acclaim
90
User score
Generally Favorable
7.8
My Score
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Metascore
Universal Acclaim
90
100% Positive
5 Reviews
0% Mixed
0 Reviews
0% Negative
0 Reviews
  • All Reviews
  • Positive Reviews
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  • Negative Reviews
100
Christian Science Monitor
It takes time to grow accustomed to the docu- drama's stylized approach, influenced by Bertolt Brecht and Jean-Luc Godard. But this nearly six-hour movie is generous with time.
100
Village Voice
Watkins restages history in its own ruins, uses the media as a frame, and even so, manages to imbue his narrative with amazing presence. No less than the event it chronicles, La Commune is a triumph of spontaneous action.
90
Variety
Taped in stark black-and-white and clocking in 15 minutes shy of six hours, invigorating pic is big, passionate and brimming with compelling human details and broad sociopolitical idealism.
80
The New York Times
In these risk-averse times, it is a pleasure to see a film that fails by attempting too much. Frustrating and demanding as it may be, La Commune (Paris, 1871) is essential viewing for anyone interested in taking an exploratory step outside the Hollywood norms.
75
New York Post
Daring and unique, La Commune makes perfect viewing for the Fourth of July, which commemorates America's own revolution.
User score
Generally Favorable
7.8
80% Positive
4 Ratings
0% Mixed
0 Ratings
20% Negative
1 Rating
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May 11, 2021
10
toddgold
If you haven’t experienced any film in Peter Watkins’ ouvre, then you owe it to yourself to do so. Peter Watkins is one of the few Truly visionary filmmakers of the 20th Century—Right up there with Fellini, Bergman, Bela Tarr and a handful of others who were able to create an atmosphere all their own—But Peter Watkins’cinema has one distinct difference, in that, he invites the viewer to participate, intellectually, in a visceral and electrifying experience you’ll never find ANYWHERE. If given a chance, it might even offer a transformation in the very fabric of your intellectual being. NO ONE has the singular gift of Watkins’ pseudo-/quasi—documentary style that is all his own…His films may be demandingly long, but if you can binge watch your favorite series, I propose that if you make the effort to hang in there, you are Definitely going to have an experience that you’ll NEVER forget! —todd gold
See All 5 User Reviews
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  • 13 Productions
  • La Sept-Arte
  • Le Musée d'Orsay
  • Institut National de l'Audiovisuel (INA)
  • Cofimage 11
  • Ministère des Affaires Étrangères
  • Conseil Général de la Seine-Saint-Denis
  • Ministère de la Culture et de la Communication
  • Centre national du cinéma et de l'image animée (CNC)
  • Société des Producteurs de Cinéma et de Télévision (Procirep)
  • SCAM
Jul 3, 2003
5 h 45 m
Los Angeles Film Critics Association Awards
• 1 Win & 1 Nomination
Village Voice Film Poll
• 1 Nomination
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